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  • 1
    UID:
    almafu_BV045248051
    Format: 318 Seiten.
    Edition: 1st edition
    ISBN: 978-3-7212-0982-2 , 3-7212-0982-6
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Typografie ; Sprache ; Schriftsystem ; Grafikdesign ; Schriftsystem ; Mehrsprachigkeit ; Internationale Kommunikation ; Bildband ; Bildband ; Bildband ; Beispielsammlung
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  • 2
    UID:
    kobvindex_INT0000754
    Format: volumes : , richly illustrated (chiefly colour) ; , 28.5 x 24 cm.
    ISBN: 9783899552065 (hbk.) , 3899552067 (hbk.) , 9783899553307 (hbk.) , 3899553306 (hbk.)
    Note: INDEX NOTE: includes index.
    Language: English
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  • 3
    UID:
    kobvindex_INT0000753
    Format: 318 pages : , richly illustrated (chiefly colour) ; , 32.5 x 24.5 cm.
    Edition: 1st edition.
    ISBN: 9783721209822 (hbk.) , 3721209826 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Script is language. Language is communication, and communication is the key to successful intercultural exchange. As a result of globalisation and increased interaction across countries and cultures, multilingualism is becoming increasingly important all around the world. Script, as the most important conveyor of information, is at the centre of this development. Designers are more and more faced with the challenging task to create advertising posters, signage systems, books or lettering for example that not only combine different languages but two or even more writing systems with varying visual precepts and habits. The book Bi-Scriptual documents and discusses sociocultural premises, technical requirements and practical considerations concerning multiscript design and typography. All eight in-depth presented writing systems are then described by specialists in the field and illustrated by work examples from international designers and studios. Bi-Scriptual provides a thorough overview of the various possibilities for the booming field of multiscript design to foster international communication. A project by Eps51. Editors Ben Wittner, Sascha Thoma, Timm Hartmann. With texts by Adi Stern, Eugene Yukechev, Gerry Leonidas, Huda Smitshuijzen AbiFarès, Jeongmin Kwon, Keith Tam, Kristyan Sarkis, Lara Captan, Liron Lavi Turkenich, Mariko Takagi, Peter Bil'ak, Vaibhav Singh."
    Content: MACHINE-GENERATED SUMMARY NOTE: "_Significance of multilingual typography _Theoretical backgrounds _Best-practice in designing with different script-systems _Work samples by more than 100 studios worldwide As a result of globalization and increased interaction across countries and cultures, multilingualism is becoming increasingly important all around the world. Script, as the most important conveyor of information, is at the center of this development. Designers are more and more faced with the challenging task to create advertising posters, signage systems, books or lettering, for example, that not only combine different languages but two or even more writing systems with varying visual precepts and habits. At first, important general aspects are documented and discussed such as sociocultural premises, technical requirements as well as practical considerations. All eight in-depth presented writing systems are then described by specialists in the field and illustrated by work examples from international designers and studios. Bi-Scriptual provides a thorough overview of the various possibilities for the booming field of multiscript design to foster international communication."
    Note: INDEX NOTE: includes index. , MACHINE-GENERATED CONTENTS NOTE: Foreword : Script is language is communication / Ben Wittner -- Preface : Expanding possibilities of type design today / Peter Bil'ak -- Working bi-scriptual / Huda Smitshuijzen AbiFarès -- Arabic / Lara Captan, Kristyan Sarkis -- Cyrillic / Eugene Yukechev -- Devanagari / Viabhav Singh -- Greek / Gerry Leonidas -- Hangul / Jeongmin Kwon -- Hanzi / Keith Tam -- Hebrew / Liron Lavi Turkenich, Adi Stern -- Kanji/Hirangana/Katakana / Mariko Takagi.
    Language: English
    Keywords: Case studies
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  • 4
    UID:
    kobvindex_INT0000756
    Format: 204 pages : , richly illustrated (chiefly colour) ; , 1 CD-ROM , 28.5 x 24 cm. +
    ISBN: 9783899553307 (hbk.) , 3899553306 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Cutting-edge graphic work from the Arab world and Iran that is emblematic of the cultural emancipation of this entire area. The wave of protests that started this year in Tunisia, Egypt, Yemen, Libya, and other countries have made it clear just how much the Middle East is searching for a new identity. Young designers in the region are playing a part in this movement by increasingly emancipating themselves creatively. In their work, they are charting their own compelling course between local visual convention and a modern international style. Arabesque 2 documents the potential of this current creative emancipation in the Arab world and Iran. The book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region's visual culture. Given the important role of calligraphy in the Middle East, Arabesque 2 focuses on typography. The book presents a wide range of Arabic fonts and typefaces inspired by traditional calligraphy. These are accompanied by a rich selection of applications. Select examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those creating street art and poster design. Arabesque 2 also features graphic design, logos, Edited byial design, and illustration by young designers and activists from Egypt, Iran, Saudi Arabia, Jordan, Lebanon, and the United Arab Emirates. Regardless of the location and nationality of their creators, all of the examples included in the book combine modern design with the traditional, letter-based canon of Arab forms in striking ways. The book's preface is written by John Martin, co-founder of Art Dubai. Additional texts and interviews describe the environments in which the featured designers and artists work. Edited bys Ben Wittner and Sascha Thoma round out Arabesque 2 with a CD-ROM that features four typefaces related to its themes."
