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  • 1
    Buch
    Buch
    New York, NY : Oxford University Press
    UID:
    gbv_1680669036
    Umfang: xi, 196 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780197510841 , 9780195371628
    Inhalt: Introduction. The Other Jazz -- Why call it Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just... Jazz: the politics of naming an intercultural Music -- Caribbean and Latin American Reverberations and the First Birth of Latin Jazz : New Orleans and the Spanish Tinge -- The Second Birth of Latin Jazz : Louis Armstrong and Duke Ellington Do the Rumba -- El Tema del Apollo : Latin American and Caribbean music in Harlem -- The "Othering" of Latin Jazz -- "More Cowbell" : Latin Jazz in the 21st Century.
    Inhalt: "Latin Jazz: the Other Jazz is an issue oriented historical and ethnographic study of Latin jazz that focuses upon key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence in 18th and 19th century colonial New Orleans through to the present global stage, provides an in depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the ethnographic present. As the book title suggests, Latin jazz is explored both as a specific sub-genre of jazz, and, through the processes involved in its constructed "otherness." Latin Jazz: the Other Jazz provides a revisionist perspective on jazz history by embracing and celebrating jazz' rich global nature and heralding the significant and undeniable Caribbean and Latin American contributions to this beautiful expressive form. This study demonstrates how jazz expression reverberates entangled histories that encompass a tapestry of racial distinctions and blurred lines between geographical divides. Jazz is a product of the black, brown, tan, mulatto, beige, and white experience throughout the Americas and the Caribbean. This book acknowledges, pays tribute to, and celebrates the diversity of culture, experience, and perspectives that are foundational to jazz. By doing so, the music's legacy is shown to transcend way beyond stylistic distinction, national borders, and the imposition of the black and white racial divide that has only served to maintain the status quo and silence and erase the foundational contributions of innovators from the Caribbean and Latin America"--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9780197510858
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Washburne, Christopher Latin jazz New York : Oxford University Press, 2020
    Sprache: Englisch
    Fachgebiete: Ethnologie
    RVK:
    Schlagwort(e): Latin jazz ; Geschichte ; Interkulturalität ; Musikethnologie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Philadelphia :Temple Univ. Press,
    UID:
    almafu_BV023210458
    Umfang: XII, 254 S. : , Ill., Notenbeisp.
    ISBN: 978-1-592-13315-4 , 1-592-13315-0 , 978-1-592-13316-1 , 1-592-13316-9
    Inhalt: This ethnographic journey into the New York salsa scene of the 1990s offers detailed accounts of musicians grappling with intercultural tensions and commercial pressures. The author, himself an accomplished salsa musican, examines the organisational structures, recording processes, rehearsing and gigging of salsa bands.
    Anmerkung: Includes bibliographical references (p. ) and index. - Salsa bands and the performance of pueble -- The music is so good but the scene is pure dues! : salsa musicians -- Play like there's a gun to your head! : the aesthetics and performance practice of sounding violence in salsa -- New York salsa and drugs : aesthetics, performance practice, governmental policy, and the illicit drug trade -- La India and the masquerading of gender on the salsa scene -- They are going to hear this in Puerto Rico. It has got to be good! : the sound and style of salsa
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Salsa ; Gesellschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Philadelphia :Temple Univ. Press,
    UID:
    almahu_BV023210458
    Umfang: XII, 254 S. : , Ill., Notenbeisp.
    ISBN: 978-1-592-13315-4 , 1-592-13315-0 , 978-1-592-13316-1 , 1-592-13316-9
    Inhalt: This ethnographic journey into the New York salsa scene of the 1990s offers detailed accounts of musicians grappling with intercultural tensions and commercial pressures. The author, himself an accomplished salsa musican, examines the organisational structures, recording processes, rehearsing and gigging of salsa bands.
    Anmerkung: Includes bibliographical references (p. ) and index. - Salsa bands and the performance of pueble -- The music is so good but the scene is pure dues! : salsa musicians -- Play like there's a gun to your head! : the aesthetics and performance practice of sounding violence in salsa -- New York salsa and drugs : aesthetics, performance practice, governmental policy, and the illicit drug trade -- La India and the masquerading of gender on the salsa scene -- They are going to hear this in Puerto Rico. It has got to be good! : the sound and style of salsa
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Salsa ; Gesellschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York :Oxford University Press,
    UID:
    almahu_9948368019202882
    Umfang: 1 online resource (216 pages).
