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  • 1
    Book
    Book
    Cambridge, Mass. ; New York, NY :Cambridge Univ. Press,
    UID:
    almahu_BV039559025
    Format: XII, 335 S. : , Ill., Notenbeisp. ; , 26 cm.
    Edition: 1. publ.
    ISBN: 978-1-107-01091-8 , 978-1-107-46098-0
    Series Statement: New perspectives in music history and criticism
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musiktheorie ; Tiefe ; 1795-1866 Marx, Adolf Bernhard ; 1810-1856 Schumann, Robert ; 1813-1883 Wagner, Richard ; 1868-1935 Schenker, Heinrich ; 1874-1951 Schönberg, Arnold ; Musiktheorie ; Ausdruck ; 1776-1822 Hoffmann, E. T. A. ; Musiktheorie ; Ausdruck
    URL: Cover
    Author information: Watkins, Holly, 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City :Cambridge University Press,
    UID:
    almafu_BV043922450
    Format: 1 Online-Ressource (xii, 335 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-511-82049-6
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Note: Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press) , From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-01091-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-46098-0
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musiktheorie ; Tiefe ; 1795-1866 Marx, Adolf Bernhard ; 1810-1856 Schumann, Robert ; 1813-1883 Wagner, Richard ; 1868-1935 Schenker, Heinrich ; 1874-1951 Schönberg, Arnold ; Musiktheorie ; Ausdruck ; 1776-1822 Hoffmann, E. T. A. ; Musiktheorie ; Ausdruck
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Chicago : The University of Chicago Press
    UID:
    gbv_1019997710
    Format: 200 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780226594705
    Series Statement: New material histories of music
    Content: Reanimating musical organicism -- Formalism's flower -- Schopenhauer's musical ecology -- The floral poetics of Schumann's Blumenstück, op. 19 -- Music between reaction and response -- On not letting sounds be themselves
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780226594842
    Language: English
    Keywords: Musikphilosophie ; Musikwissenschaft ; Schumann, Robert 1810-1856 Blumenstück ; Lautäußerung ; Pflanzen
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Chicago :University of Chicago Press,
    UID:
    edocfu_9961373417002883
    Format: 1 online resource (200 pages)
    ISBN: 0-226-59484-X
    Series Statement: New Material Histories of Music
    Content: Does it make sense to refer to bird song-a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate-as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as "the art of possibly animate things," Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature-approaches that appear increasingly untenable in an era defined by human-generated climate change-Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music's structural resemblances to the songs of nonhuman species, the intricacies of music's physiological impact on listeners, and the many analogues between music's formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.
    Note: Frontmatter -- , Contents -- , Introduction -- , 1. Reanimating Musical Organicism -- , 2. Formalism's Flower -- , 3. Schopenhauer's Musical Ecology -- , 4. The Floral Poetics of Schumann's Blumenstück, op. 19 -- , 5. Music between Reaction and Response -- , 6. On Not Letting Sounds Be Themselves -- , Acknowledgments -- , Notes -- , Bibliography -- , Index , In English.
    Additional Edition: ISBN 0-226-59470-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Cambridge ; : Cambridge University Press,
    UID:
    edocfu_9959237157302883
    Format: 1 online resource (xii, 335 pages) : , digital, PDF file(s).
    ISBN: 1-139-14027-2 , 1-107-22224-9 , 1-283-31683-8 , 1-139-13956-8 , 9786613316837 , 1-139-14114-7 , 1-139-14534-7 , 1-139-13801-4 , 0-511-82049-6 , 1-139-14202-X
    Series Statement: New perspectives in music history and criticism
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs. , English
    Additional Edition: ISBN 1-107-46098-0
    Additional Edition: ISBN 1-107-01091-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Chicago ; London :The University of Chicago Press,
    UID:
    edocfu_BV048536993
    Format: 1 Online-Ressource (240 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-226-59484-2
    Series Statement: New material histories of music
    Content: Does it make sense to refer to bird song - a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate - as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as "the art of possibly animate things," Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature--approaches that appear increasingly untenable in an era defined by human-generated climate change--Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music's structural resemblances to the songs of nonhuman species, the intricacies of music's physiological impact on listeners, and the many analogues between music's formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-59470-5
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musikphilosophie ; Musikwissenschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883380374
    Format: Online-Ressource (1 online resource (350 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511820496
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Content: From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9781107010918
    Additional Edition: ISBN 9781107460980
    Additional Edition: Erscheint auch als Druck-Ausgabe Watkins, Holly, 1972 - Metaphors of depth in German musical thought Cambridge [u.a.] : Cambridge Univ. Press, 2011 ISBN 9781107460980
    Additional Edition: ISBN 9781107010918
    Additional Edition: ISBN 1107010918
    Additional Edition: ISBN 9781107010918
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781107010918
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Deutschland ; Österreich ; Musiktheorie ; Tiefe ; Geschichte 1800-1950 ; Marx, Adolf Bernhard 1795-1866 ; Schumann, Robert 1810-1856 ; Wagner, Richard 1813-1883 ; Schenker, Heinrich 1868-1935 ; Schönberg, Arnold 1874-1951 ; Ausdruck
    URL: Volltext  (lizenzpflichtig)
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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