    Note: INDEX NOTE: Includes index. , MACHINE-GENERATED CONTENTS NOTE: Foreword -- Handmade - Diana Hawatmeh Ganzeer -- Photo + Type - Farhad Fozouni, Shahrzad Changalvaee -- Pixel Pattern Mosaic - Kareem Lotfy, Studiokargah -- Editorial Design - Khajag Apelian -- Type Design - Tarek Atrissi, Yanone -- The 3rd Dimension - Mohammad Reza Abdolali, Homa Delvaray -- Index -- Imprint.
    Language: English
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  • 5
    UID:
    kobvindex_INT0000755
    Format: 192 pages : , richly illustrated (chiefly colour) ; , 1 CD-ROM. , 28.5 x 24 cm. +
    ISBN: 9783899552065 (hbk.) , 3899552067 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Despite their rich tradition of calligraphy, the Arab World and Persia are not known for their contemporary graphic design, illustration and typography. Especially now, it s worth taking a look at the region s creativity. Young designers are just beginning to chart their own compelling course between local visual convention and a modern, international style. Arabesque investigates the creative potential of the Arab World and Iran. This book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region s visual culture. Given the important role of calligraphy in the Middle East, Arabesque focuses on typography. The book presents a wide range of modern Arabic fonts and typefaces; these are accompanied by a rich selection of applications. Further examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those now creating street art and poster design. Arabesque also features graphic design, logos and illustration by young designers and activists from Egypt, Iran, Saudi Arabia, the United Arab Emirates and Lebanon, which is complemented by selected projects by Western designers, who are strongly influenced by Arab culture. Regardless of the location and ancestry of their creators, all of the examples included in Arabesque combine modern design with the traditional, letter-based canon of Arab forms in striking ways. Supplemental texts describe the environments in which the featured designers and artists work. Arabesque also includes a CD-ROM with the Arabic inspired Latin typeface Talib created by the book's editors Ben Wittner and Sascha Thoma."
    Note: INDEX NOTE: includes index. , MACHINE-GENERATED CONTENTS NOTE: Foreword -- Calligraphical: Interview with Mouneer EI Shaarani, Interview with Native and ZenTwo -- Pictural: Interview with George Azmy, Interview with Nermine Hammam -- Pictural Type: Interview with Behrouz Hariri, Interview with Iman Raad -- Type Design: Interview with Nadine Chahine, Interview with Pascal Zoghbi -- Logos: Interview with Wissam Shawkat -- Graphical: Interview with FC Studio -- Index -- Imprint.
