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  • 1
    Online Resource
    Online Resource
    London : The Arden Shakespeare | London : Bloomsbury Publishing
    UID:
    gbv_1817977458
    Format: Online-Ressource , Illustrationen
    ISBN: 9781350130593 , 9781350130586
    Series Statement: Shakespeare in the theatre
    Content: "When London theatres re-opened in 1660 upon the restoration of the monarchy, they naturally wanted to perform Shakespeare's plays. Particularly under the leadership of Sir William Davenant, founder of the Duke's Company, Restoration theatres did so in a radically new way. At last, women played women's roles. Theatres moved totally indoors. Massive stage spectacles were preferred over bare platform stages. Music and dance were fully integrated into the productions. And Shakespeare's plays were strongly rewritten: King Lear survived, the witches in Macbeth sang and danced, and Miranda in The Tempest gained a sister. Shakespeare in the Theatre: William Davenant and the Duke's Company reveals how - and why - the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. The Duke's Company was one of the two London theatre companies established by royal patent in the Restoration. As leader of the Duke's Company, Davenant's influence on its approach to Shakespeare was profound and lasting. He controlled every aspect of theatrical production: deciding the repertoire, writing his own Shakespeare adaptations, casting actors in roles, running rehearsals, training actors, and equipping his theatre with machines and scenery to produce lavish stage spectacle. This book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare."--
    Note: Literaturverzeichnis: Seite 197-207 , 1. Precursors -- 2. Cultural milieu -- 3. New spaces -- 4. Acting -- 5. Repertory -- 6. Case studies -- 7. Davenant's legacy. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350130579
    Additional Edition: ISBN 9781350273481
    Additional Edition: Erscheint auch als Druck-Ausgabe Eubanks Winkler, Amanda Sir William Davenant and the Duke's Company London : The Arden Shakespeare, 2022 ISBN 9781350130579
    Language: English
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  • 2
    UID:
    gbv_1832243338
    Format: 1 Online-Ressource (232 p.)
    ISBN: 9781350130609 , 9781350130593 , 9781350130586
    Series Statement: Shakespeare in the Theatre
    Content: Eubanks Winkler and Schoch reveal how - and why - the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. Founder of the Duke's Company, Sir William Davenant influenced how Shakespeare was performed in a profound and lasting way. This open access book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare. The eBook editions of this work are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Queens University Belfast
    Note: English
    Language: Undetermined
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  • 3
    UID:
    gbv_385184530
    Format: XX, [4], 104 S. , Ill., Faks. , 5 St.
    Edition: [Partitur, Stimmen]
    ISBN: 0895795477
    Series Statement: Recent researches in the music of the baroque era 133
    Note: Enth.: Tunes for Macbeth / attributed to Matthew Locke. Text: William Davenant. Music for Macbeth / by John Eccles. Text: William Davenant und Thomas Middleton. Music for Macbeth / by Richard Leveridge. Text: William Davenant und Thomas Middleton , Text engl. - Vorw. und Kritischer Bericht engl.
    Language: English
    Subjects: Musicology
    RVK:
    Author information: Leveridge, Richard 1670-1758
    Author information: D'Avenant, William 1606-1668
    Author information: Middleton, Thomas 1580-1627
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  • 4
    Musical Score
    Musical Score
    Middleton, Wis. : A-R-Ed.
    Show associated volumes
    UID:
    gbv_840688725
    Format: 31 cm
    Series Statement: Recent researches in the music of the baroque era ...
