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  • 1
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV036109081
    Format: XI, 295 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-0-521-11733-3
    Series Statement: Cambridge studies in romanticism 82
    Language: English
    Subjects: Musicology , English Studies
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    Keywords: Musikleben ; Literatur ; Romantik ; Musik ; Literatur
    Author information: Wood, Gillen D'Arcy, 1968-
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  • 2
    UID:
    almahu_BV013661203
    Format: IX, 273 S. : , Ill.
    Edition: 1. ed.
    ISBN: 0-312-22654-3
    Language: English
    Subjects: English Studies
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    Keywords: Englisch ; Literatur ; Kunst ; Romantik ; Kunst ; Literatur ; Englisch ; Englisch ; Literatur ; Visuelle Wahrnehmung ; Romantik ; Visuelle Wahrnehmung ; Literatur ; Englisch ; Moderne ; Ästhetik ; Realismus ; Ästhetik ; Ästhetik ; Fotografie ; Ästhetik
    URL: Cover
    Author information: Wood, Gillen D'Arcy, 1968-
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  • 3
    Book
    Book
    Darmstadt :Theiss, [ein Imprint der WBG],
    UID:
    almafu_BV042282076
    Format: 336 Seiten : , Illustrationen, Diagramme, Karten ; , 23 cm.
    ISBN: 978-3-8062-3015-4 , 3-8062-3015-3
    Uniform Title: Tambora
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-8062-3081-9
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-8062-3082-6
    Language: German
    Subjects: History , Geography , General works
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    Keywords: Eruption ; Klimaänderung ; Vulkan ; Eruption ; Naturkatastrophe ; Klimafaktor ; Eruption ; Klimaänderung
    Author information: Wood, Gillen D'Arcy 1968-
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  • 4
    Book
    Book
    Princeton and Oxford :Princeton University Press,
    UID:
    almafu_BV041978475
    Format: XIV, 293 Seiten : , Illustrationen, Karten ; , 25 cm.
    ISBN: 978-0-691-15054-3 , 978-0-691-16862-3
    Note: Includes bibliographical references and index. - hier auch unveränderte Nachauflagen
    Language: English
    Subjects: History , Earth Sciences , Geography
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    Keywords: Eruption ; Klimaänderung ; Eruption ; Klimaänderung ; Vulkan ; Eruption ; Naturkatastrophe ; Klimafaktor
    Author information: Wood, Gillen D'Arcy 1968-
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  • 5
    Book
    Book
    Princeton, New Jersey : Princeton University Press
    UID:
    gbv_167940492X
    Format: 287 pages
    ISBN: 9780691172200
    Content: "A history of the first race to Antarctica that weaves the great polar discoveries of the nineteenth century with scientific breakthroughs of the modern era. Antarctica, the ice kingdom hosting the South Pole, looms large in the human imagination. The secrets of this vast frozen desert have long tempted explorers, but its brutal climate and glacial shores notoriously resist human intrusion. Land of Wondrous Cold tells a gripping story of the pioneer nineteenth-century voyages, when British, French, and American commanders raced to penetrate Antarctica's glacial rim for unknown lands beyond. These intrepid Victorian explorers-James Ross, Dumont D'Urville, and Charles Wilkes-laid the foundation for our current understanding of Terra Australis Incognita. Today, the white continent poses new challenges, as scientists race to uncover Earth's climate history recorded in the south polar ice and ocean floor, and to monitor the increasing instability of the Antarctic ice cap, which threatens inundation of coastal cities worldwide. Interweaving the breakthrough research of the modern Ocean Drilling Program with the dramatic discovery tales of their Victorian-era forerunners, Gillen D'Arcy Wood describes Antarctica's role in a planetary drama of plate tectonics, climate change, and species evolution stretching back more than thirty million years. An original, multifaceted portrait of the polar continent emerges, illuminating our profound connection to Antarctica in its past, present, and future incarnations. A deep-time history of monumental scale, Land of Wondrous Cold brings the remotest of worlds within close reach-an Antarctica vital to both planetary history and human fortunes"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780691201689
    Additional Edition: Erscheint auch als Online-Ausgabe Wood, Gillen D'Arcy Land of wondrous cold Princeton : Princeton University Press, 2020
    Language: English
    Keywords: Antarktis ; Entdeckung ; Polarforschung ; Gletschereis ; Geschichte
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  • 6
    UID:
    kobvindex_SLB745620
    Format: 336 S. : Ill., graph. Darst., Kt.