    Language: English
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  • 6
    AV-Medium
    AV-Medium
    Berlin : Die Gestalten Verlag
    UID:
    b3kat_BV035840305
    Format: 192 Seiten , Illustrationen , 1 CD-ROM (12 cm) , 280 mm x 240 mm
    ISBN: 9783899552683
    Note: Früher mit ISBN: 978-3-89955-206-5
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Arabische Staaten ; Grafikdesign ; Geschichte 2000-2009 ; Bildband
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  • 7
    Book
    Book
    Berlin : Berlin International University of Applied Sciences
    UID:
    kobvindex_INT130920221148
    Format: 176 pages , illustrations , 24 cm
    ISBN: na
    Language: English
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  • 8
    UID:
    b3kat_BV048912490
    Format: 63 Seiten , Illustrationen
    Note: erscheint anlässlich der Ausstellung Right-to-Left: Arabische und Iranische Visuelle Kulturen. 10.11.2012-9.12.2012, Studio I, Kunstquartier Bethanien, Berlin , Right-to-Left Poster Edition mit Arbeiten von 15 Künstlern , Text deutsch und englisch
    Language: German
    Keywords: Araber ; Arabische Schrift ; Visuelle Kommunikation ; Ausstellungskatalog
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  • 9
    UID:
    b3kat_BV048990700
    Format: 51 Seiten , Illustrationen
    Edition: Arabic Edition
    Original writing title: يمين الى اليسار : الثقافات المرئية العربية والايرانية = راست به چپ : فرهنگ بصری عربی و ایرانی
    Original writing person/organisation: سوربلو, مارينا
    Note: Text arabisch
    Language: Arabic
    Keywords: Araber ; Arabische Schrift ; Visuelle Kommunikation ; Ausstellungskatalog
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  • 10
    UID:
    kobvindex_INT0004733
    Format: 78 pages : , illustrations ; , 1 supplement (101 pages : illustrations). , 24.5 x 21.5 cm. +
    Content: MACHINE-GENERATED SUMMARY NOTE: "This thesis specifically focuses on the rules, peculiarities and history of Cyrillic type. Foreign scripts might look alien and even somewhat intimidating at first sight, however Cyrillic is very close to Latin in terms of origin, development and typographic rules. Latin graphic is the foundation of modern Cyrillic type. Like Latin, Cyrillic is a script written from left to right. Characters in both types share basic common features, such as hight, width, contrasts, angles of bowls, serifs, stems, strokes. 16 uppercase and 12 lowercase characters in modern Cyrillic fonts have identical letterforms in Latin. […] The topic of the thesis is aimed at readers, who are not native to Cyrillic script, and don’t possess the knowledge of reading and speaking Russian or other Cyrillic-based languages. On the initial stages a preliminary research was conducted in order to understand how non-native graphic designers perceive Cyrillic script, and to identify the possible approaches of explaining the topic. Short interviews with 5 respondents (graphic designers from 5 different countries, non-native to Cyrillic script) have shown, that interviewees perceive Cyrillic characters as symbols with deep history and a requirement of understanding the details in order to work with them. Inability to read the text was mentioned as one of the major obstacles in working with the script. Respondents have also mentioned that Cyrillic script visually reminds Latin. (Appendix 9.1, page 66) Therefore it was decided to base the explanation of the topic on the comparison of Cyrillic and Latin type, as the closest by origin and visual characteristics, and most common script system in graphic design field. Research also contains a table of Russian alphabet with approximate English phonetic equivalents (page 7), which might help the non-native audience to acquire the primary skills of reading Cyrillic text. In the ‘Letters’ chapter the characters of Russian alphabet are either structurally compared to the corresponding Latin characters or demonstrate, how Cyrillic characters can be created out of Latin ones by the method of type cyrillization. The aim of this approach is to not only teach graphic designers to identify good quality fonts, but also familiarise with the alphabet. The research is based on primary and secondary sources. The primary sources are the above mentioned structured preliminary interviews, and semi-structured interviews with Cyrillic type and graphic design specialists from Russia and Ukraine (Appendix 9.2 & 9.3, pages 68-76). The secondary source is the analysis of relevant literature and articles from English- and Russian-speaking sources."
    Note: DISSERTATION NOTE: bachelor thesis in Graphic Design and Visual Communication, Berlin International University of Applied Sciences, 2020. , MACHINE-GENERATED CONTENTS NOTE (thesis): INTRODUCTION -- METHODOLOGY -- RELEVANCE : Basic information -- Fashion & trends -- Issues & solutions -- HISTORY : Origin -- Petrine reform -- Soviet period -- TYPOGRAPHY : General guidelines -- LETTERS : General information -- Peculiarities of Cyrillic characters -- Conclusion -- PROJECT -- BIBLIOGRAPHY -- APPENDIX : Preliminary interviews -- Interview with type designer -- Interview with graphic designer. , MACHINE-GENERATED CONTENTS NOTE (supplement): INTRODUCTION -- RELEVANCE : Cyrillic is the new black -- HISTORY : How it all began -- Peter the Great -- Soviet period -- TYPE : Basic rules -- LETTERS : Бб -- Гг -- Дд -- Жж -- Зз -- Ии -- Йй -- Кк -- Лл -- Пп -- Уу -- Фф -- Цц -- Чч -- Шш Щщ -- Ъ Ы Ь -- Ээ -- Юю -- Яя -- INTERVIEW : Anna Kulachek -- Maria Doreuli. , SUPPLEMENT NOTE: accompanied by a supplement entitled: "Cyrillize it! : Гид по кириллической типографике для графических дизайнеров = a guide on Cyrillic typography for graphic designers".
    Language: English
    Keywords: Academic theses ; Academic theses
    URL: FULL  ((thesis and supplement))
    URL: FULL  ((thesis and supplement))
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