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  • 1
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic
    UID:
    gbv_1788672259
    Format: 1 Online-Ressource (368 Seiten)
    Edition: First edition
    ISBN: 9781350143043 , 9781350143029 , 9781350143036
    Series Statement: The Decades Series
    Content: Series Introduction / Nick Hubble (Brunel University London, UK), Philip Tew (Brunel University London, UK) and Leigh Wilson (University of Westminster, UK) -- Introduction / Philip Tew (Brunel University London, UK) and Glyn White (University of Salford, UK) -- 1. The Literary History of the 1940s / Ashley Maher (University of Sydney, Australia) -- 2. Blitz Novels: Another Finest Hour, Myth or Trauma? / Philip Tew (Brunel University London, UK) -- 3. Genteel Bohemia: The Eccentric Women of the 1940s / Deborah Philips (University of Brighton, UK) -- 4. The Ship and the Nation: Royal Navy Novels and the People's War, 1940-1951 / Chris Hopkins (Sheffield Hallam University, UK) -- 5. Author Study: George Orwell / Tamas Benyei (University of Debrecen, Hungary) -- 6. Queer Traumas, Queer Rehabilitations: Rethinking Intimacy in the 1940s / Charlotte Charteris (University of Cambridge, UK) -- 7. Un-British: Popular Crime Fiction and Film Adaptation / Glyn White (University of Salford, UK) -- 8. Masters and Servants, Class and the Colonies in 1940s British Fiction / Rebecca Dyer (Rose-Hulman Institute of Technology, USA) -- 9. Here is the Key of the Suitcase: Exiled Writers in Britain / Andrea Hammel (Aberystwyth University, UK) -- 10. Author Study: Elizabeth Bowen and Her Female Contemporaries / Anna Teekell (Christopher Newport University, USA) -- Timeline of Works Timeline of National Events Timeline of International Events -- Biographies of Key Writers -- Index.
    Content: "How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold War threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others."--
    Note: Includes index , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350280618
    Additional Edition: ISBN 9781350143012
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350280618
    Language: English
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  • 2
    Online Resource
    Online Resource
    London :Bloomsbury Academic,
    UID:
    almahu_BV047814531
    Format: 1 Online-Ressource (xiii, 347 Seiten).
    ISBN: 978-1-3501-4304-3 , 978-1-3501-4302-9 , 978-1-3501-4303-6 , 978-1-3501-4302-9
    Series Statement: The decades series
    Content: "How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold War threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others."
    Note: Includes index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3501-4301-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 9781350280618
    Language: English
    Subjects: English Studies
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    Keywords: Englisch ; Roman ; Aufsatzsammlung ; Criticism, interpretation, etc
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724596
    Format: 1 online resource (vii, 279 pages) , illustrations; digital, PDF file(s)
    ISBN: 9781526130525
    Content: 'Laughing Matters is an undergraduate level textbook taking an analytic approach to film, television and radio comedy, providing an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authorst cover silent cinema comedy, early sound film comedy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre, animations, issues of gender and sexuality, taste, and race and ethnicity' --Back cover
    Content: Laughing Matters takes an analytic approach to film, television and radio comedy and provides an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook
    Note: Includes bibliographical references and index , List of illustrations --Acknowledgements --Introduction --Part -- Comedy forms --1. Silent film comedy --2. Early sound film comedy --3. The romantic comedy film --4. Radio comedy --5. Television comedy --6. Comedy and genre boundaries --7. Animated comedy --Part II: Themes, effects and impact of comedy -- 8. Comedy, gender and sexuality --9. Comedy and cultural value: from bad taste to gross-out --10. Comedy, race and ethnicity --Conclusion: ‘You had to be there’ --Appendix --Bibliography --Index
    Language: English
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  • 4
    Book
    Book
    Manchester [u.a.] :Manchester Univ. Press,
    UID:
    almafu_BV021707458
    Format: viii, 216 S. : , Ill.