    Language: English
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  • 5
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : The Arden Shakespeare
    UID:
    b3kat_BV047664455
    Format: 1 Online-Ressource
    ISBN: 9781350130609 , 9781350130593 , 9781350130586
    Series Statement: Shakespeare in the theatre
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3501-3057-9
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    RVK:
    Keywords: D'Avenant, William 1606-1668 ; Shakespeare, William 1564-1616 ; Theaterproduktion
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 6
    UID:
    gbv_509184049
    Format: X, 232 S. , Ill., Notenbeisp. , 25 cm
    ISBN: 9780253348050 , 0253348056
    Note: Music and the macrocosm : disorder and history -- "Stay, you imperfect speakers, tell me more" -- "Remember me, but ah, forget my fate" -- "O let us howle some heavy note" -- Disorder in the eighteenth century. - Includes bibliographical references (p. [209]-222) and index. - Formerly CIP , Music and the macrocosm : disorder and history"Stay, you imperfect speakers, tell me more" -- "Remember me, but ah, forget my fate" -- "O let us howle some heavy note" -- Disorder in the eighteenth century. , Music and the macrocosm : disorder and history -- "Stay, you imperfect speakers, tell me more" -- "Remember me, but ah, forget my fate" -- "O let us howle some heavy note" -- Disorder in the eighteenth century
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: England ; Theater ; Bühnenmusik ; Oper ; Geschichte 1600-1700 ; Purcell, Henry 1659-1695 Dido and Aeneas
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  • 7
    UID:
    gbv_872425215
    Format: xiv, 317 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780253024824 , 9780253024794
    Series Statement: Music and the early modern imagination
    Content: English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice
    Content: Introduction : rethinking boundaries in musical practice and circulation / Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler -- Tudor musical theater : sounds of religious change in Ralph Roister Doister / Katherine Steele Brokaw -- English Jesuit missionaries, music education, and the musical participation of women in devotional life in recusant households from ca. 1580 to ca. 1630 / Jane Flynn -- The transmission of lute music and the culture of aurality in early modern England / Graham Freeman -- Thomas Campion's "Superfluous blossomes of his deeper studies" : the public realm of his English ayres / Christopher R. Wilson -- Oyez! Fresh thoughts about the "Cries of London" repertory / John Milsom -- "Locks, bolts, barres, and barricados" : song performance, gender, and spatial production in Richard Brome's The northern lass / Katherine R. Larson -- "Lasting-pasted monuments" : memory, music, theater, and the seventeenth-century English broadside ballad / Sarah F. Williams -- The challenge of domesticity in men's manuscripts in Restoration England / Candace Bailey -- A midcentury musical friendship : Silas Taylor and Matthew Locke / Alan Howard -- Music and merchants in Restoration London / Bryan White -- Daniel Henstridge and the aural transmission of music in Restoration England / Rebecca Herissone -- Courtly connections : Queen Anne, music, and the public stage / Amanda Eubanks Winkler -- Disseminating and domesticating Handel in mid-eighteenth-century Britain / Suzanne Aspden -- From London's opera house to the salon? The Favourite (and not so "favourite") songs from the King's Theatre / Michael Burden -- Education, entertainment, embellishment : muisc publication in the Lady's magazine / Bonny H. Miller
    Note: Literaturverzeichnis Seite 257-298
    Additional Edition: ISBN 9780253024978
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Großbritannien ; Verbreitung ; Musikalienhandel ; Musikleben ; Musikmarkt ; Geschichte 1580-1780 ; Aufsatzsammlung
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  • 8
    UID:
    gbv_84068892X
    Format: XIX, 320 S , Faks. , 31 cm
    ISBN: 9780895798220
    Series Statement: Recent researches in the music of the baroque era 190
    In: Part 1
    Language: English
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  • 9
    Online Resource
    Online Resource
    London, England :The Arden Shakespeare, Bloomsbury Academic,
    UID:
    edocfu_9960869111202883
    Format: 1 online resource (256 pages).
    Edition: First edition.
    Series Statement: Shakespeare in the Theatre
    Content: "Winkler and Schoch reveals how - and why - the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. As leader of the Duke's Company, Davenant's influence on its approach to Shakespeare was profound and lasting. This book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare"-- Provided by publisher.
    Note: 1. Precursors -- 2. Cultural milieu -- 3. New spaces -- 4. Acting -- 5. Repertory -- 6. Case studies -- 7. Davenant's legacy.
    Additional Edition: ISBN 1-350-13058-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    London [England] :The Arden Shakespeare, | London [England] :Bloomsbury Publishing,
    UID:
    edocfu_9961046832202883
    Format: 1 online resource (256 pages).
    Edition: First edition.
    Series Statement: Shakespeare in the Theatre
    Content: "When London theatres re-opened in 1660 upon the restoration of the monarchy, they naturally wanted to perform Shakespeare's plays. Particularly under the leadership of Sir William Davenant, founder of the Duke's Company, Restoration theatres did so in a radically new way. At last, women played women's roles. Theatres moved totally indoors. Massive stage spectacles were preferred over bare platform stages. Music and dance were fully integrated into the productions. And Shakespeare's plays were strongly rewritten: King Lear survived, the witches in Macbeth sang and danced, and Miranda in The Tempest gained a sister. Shakespeare in the Theatre: William Davenant and the Duke's Company reveals how - and why - the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. The Duke's Company was one of the two London theatre companies established by royal patent in the Restoration. As leader of the Duke's Company, Davenant's influence on its approach to Shakespeare was profound and lasting. He controlled every aspect of theatrical production: deciding the repertoire, writing his own Shakespeare adaptations, casting actors in roles, running rehearsals, training actors, and equipping his theatre with machines and scenery to produce lavish stage spectacle. This book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare."--
    Note: 1. Precursors -- 2. Cultural milieu -- 3. New spaces -- 4. Acting -- 5. Repertory -- 6. Case studies -- 7. Davenant's legacy.
    Additional Edition: ISBN 1-350-13057-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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