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  • 1
    Online Resource
    Online Resource
    London :Bloomsbury Academic, | London :Bloomsbury Publishing (UK),
    UID:
    almahu_9949681699002882
    Format: 1 online resource (272 pages)
    Edition: 1st ed.
    ISBN: 9781350248748
    Series Statement: Historicizing Modernism
    Content: Retracing the steps of a surprising array of 20th-century writers who ventured into the fantastical, topsy-turvy world of Lewis Carroll's fictions, this book demonstrates the full extent of Carroll's legacy in literary modernism. Testing the authority of language and mediation through extensive word-play and genre-bending, the 〈i〉Alice〈/i〉 books undoubtedly prefigure literary modernism at its upmost experimental. The collection's chapters look beyond literary style to show how Carroll's writings had a far-reaching impact on modern life, from commercial culture to politics and philosophy. This book shows us the 〈i〉Alice 〈/i〉we recognize from Carroll's novels but also the 〈i〉Alice〈/i〉 modernist writers encountered through the looking-glass of these extraliterary discourses. Recovering a common touchstone between the likes of T. S. Eliot, James Joyce, Virginia Woolf, W. H. Auden, and writers conventionally regarded on the periphery of modernist studies, such as Dorothy L. Sayers, Sylvia Plath, Jorge Luis Borges, Flann O'Brien, and Vladimir Nabokov, this volume ultimately provides a new entry-point into a more broadly conceptualised global modernism.
    Note: 1. Introduction: Twentieth-Century Wonderlands: Michelle Witen, Europa-Universität Flensburg, Germany 2. 'Speak in French when you can't think of the English': Carroll's French and Mallarmé's English: Alexandra Lukes, Trinity College Dublin, Ireland 3. T. S. Eliot's Adventures in Wonderland: John D. Morgenstern, Emory University, USA 4. Fantastic Surrealism: The Influence of Lewis Carroll's Wonderland on 〈i〉transition 〈/i〉Magazine's American Surrealist Literary Experiments (1927-38): Céline Mansanti, University of Picardie Jules Verne, France 5. Alice and the Expansion of the American West: Modernism, the Northern Pacific Railroad's Wonderland Route, and Kate Chopin's 〈i〉The Awakening〈/i〉: Michelle E. Moore, College of Dupage, USA 6. 'Open Alice's Door': Lewis Carroll's Influence on Elizabeth Bishop and Sylvia Plath: Jessica R. McCort, Point Park University, USA 7. Becoming a Child: Lewis Carroll and Virginia Woolf's Poetics of Fluidity and Permanence: Teresa Prudente, University of Turin, Italy 8. Reeling and Writhing in Benjamin's 〈i〉Arcades〈/i〉: The Curious Case of the Girl who Wasn't There: Lisa Mullen, University of Cambridge, UK 9. 'These tautomeric changes': The Figures of Alice and Humpty Dumpty in the Work of W. H. Auden: Allan Pero, University of Western Ontario, Canada 10. Nightmares of History: Modernism and Colonialism in Lewis Carroll and Jorge Luis Borges: David Conlon, Maynooth University, Ireland 11. 'Sentence First Verdict Afterwards': Carroll, Nabokov and the Fragmented Body: Yaeli Greenblatt, Bar-Ilan University, Israel 12. 'You're nothing but a pack of cards!': Carrollian Intertextuality and the Detective Fiction of Dorothy L. Sayers: Ann Martin, University of Saskatchewan, Canada 13. 'The Mime of Mick, Nick and the Maggies'; or '"Alice" on the Stage': James Williams, University of York, UK 14. Wasting Timelessness: Lewis Carroll, Flann O'Brien and Modernist Temporality: Paul Fagan, Maynooth University, Ireland〈b〉〈/b〉
    Language: English
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  • 2
    Online Resource
    Online Resource
    London : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1018534571
    Format: 1 Online-Ressource (xiv, 300 pages) , Illustrationen
    Edition: 2014
    ISBN: 9781350014251 , 9781350014244 , 9781350014237
    Series Statement: Historicizing modernism 28
    Content: Series Editors' Preface Introduction -- 1. Towards a Modernist Condition of Absolute Music -- 2. Joyce's Early Use of Music -- 3. Joyce's fuga per canonem: A Case of Structure -- 4. Joyce's fuga per canonem: A Case of Effect -- 5. Voided Fugue in "Circe" -- 6. "It's Pure Music": Finnegans Wake -- Conclusion: Codetta or Da Capo? -- Appendix -- Work Cited -- Index.
