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  • 1
    Online Resource
    Online Resource
    Political Moods : Film Melodrama and the Cold War in the Two Koreas (2023)
    Berkeley, CA :University of California Press,
    Details
    UID:
    almahu_9949598181202882
    Format: 1 online resource (272 p.)
    Edition: 1st ed.
    ISBN: 0-520-39570-0
    Series Statement: Global Korea ; 4
    Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.
    Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Introduction -- , Part I North Korea -- , 1 Mood and Montage in the Total Work of Art -- , 2 Melodramatic Moods from Socialist Realism to Juche Realism -- , 3 Fantastic Folk: Beyond Realism -- , Part II South Korea -- , 4 National Cinema and the Melancholy of Liberation -- , 5 Realism and Melodrama in the Golden Age -- , 6 Melodrama and Art Cinema -- , Epilogue -- , Bibliography -- , Filmography -- , Index , In English.
    Additional Edition: ISBN 0-520-39569-7
    Language: English
    Keywords: Electronic books.
    DOI: 10.1525/9780520395701
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover
    URL: Click here to view book
    URL: Click to View
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    Stabi Berlin
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    FU Berlin
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    HPol Brandenburg
    Charité
  • 2
    Book
    Book
    Imperial genus : the formation and limits of the human in modern Korea and Japan (2016)
    Oakland :University of California Press,
    Details
    UID:
    almahu_BV043421946
    Format: x, 307 Seiten : , illustration.
    ISBN: 0-520-28959-5 , 978-0-520-28959-8
    Series Statement: Asia Pacific modern 14
    Content: "Ímperial Genus begins with the turn to world culture and ideas of the generally human in Japan's cultural policy in Korea in 1919. How were concepts of the human's genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainly between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is both a genealogy of the various articulations of the human's genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure."...Provided by publisher
    Note: Includes bibliographical references and index. - Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 0-520-96419-5
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-96419-8
    Language: English
    Subjects: History , Comparative Studies. Non-European Languages/Literatures , Philosophy
    RVK:
    CI 8930
    RVK:
    CI 9526
    RVK:
    EI 4935
    RVK:
    EI 8640
    RVK:
    NQ 5755
    RVK:
    NQ 5762
    Keywords: Kolonialismus ; Weltbürgertum ; Diskursanalyse
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    Fulltext
    Fulltext
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  • 3
    Online Resource
    Online Resource
    Political moods : film melodrama and the Cold War in the two Koreas (2023)
    Oakland, California : University of California Press
    Details
    UID:
    b3kat_BV049603805
    Format: 1 Online-Ressource , Illustrationen
    ISBN: 9780520395701
    Series Statement: Global Korea 4
    Content: "Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building"--
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-520-39569-5
    Language: English
    DOI: 10.1525/luminos.167
    DOI: 10.1525/9780520395701
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Click here to view book
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Fulltext
    Fulltext
    EUV Frankfurt
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    HPol Brandenburg
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    Alice Salomon HS
  • 4
    Online Resource
    Online Resource
    Imperial Genus : The Formation and Limits of the Human in Modern Korea and Japan (2016)
    Oakland, California : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    almahu_9947382130002882
    Format: 1 online resource (322 p.)
    ISBN: 0-520-96419-5
    Series Statement: Studies of the Weatherhead East Asian Institute, Columbia University 14
    Content: "Ímperial Genus begins with the turn to world culture and ideas of the generally human in Japan's cultural policy in Korea in 1919. How were concepts of the human's genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainly between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is both a genealogy of the various articulations of the human's genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure."--Provided by publisher.
    Note: Bibliographic Level Mode of Issuance: Monograph , Culturalism and the human -- The colony and the world: nation, poetics, and biopolitics in Yi Kwang-Su -- Labor and culture in Marxism and the proletarian arts -- Other chronotopes in realist literature -- World history and minor literature -- Modernism without a home: cinematic literature, colonial architecture, and Yi sang's poetics. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9780520289598
    Language: English
    DOI: 10.1525/9780520964198
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover
    URL: https://purl.org/coar/access_right/c_abf2
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
    HU Berlin
    FU Berlin
    UB Potsdam
  • 5
    Book
    Book
    Imperial genus : the formation and limits of the human in modern Korea and Japan (2016)
    Oakland : University of California Press
    Details
    UID:
    b3kat_BV043421946
    Format: x, 307 Seiten , illustration
    ISBN: 0520289595 , 9780520289598
    Series Statement: Asia Pacific modern 14
    Content: "Ímperial Genus begins with the turn to world culture and ideas of the generally human in Japan's cultural policy in Korea in 1919. How were concepts of the human's genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainly between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is both a genealogy of the various articulations of the human's genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure."...Provided by publisher
    Note: Includes bibliographical references and index , Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 0-520-96419-5
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-96419-8
    Language: English
    Subjects: History , Comparative Studies. Non-European Languages/Literatures , Philosophy
    RVK:
    CI 8930
    RVK:
    CI 9526
    RVK:
    EI 4935
    RVK:
    EI 8640
    RVK:
    NQ 5755
    RVK:
    NQ 5762
    Keywords: Japan ; Korea ; Kolonialismus ; Weltbürgertum ; Diskursanalyse ; Geschichte 1910-1945
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Fulltext
    Fulltext
    EUV Frankfurt get availability status
    HTW Berlin get availability status
    BTU Cottbus get availability status
    Alice Salomon HS get availability status
  • 6
    Online Resource
    Online Resource
    Imperial Genus : The Formation and Limits of the Human in Modern Korea and Japan (2015)
    [Erscheinungsort nicht ermittelbar] : University of California Press