    ISBN: 9783806230154 , 3806230153
    Uniform Title: Tambora: The eruption that changed the world 〈dt.〉
    Note: KOBVSLBP1 Z39.50 2015.07.28
    Language: German
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  • 7
    Book
    Book
    Princeton : Princeton University Press
    UID:
    gbv_869504851
    Format: XIV, 293 Seiten , Illustrationen, Diagramme, Karten
    Edition: Fourth printing, and first paperback print
    ISBN: 9780691168623 , 0691168628 , 9780691150543 , 0691150540
    Language: English
    Keywords: Sumbawa ; Tambora ; Vulkan ; Eruption ; Klimaänderung ; Wetter ; Geschichte 1815-2000
    Author information: Wood, Gillen D'Arcy 1968-
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  • 8
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US
    UID:
    gbv_857801449
    Format: 1 Online-Ressource (XIII, 273 p)
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    ISBN: 9781137068095
    Content: Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature,' Coleridge declared, are 'loathsome' and 'disgusting.' The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology - as a reaction not against the rationalism of the Enlightenment but against the visual media age being born
    Additional Edition: ISBN 9781349624584
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780312226541
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781349624584
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781349624577
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Book
    Book
    Stuttgart : Theiss
    UID:
    kobvindex_VBRD-i97838062301540336
    Format: 336 S. : Ill., Kt.
    ISBN: 9783806230154
    Note: Aus dem Engl. übers.
    Language: German
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  • 10
    UID:
    edocfu_9960695441102883
    Format: 1 online resource (720 p.) : , 24 B/W illustrations 76 musical illustrations
    ISBN: 9780748693139
    Series Statement: Edinburgh Companions to Literature and the Humanities
    Content: Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.
    Note: Frontmatter -- , Contents -- , List of Illustrations -- , List of Tables -- , Acknowledgements -- , Introduction -- , 1. Intertextuality, Topic Theory and the Open Text -- , 2. Secrets, Technology and Musical Narrative: Remarks on Method -- , 3. Derrida, de Man, Barthes, and Music as the Soul of Writing -- , Part I: Literature and Music before 1500 -- , Introduction -- , 4. Music and the Book: The Textualisation of Music and the -- , 5. Liturgical Music and Drama -- , 6. Intermedial Texts -- , 7. Citation and Quotation -- , 8. Polytextuality -- , 9. Courtly Subjectivities -- , 10. Gender: The Art and Hermeneutics of (In)differentiation -- , Part II: Literature and Music in the Sixteenth and Seventeenth Centuries -- , Introduction -- , 11. Music and the Literature of Science in Seventeenth-Century England -- , 12. The ‘Sister’ Arts of Music and Poetry in Early Modern England -- , Metrical Forms and Rhythmic Effects: Music, Poetry and Song -- , 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton -- , 14. Against ‘the Music of Poetry’ -- , 15. Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline -- , Performers and Performance -- , 16. Shakespeare’s Musicians: Status and Hierarchy -- , 17. Best-Selling Ballads in Seventeenth-Century England -- , 18. Italian Performance Practices in Seventeenth-Century English Song -- , Theatre Music and Opera -- , 19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida -- , 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy -- , 21. All-Sung English Opera Experiments in the Seventeenth Century -- , Part III: Literature and Music in the Eighteenth Century -- , Introduction -- , 22. Thomas Arne and ‘Inferior’ English Opera -- , 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- , 24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- , Oratorio -- , 25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- , 26. Maurice Greene and the English Church Music Tradition -- , Eighteenth-Century Fiction and Music -- , 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- , 28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- , 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- , Music, Poetry and Song -- , 30. Shelley’s Musical Gifts -- , 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- , 32. The Musical Poetry of the Graveyard -- , 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- , Part IV: Literature and Music in the Nineteenth Century -- , Introduction -- , 34. Music and the Rise of Narrative -- , Opera -- , 35. From English Literature to Italian Opera: A Tangled Web of Translation -- , 36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- , 37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- , Nineteenth-Century Fiction and Music -- , 38. Stendhal at La Scala: The Birth of Musical Fandom -- , 39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- , 40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- , Music, Poetry and Song -- , 41. Music in Romantic and Victorian Poetry -- , 42. The Princess and the Tennysons’ Performance of Childhood -- , 43. Tchaikovsky’s Songs: Music as Poetry -- , 44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- , Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- , Introduction -- , Music and Critical Theory -- , 45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- , 46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- , Music and Fiction since 1900 -- , 47. Music in Proust: The Evolution of an Idea -- , 48. Music in Woolf’s Short Fiction -- , 49. Listening in to D. H. Lawrence: Music, Body, Feelings -- , 50. E. M. Forster and Music: Listening for the Amateur -- , 51. Beckett, Music and the Ineffable -- , 52. Jean Rhys and the Politics of Sound -- , 53. Music in Contemporary Fiction -- , Music, Poetry and Song -- , 54. Modernist Poetry and Music: Pound Notes -- , 55. Auden’s Imaginary Song -- , 56. Ivor Gurney: Embracing and Attacking A. E. Housman -- , 57. Music and Contemporary Poetry: Audience, Apology and Silence -- , Opera -- , 58. Le Cas Debussy: Layers of Resonance from Literature into Music -- , 59. Britten, Austen and Mansfi eld Park -- , 60. Tippett, Eliot and Madame Sosostris -- , Literature, Pop Music and Sound -- , 61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- , 62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- , 63. Words in Popular Songs -- , 64. Notes on Soundtracked Fiction: The Past as Future -- , Coda -- , 65. Origins and Destinations: A Future for Literature and Music -- , Notes on Contributors -- , Editorial Advisory Board -- , Index , In English.
    Language: English
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