    Content: "Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the "Sirens" episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the "pure music" of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work."--Bloomsbury Publishing
    Note: Includes bibliographical references , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350014220
    Additional Edition: Erscheint auch als Druck-Ausgabe Witen, Michelle James Joyce and absolute music London : Bloomsbury Academic, 2018 ISBN 9781350014220
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Joyce, James 1882-1941 ; Literatur ; Musik ; Electronic books
    Author information: Joyce, James 1882-1941
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  • 3
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almahu_BV044861693
    Format: xiii, 299 Seiten.
    ISBN: 978-1-3500-1422-0
    Series Statement: Historicizing modernism 28
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-3500-1424-4
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-3500-1423-7
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1882-1941 Joyce, James ; Musik ; 1882-1941 Joyce, James ; Literatur ; Musik
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  • 4
    Online Resource
    Online Resource
    London :Bloomsbury Academic,
    UID:
    almahu_BV044942652
    Format: 1 Online-Ressource (300 Seiten).
    ISBN: 978-1-3500-1425-1 , 978-1-3500-1424-4
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3500-1422-0
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1882-1941 Joyce, James ; Literatur ; Musik ; 1882-1941 Joyce, James ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    UID:
    almafu_9958132410002883
    Format: 1 online resource (XV, 282 p.)
    Edition: 1st ed. 2016.
    ISBN: 1-137-51835-9
    Series Statement: Palgrave Shakespeare Studies
    Content: This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America. .
    Note: Lists of Figures, Illustrations, and Appendices.- Notes on Contributors.- List of Abbreviations.- Introduction.- PART I: SHAKESPEAREAN SPACES.- 1. Shakespeare’s Enclaves; Andreas Mahler.- 2. The Theatrical Topology of Tyranny in Richard III; Christina Wald.- 3. Thickets and Beaches: Evoking Place in the Stories of King Lear; Werner Brönnimann.- 4. ‘The Lady shall say her mind freely’: Shakespeare and the S/Pace of Blank Verse; Margaret Tudeau-Clayton -- 5. Hybrid Spaces in Antony and Cleopatra; Elisabeth Bronfen.- 6. The Sea in Pericles; Bernhard Klein -- PART II: MIGRATING SHAKESPEARE, MIGRATING HAMLET.- 7. Universals in the Bush: The Case of Hamlet; Dominique Brancher.- 8. The German Hamlet: Ghostly Encounters in the Space of the Stage and the Novel; Alexander Honold; 9. ‘One cannot act Hamlet, one must be Hamlet’: The Acculturation of Hamlet in Russia; Thomas Grob.- 10. Hamlet’s Mobility: The Reception of Shakespeare’s Tragedy in US-American and Canadian Fiction; Gabriele Rippl. 11. Local Habitations: Hamlet at Helsingør, Juliet at Verona; Balz Engler.- Index.-.
    Additional Edition: ISBN 1-137-51834-0
    Language: English
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  • 6
    UID:
    almahu_9947363712002882
    Format: XV, 282 p. , online resource.
    ISBN: 9781137518354
    Series Statement: Palgrave Shakespeare Studies
    Content: This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America. .
    Note: Lists of Figures, Illustrations, and Appendices -- Notes on Contributors -- List of Abbreviations -- Introduction -- PART I: SHAKESPEAREAN SPACES -- 1. Shakespeare’s Enclaves; Andreas Mahler -- 2. The Theatrical Topology of Tyranny in Richard III; Christina Wald -- 3. Thickets and Beaches: Evoking Place in the Stories of King Lear; Werner Brönnimann -- 4. ‘The Lady shall say her mind freely’: Shakespeare and the S/Pace of Blank Verse; Margaret Tudeau-Clayton -- 5. Hybrid Spaces in Antony and Cleopatra; Elisabeth Bronfen -- 6. The Sea in Pericles; Bernhard Klein -- PART II: MIGRATING SHAKESPEARE, MIGRATING HAMLET -- 7. Universals in the Bush: The Case of Hamlet; Dominique Brancher -- 8. The German Hamlet: Ghostly Encounters in the Space of the Stage and the Novel; Alexander Honold; 9. ‘One cannot act Hamlet, one must be Hamlet’: The Acculturation of Hamlet in Russia; Thomas Grob -- 10. Hamlet’s Mobility: The Reception of Shakespeare’s Tragedy in US-American and Canadian Fiction; Gabriele Rippl. 11. Local Habitations: Hamlet at Helsingør, Juliet at Verona; Balz Engler -- Index.-.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781137518347
    Language: English
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