    Edition: 1. publ.
    ISBN: 0-7190-6968-8 , 978-0-7190-6968-0
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works , English Studies
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    Keywords: Englisch ; Experimentelle Literatur ; Textgestaltung
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  • 5
    Book
    Book
    London :Bloomsbury Academic,
    UID:
    almahu_BV047867103
    Format: xiii, 347 Seiten.
    ISBN: 978-1-3501-4301-2
    Series Statement: The decades series
    Content: "How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold War threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others."
    Note: Includes index
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3501-4303-6
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-3501-4302-9
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781350143043
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
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    Keywords: Englisch ; Roman ; Aufsatzsammlung ; Criticism, interpretation, etc
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    almahu_BV025504249
    ISBN: 978-0-335-21946-9
    Language: English
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  • 7
    Book
    Book
    Manchester [u.a.] :Manchester Univ. Press,
    UID:
    almahu_BV041243988
    Format: VII, 279 S.
    Edition: 1. publ.
    ISBN: 978-0-7190-8314-3 , 978-0-7190-8315-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmkomödie ; Fernsehkomödie ; Hörfunk ; Comedy
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Manchester, UK :Manchester University Press,
    UID:
    almahu_9948236323602882
    Format: 1 online resource (216 pages) : , digital file(s).
    Edition: Electronic reproduction. Manchester, UK: Manchester University Press, 2018. Access may be restricted to users at subscribing institutions.
    ISBN: 9781526130778
    Note: Made available via: manchesterhive. , MUP 2020 titles. , Also available in print form. , Mode of access: internet via World Wide Web. , System requirements: Adobe Acrobat or other PDF reader (latest version recommended), Internet Explorer or other browser (latest version recommended). , In English.
    Additional Edition: Print version: White, Glyn. Reading the graphic surface : the presence of the book in prose fiction, Manchester, UK. : Manchester University Press, 2005, ISBN 9780719069680
    Language: English
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  • 9
    Online Resource
    Online Resource
    Manchester :Manchester University Press,
    UID:
    almahu_9949088293102882
    Format: 1 online resource (288 pages)
    ISBN: 9781526130525 (e-book)
    Additional Edition: Print version: Mundy, John. Laughing matters : understanding film, television and radio comedy. Manchester : Manchester University Press, 2012 ISBN 9780719083143
    Language: English
    Keywords: Electronic books.
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  • 10
    UID:
    edocfu_9960695454202883
    Format: 1 online resource (280 p.) : , 4 B/W illustrations
    ISBN: 9781474436212
    Content: Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial – and crucially overlooked – period of British literary history.Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed – and that the avant-garde fiction produced then rewards our renewed attention to it.Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays – each presents one author in their cultural/critical/historical contexts – by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally
    Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction: ‘The avant-garde must not be romanticized. The avant-garde must not be dismissed’ -- , Contributors -- , 1. Muriel Spark and the Possibility of Popular Experiment -- , 2. B. S. Johnson: The Book as Dynamic Object -- , 3. Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- , 4. Brigid Brophy’s Aestheticism: The Camp Anti-Novel -- , 5. Alexander Trocchi: Man at Leisure -- , 6. Anna Kavan: Pursuing the ‘in-between reality’ Hidden by the ‘ordinary surface of things’ -- , 7. J. G. Ballard: Visuality and the Novels of the Near Future -- , 8. Ann Quin: ‘infuriating’ Experiments? -- , 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- , 10. Eva Figes: Tracing the Survival of a ‘Poetry of the Inarticulate’ -- , 11. Christine Brooke-Rose: The Development of Experiment -- , 12. Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall’s Experimental Fiction of the 1960s -- , 13. Maureen Duffy: The Politics of Experimental Fiction -- , 14. Not the Last Word on the Sixties Avant-Garde: An Afterword -- , Notes on Contributors -- , Index , In English.
    Language: English
    Subjects: English Studies
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