    ISBN: 9780197510865 (ebook) :
    Serie: Currents in Latin American & Iberian music
    Inhalt: Latin Jazz: The Other Jazz is an issue-oriented historical and ethnographic study that focuses on key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence from eighteenth- and nineteenth-century colonial New Orleans through to the present global stage, provides an in-depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the ethnographic present. Latin jazz is explored both as a specific subgenre of jazz and through the processes involved in its constructed "otherness".
    Anmerkung: Also issued in print: 2020.
    Weitere Ausg.: Print version : ISBN 9780195371628
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    gbv_461738864
    Anmerkung: In: Revista de música latino americana. - Austin, Tex , Vol. 19, Nr. 2, S. 160-185 : Notenbeisp
    In: year:1998
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Buch
    Buch
    Ann Arbor, Mich. :UMI,
    UID:
    almafu_BV026373409
    Umfang: V, 377 S. : , graph. Darst., Notenbeisp.
    Anmerkung: Original erschien als Mikrofilm , Zugl.: New York, Columbia Univ. Diss., 1999
    Sprache: Englisch
    Schlagwort(e): Salsa ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    Philadelphia, Pa. : Temple University Press | Chesham : Combined Academic
    UID:
    gbv_1614590559
    Umfang: xii, 254 Seiten , Illustrationen , 23 cm
    ISBN: 9781592133154 , 9781592133161 , 1592133150 , 1592133169
    Serie: Studies in Latin American and Caribbean music
    Anmerkung: Published 2008 , Literaturverzeichnis Seite 229-243. Index , Salsa bands and the performance of pueble -- The music is so good, but the scene is pure dues!: salsa musicians -- Play like there's a gun to your head!: the aesthetics and performance practice of sounding violence in salsa -- New York salsa and drugs: aesthetics, performance practice, governmental policy, and the illicit drug trade -- La India and the masquerading of gender on the salsa scene -- They are going to hear this in Puerto Rico. It has got to be good!: the sound and style of salsa.
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    RVK:
    Schlagwort(e): New York, NY ; Salsa ; Gesellschaft ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York [u.a.] :Routledge,
    UID:
    almahu_BV019700525
    Umfang: X, 379 S. : , Ill., Notenbeisp.
    ISBN: 0-415-94365-5 , 0-415-94366-3
    Anmerkung: Includes bibliographical references (p. ) and index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Unterhaltungsmusik ; Musikästhetik ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    Boca Raton, FL :Routledge,
    UID:
    edocfu_9961152697202883
    Umfang: 1 online resource (391 p.)
    Ausgabe: First edition.
    ISBN: 1-135-94683-3 , 9786610240654 , 1-135-94684-1 , 0-203-95446-7 , 1-135-38540-8 , 1-280-24065-2 , 0-203-30904-9
    Inhalt: Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!
    Anmerkung: Description based upon print version of record. , What is bad music? / Simon Frith -- White trash alchemies of the abject sublime : country as "bad" music / Aaron A. Fox -- Pop music, racial imagination, and the sounds of cheese : notes on loser's lounge / Jason Lee Oakes -- Bad world music / Timothy D. Taylor -- Theorizing the musically abject / Elizabeth Tolbert -- Does Kenny G play bad jazz? : a case study / Christopher Washburne -- The flight from banality / James Koehne -- The good, the bad, and the folk / Richard Carlin -- Film, music, and the redemption of the mundane / Giorgio Biancorosso -- A moment like this : American idol and narratives of meritocracy / Matthew Wheelock Stahl -- Extreme noise terror : punk rock and the aesthetics of badness / Angela Rodel -- Glitch, the beauty of malfunction / Torben Sangild -- Glitches, bugs, and hisses : the degeneration of musical recordings and the contemporary musical work / Eliot Bates -- Rock critics need bad music / Deena Weinstein -- Much too loud and not loud enough : issues involving the reception of staged rock musicals / Elizabeth L. Wollman -- Trivial music (Trivialmusik) : "preface" and "trivial music and aesthetic judgment" / Carl Dahlhaus ; translated by Ulrike Sailer ; introductory comments by Walter Frisch. , Also available in print format. , English
    Weitere Ausg.: ISBN 0-415-94365-5
    Weitere Ausg.: ISBN 0-415-94366-3
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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