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  • 1
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY :Tamesis Books,
    UID:
    almahu_9949685861902882
    Format: 1 online resource (viii, 174 pages) : , digital, PDF file(s).
    ISBN: 9781800109797 (ebook)
    Series Statement: Violence in the Hispanic and Lusophone worlds ; 4
    Content: An analysis of how artists, filmmakers and affected citizens in Mexico attempted to navigate, articulate and contend with the unparalleled escalation in brutality during the presidency of Felipe Calderón (2006-2012).
    Note: Title from publisher's bibliographic system (viewed on 11 Jan 2024).
    Additional Edition: Print version: ISBN 9781855663640
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almafu_9960169870202883
    Format: 1 online resource (200 p.) : , 16 B/W illustrations
    ISBN: 9781474480550
    Content: Examines how trauma haunts the spaces and places of Mexican film and visual cultureCase studies include Flor en Otomi, El Atentado, Los Poquianchis and AusenciasCovers a neglected area in Mexican film and visual studiesA decade-long period of commemoration in Mexico (2010-2020) makes it a timely moment for reflection on memory and traumas of the pastEngages in an interdisciplinary investigation of space and the spectralRiven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces.With case studies of films like El atentado (2010), Flor en Otomí (2012) and the photography of Dulce Pinzón, this collection analyses the audio-visual representations of several heightened events in Mexican history. The conbtributors’ explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves.
    Note: Frontmatter -- , Contents -- , List of Figures -- , Notes on Contributors -- , Acknowledgements -- , Introduction: Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Culture -- , 1 On the Commemoration of Mexico ’68: Los agachados de Rius, número especial de los cocolazos de julio-agostoseptiembre y octubre quién sabe si tambor . . . -- , 2 Felipe Cazals and Servando González Grapple with the Aftermath and the Archive: 1976 and 1968 -- , 3 Spectres of Mexico’s ‘Dirty Wars’: Gendered Haunting and the Legacy of Women’s Armed Resistance in Mexican Documentary Film -- , 4 Stages for an Assassination: Roles of Cinematic Landscape in Jorge Fons’ El atentado (2010) and Carlos Bolado’s Colosio: el asesinato (2012) -- , 5 Aliens as Superheroes: Science Fiction, Immigration and Dulce Pinzón’s ‘The Real Story of the Superheroes’ -- , 6 #YoSoy132 as a Continuation of the 1968 Legacy -- , 7 Loss and Mourning in Documentary: Tatiana Huezo’s Ausencias (2015) -- , 8 Teresa Margolles’ Work with Space: Ruins, Resonances and the Echo of the Absent -- , Index , In English.
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    edocfu_9961386424302883
    Format: 1 online resource (188 p.) , ill
    ISBN: 1-80010-980-6
    Content: An analysis of how artists, filmmakers and affected citizens in Mexico attempted to navigate, articulate and contend with the unparalleled escalation in brutality during the presidency of Felipe Calderón (2006-2012).In Mexico, during the presidency of Felipe Calderón (2006-2012) and as a direct result of his 'war' on drugs, at least 60,000 people were killed, tens of thousands were 'disappeared' and countless more were subjected to kidnapping and sexual violence. This book analyses how artists and filmmakers, alongside affected citizens, attempted to navigate, articulate and contend with this unparalleled escalation in brutality.The texts studied here provide a critical visual archive of this first phase in the drug war and show how artists including Pedro Pardo, Fernando Brito, Mónica González and Natalia Almada attempted to challenge official narratives, foster emerging nodes of resistance and seek justice for citizens. Bringing together works of photography, photojournalism, documentary and short fiction cinema, the book argues for the vital role of cultural production in documenting institutional corruption, human rights abuses and narco-related violence in Mexican society and providing a space to grieve and remember the victims.As Mexico's socio-political landscape continues to deteriorate, the book shows how its visual cultural legacy provides a means of understanding and responding to the violence.
    Additional Edition: ISBN 1-85566-364-3
    Language: English
    Keywords: History.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_9961386424302883
    Format: 1 online resource (188 p.) , ill
    ISBN: 1-80010-980-6
    Content: An analysis of how artists, filmmakers and affected citizens in Mexico attempted to navigate, articulate and contend with the unparalleled escalation in brutality during the presidency of Felipe Calderón (2006-2012).In Mexico, during the presidency of Felipe Calderón (2006-2012) and as a direct result of his 'war' on drugs, at least 60,000 people were killed, tens of thousands were 'disappeared' and countless more were subjected to kidnapping and sexual violence. This book analyses how artists and filmmakers, alongside affected citizens, attempted to navigate, articulate and contend with this unparalleled escalation in brutality.The texts studied here provide a critical visual archive of this first phase in the drug war and show how artists including Pedro Pardo, Fernando Brito, Mónica González and Natalia Almada attempted to challenge official narratives, foster emerging nodes of resistance and seek justice for citizens. Bringing together works of photography, photojournalism, documentary and short fiction cinema, the book argues for the vital role of cultural production in documenting institutional corruption, human rights abuses and narco-related violence in Mexican society and providing a space to grieve and remember the victims.As Mexico's socio-political landscape continues to deteriorate, the book shows how its visual cultural legacy provides a means of understanding and responding to the violence.
    Additional Edition: ISBN 1-85566-364-3
    Language: English
    Keywords: History.
    Library Location Call Number Volume/Issue/Year Availability
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