Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (xv, 248 Seiten)

ISBN: 9780520976399

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-0-520-37706-6

Language: English

Keywords: Indien ; Filmmusik ; Gesang ; Play-back-Verfahren

DOI: 10.1525/luminos.104

DOI: 10.1515/9780520976399

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: XIII, 349 S. , Ill. , 23 cm

ISBN: 9780822336204 , 9780822336310 , 0822336316 , 0822336200

Content: Gone native? Travels of the violin in South India -- From the palace to the street: staging "classical" music -- Gender and the politics of voice -- Can the subaltern sing? music, language, and the politics of voices -- A writing lesson : musicology and the birth of the composer -- Fantastic fidelities

Note: Includes bibliographical references and index , Gone native? Travels of the violin in South India -- From the palace to the street : staging "classical" music -- Gender and the politics of voice -- Can the subaltern sing? music, language, and the politics of voice -- A writing lesson : musicology and the birth of the composer -- Fantastic fidelities -- Afterword : modernity and the voice

Language: English

Subjects: Musicology

Keywords: Indien ; Klassische Musik ; Rezeption ; Geschichte ; Indien ; Volksmusik ; Notenschrift ; Geschichte ; Indien ; Musik ; Geschichte ; Raga ; Tala

URL: http://www.loc.gov/catdir/toc/ecip065/2005037850.html

UID:

Format: 1 online resource.

ISBN: 0-520-97639-8

Series Statement: South Asia Across the Disciplines

Content: To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.

Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Note on Transliteration and Spelling -- , Introduction: Theorizing Playback -- , Part I. Prehistories -- , 1. Trading Voices: The Gendered Beginnings of Playback -- , Part II. Playback's Dispensation -- , 2. "A Leader for All Song": Making a Dravidian Voice -- , 3. Ambiguities of Animation: On Being "Just the Voice" -- , 4. The Sacred and the Profane: Economies of the (Il)licit -- , Part III. Afterlives -- , 5. The Raw and the Husky: On Timbral Qualia and Ethnolinguistic Belonging -- , 6. Anxieties of Embodiment: Liveness and Deadness in the New Dispensation -- , 7. Antiplayback -- , Notes -- , References -- , Index

Language: English

UID:

Format: 1 online resource (xv, 243 pages) : , illustrations

Content: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"-- Provided by publisher.

Note: Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.

Additional Edition: ISBN 0-520-37706-0

Language: English

UID:

Format: 1 Online-Ressource

ISBN: 9780520976399 , 0520976398

Content: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"--

Note: Includes bibliographical references and index , Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.

Additional Edition: ISBN 9780520377066

Additional Edition: Erscheint auch als Druck-Ausgabe Weidman, Amanda J., 1970- Brought to life by the voice Oakland, California : University of California Press, [2021] ISBN 9780520377066

Language: English

URL: kostenfrei

UID:

Format: XIII, 349 S. : , Ill.

ISBN: 0-8223-3631-6 , 0-8223-3620-0

Note: Includes bibliographical references and index

Language: English

Subjects: Musicology

Keywords: Klassische Musik ; Rezeption ; Volksmusik ; Notenschrift ; Musik

URL: Table of contents only

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015001308&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: 1 online resource

ISBN: 9780520976399 , 0520976398

Content: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"--

Note: Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.

Additional Edition: Print version: Weidman, Amanda J., 1970- Brought to life by the voice. Oakland, California : University of California Press, [2021] 9780520377066

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc.

URL: https://library.oapen.org/handle/20.500.12657/49480

URL: https://doi.org/10.1525/9780520976399

URL: Open Access

URL: Cover

UID:

Format: 1 Online-Ressource

ISBN: 9780520976399

Series Statement: South Asia across the disciplines

Additional Edition: ISBN 9780520377066

Language: English

Keywords: Tamil ; Filmmusik ; Play-back-Verfahren ; Geschichte 1940- ; Indien ; Tamil Nadu ; Filmmusik ; Sängerin ; Play-back-Verfahren

URL: kostenfrei

URL: kostenfrei

UID:

Format: 1 online resource (367 p.)

ISBN: 0-8223-8805-7

Series Statement: e-Duke books scholarly collection.

Content: An ethnographic history and critique of the emergence of South Indian carnatic music as a "classical" music in the 20th century.

Note: Description based upon print version of record. , Gone native? Travels of the violin in South India -- From the palace to the street: staging "classical" music -- Gender and the politics of voice -- Can the subaltern sing? music, language, and the politics of voices -- A writing lesson : musicology and the birth of the composer -- Fantastic fidelities -- Afterword : modernity and the voice. , English

Additional Edition: ISBN 0-8223-3620-0

Additional Edition: ISBN 0-8223-3631-6

Language: English

DOI: 10.1515/9780822388050

URL: https://doi.org/10.1515/9780822388050

URL: https://www.degruyter.com/isbn/9780822388050