    Details
    UID:
    gbv_1778639321
    Format: 1 Online-Ressource
    ISBN: 9780520964198
    Content: Imperial Genus begins with the turn to world culture and ideas of the generally human in Japan’s cultural policy in Korea in 1919. How were concepts of the human’s genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainty between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is a genealogy of the various articulations of the human’s genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure. “Imperial Genus is an expansive and erudite study of Culturalism, Marxism, and Japanophone discourses across colonial Korea and imperial Japan. Nothing exists in Korean Studies that is remotely close to the breadth and depth of the scholarship and theoretical sophistication in Travis Workman’s book. It offers three related investigations: the philosophical substrata of modern thought and culture in the colony and Japan proper, their ideological underpinnings and implications, and a thorough reinterpretation of the colonial Korean literary canon from these perspectives.” -JIN-KYUNG LEE, author of Service Economies: Militarism, Sex Work, and Migrant Labor in South Korea “Travis Workman’s compelling arguments take as their point of departure the notion of genus-being. Workman dispenses once and for all with the colonizer/colonized binary, demonstrating brilliantly how intellectuals associated with different movements in both Japan and Korea grapple with the meaning of the human itself as they attempt to think through capitalist modernity.” -THEODORE HUGHES, author of Literature and Film in Cold War South Korea: Freedom’s Frontier TRAVIS WORKMAN is Assistant Professor in the Department of Asian Languages and Literatures at the University of Minnesota, Twin Cities
    Note: English
    Language: English
    URL: kostenfrei
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    Stabi Berlin
    UB Potsdam
  • 7
    Online Resource
    Online Resource
    Imperial Genus: The Formation and Limits of the Human in Modern Korea and Japan (2016)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_1778606822
    Format: 1 Online-Ressource (322 p.)
    ISBN: 9780520964198
    Series Statement: Asia Pacific Modern
    Content: "Imperial Genus begins with the turn to world culture and ideas of the generally human in Japan’s cultural policy in Korea in 1919. How were concepts of the human’s genus‑being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainty between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan‑Asian imperial nationalism converged with practices of colonial governmentality. It is a genealogy of the various articulations of the human’s genus‑being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure."
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Stabi Berlin
    UB Potsdam
  • 8
    Online Resource
    Online Resource
    Political Moods : Film Melodrama and the Cold War in the Two Koreas (2023)
    Oakland : University of California Press
    Details
    UID:
    gbv_1877773689
    Format: 1 Online-Ressource (274 p.)
    ISBN: 9780520395695
    Content: Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building. “Deftly employing melodrama not so much as a genre as a domain of affect, Travis Workman provides a pathbreaking new framework for understanding post‑1945 Korean film. An important and highly original work.” — MICHAEL K. BOURDAGHS, University of Chicago “In this bracing reading of melodramatic form in Korean films, Workman raises a bold question that haunts Korean studies: how to develop a comparative understanding of the vastly different scenarios in the films of North and South? His answer drives our attention to the subject of mood. A stupendous contribution to the scholarship on Korean cinema, Cold War culture, and melodrama studies.” — JINSOO AN, author of Parameters of Disavowal: Colonial Representation in South Korean Cinema
    Note: English
    Language: Undetermined
    URL: kostenfrei
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    Stabi Berlin
  • 9
    Online Resource
    Online Resource
    Imperial Genus : The Formation and Limits of the Human in Modern Korea and Japan (2016)
    Oakland, California : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    edoccha_9958078616502883
    Format: 1 online resource (322 p.)
    ISBN: 0-520-96419-5
    Series Statement: Studies of the Weatherhead East Asian Institute, Columbia University 14
    Content: "Ímperial Genus begins with the turn to world culture and ideas of the generally human in Japan's cultural policy in Korea in 1919. How were concepts of the human's genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainly between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is both a genealogy of the various articulations of the human's genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure."--Provided by publisher.
    Note: Bibliographic Level Mode of Issuance: Monograph , Culturalism and the human -- The colony and the world: nation, poetics, and biopolitics in Yi Kwang-Su -- Labor and culture in Marxism and the proletarian arts -- Other chronotopes in realist literature -- World history and minor literature -- Modernism without a home: cinematic literature, colonial architecture, and Yi sang's poetics. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9780520289598
    Language: English
    DOI: 10.1525/9780520964198
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Charité
  • 10
    Online Resource
    Online Resource
    Imperial Genus : The Formation and Limits of the Human in Modern Korea and Japan (2016)
    Oakland, California : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    edocfu_9958078616502883
    Format: 1 online resource (322 p.)
    ISBN: 0-520-96419-5
    Series Statement: Studies of the Weatherhead East Asian Institute, Columbia University 14
    Content: "Ímperial Genus begins with the turn to world culture and ideas of the generally human in Japan's cultural policy in Korea in 1919. How were concepts of the human's genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainly between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is both a genealogy of the various articulations of the human's genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure."--Provided by publisher.
    Note: Bibliographic Level Mode of Issuance: Monograph , Culturalism and the human -- The colony and the world: nation, poetics, and biopolitics in Yi Kwang-Su -- Labor and culture in Marxism and the proletarian arts -- Other chronotopes in realist literature -- World history and minor literature -- Modernism without a home: cinematic literature, colonial architecture, and Yi sang's poetics. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9780520289598
    Language: English
    DOI: 10.1525/9780520964198
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
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