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  • 1
    Book
    Book
    London [u.a.] :Wallflower,
    UID:
    almafu_BV026606202
    Format: XV, 268 S.
    ISBN: 1-904764-61-4 , 1-904764-60-6
    Series Statement: 24 frames
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    Book
    Book
    Waterloo : Wilfrid Laurier Univ. Press
    UID:
    gbv_769794955
    Format: X, 202 S. , 23 cm
    Series Statement: Film and media studies series
    Content: Includes bibliographical references and index
    Language: English
    Keywords: Godard, Jean-Luc 1930-2022 ; Miéville, Anne-Marie 1945- ; Film
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  • 3
    Book
    Book
    Waterloo, Ont. :Laurier Univ. Press,
    UID:
    almahu_BV035903564
    Format: XV, 281 S. : , Ill., Kt. ; , 24 cm.
    ISBN: 978-1-55458-178-8 , 1-55458-178-8
    Series Statement: Film and media studies series
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Scandinavian Studies
    RVK:
    Keywords: Audiovisuelle Medien ; Randgruppe ; Film
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  • 4
    Book
    Book
    Edmonton : Canadian Literature Centre, Univ. of Alberta
    UID:
    gbv_637143345
    Format: 155 p , 23 cm
    ISBN: 1551952572 , 9781551952574
    Series Statement: Les cahiers du CLC 1
    Note: Includes bibliographical references , Beitr. teilw. franz. teilw. engl.
    Language: French
    Keywords: Englisch ; Französisch ; Kanada ; Literatur ; Konferenzschrift ; Aufsatzsammlung
    Author information: Carrière, Marie J. 1971-
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  • 5
    Online Resource
    Online Resource
    Calgary [Alta.] :University of Calgary Press,
    UID:
    almahu_9949712581902882
    Format: 1 online resource (256 p.)
    Edition: 1st ed.
    ISBN: 1-280-49215-5 , 9786613587381 , 1-55238-551-5
    Series Statement: Cinemas off centre series ; 3
    Content: Presents the discussions of the films made by British novelist John Berger and Swiss film director Alain Tanner. This book argues that Berger and Tanners work is preoccupied with ideas that were both central to the Enlightenment and at the same time characteristically Swiss.
    Note: Includes some text in French. , Berger and Tanner before Berger and Tanner -- La Salamandre -- Le Milieu du monde -- Jonas qui aura 25 ans en l'an 2000. , English
    Additional Edition: ISBN 1-55238-550-7
    Language: English
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  • 6
    Online Resource
    Online Resource
    Waterloo, Ont. :Wilfrid Laurier University Press,
    UID:
    almafu_9959242142602883
    Format: xv, 281 p. : , maps, port.
    Edition: 1st ed.
    ISBN: 1-282-53447-5 , 9786612534478 , 1-55458-212-1 , 1-55458-299-7
    Series Statement: Film and media studies series
    Content: The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.” The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades. The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.
    Note: Pierre Perrault -- The NFB's Newfoundland Project -- Sjónvarpsfelagiồ Havn -- An introduction to the Gaeltacht -- Desmond Fennell and Pierre Perrault -- Cinegael and the Newfoundland Project -- Teilifiþs na Gaeltachta and the Faroes -- Conclusion. , English
    Additional Edition: ISBN 1-55458-178-8
    Language: English
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  • 7
    Online Resource
    Online Resource
    Waterloo, Ontario :Wilfrid Laurier University Press,
    UID:
    almafu_9959402819802883
    Format: 1 online resource (1 online resource.)
    ISBN: 1-77112-306-0 , 1-77112-305-2
    Series Statement: Film and media studies series
    Content: This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jürgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The book's appendices reprint letters Brakhage wrote to Stella Pence (Telluride's co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.
    Note: Front Matter -- , Contents -- , Acknowledgements -- , Introduction -- , A Conservative Avant-Garde -- , A Certain Kind of Soviet -- , Conclusion -- , Epilogue -- , Brakhage’s first appearance in Rolling Stock -- , Brakhage’s final appearance in Rolling Stock -- , Blessings: Letters From Stan Brakhage -- , B. Ruby Rich, “Hitler: A Film from Germany. Is this a fascist film or an exposé of fascist film making?,” L.A. Reader, 27 June 1980 -- , A Stan Brakhage / Telluride Filmography -- , A Stan Brakhage / Rolling Stock Bibliography -- , Works Cited -- , Index -- , Books in the Film and Media Studies Series
    Additional Edition: ISBN 1-77112-304-4
    Additional Edition: ISBN 1-77112-303-6
    Language: English
    Keywords: Electronic books. ; Electronic books.
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