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  • 1
    UID:
    almahu_9949386828702882
    Format: 1 online resource (xxv, 511 pages) : , illustrations
    ISBN: 9780429504631 , 0429504632 , 9780429997488 , 0429997485 , 9780429997495 , 0429997493 , 9780429997471 , 0429997477
    Content: The Routledge Handbook to Sociology of Music Education is a review of current research in the field. The opening introduction orients the reader to the field, highlights recent developments, and draws together concepts and research methods to be covered. The chapters that follow are written various experts on key issues in their area of specialisation. From separate beginnings in the United States, Europe, and the United Kingdom in the mid-twentieth century, the field of the sociology of music education has and continues to experience rapid and global development. It could be argued that this Handbook marks its coming of age. The Handbook is dedicated to the exclusive and explicit application of sociological constructs and theories to issues such as globalisation, immigration, post-colonialism, inter-generational musicking, socialisation, inclusion, exclusion, hegemony, symbolic violence, and popular culture. Contexts range from formal compulsory schooling to non-formal communal environments to informal music making and listening. The Handbook is aimed at graduate students, researchers and professionals, but will also be a useful text for undergraduate students in music, education, and cultural studies.
    Note: Post-structuralism, globalisation, internationalisation, post-colonialism. , Music education and the colonial project : stumbling toward anti-colonial music education / , Sociological perspectives on internationalisation and music education / , Challenges of the post-colonisation process in Hong Kong schools : in search of balanced approaches to the learning and teaching of Putonghua songs / , Habitual play : body, cultural sacredness, and professional dilemmas in classical musician education / , Toward a sociology of music education informed by indigenous perspectives / , Nation, memory, and music education in the republic of Turkey : a hegemonic analysis / , In search of a potentially humanising music education : reflections on practices at two Brazilian universities / , Questioning convergences between neoliberal policies, politics, and informal music pedagogy in Australia / , Socio-cultural background and teacher education in Chile : understanding the musical repertoires of music teachers of Chile / , Jump up, wine, and wave : Soca music, social identity, and symbolic boundaries in Grenada, West Indies / , Capital, class status, and social reproduction. , Music education as qualification, socialisation, and subjectification? / , Fish out of water? : musical backgrounds, cultural capital, and social class in higher music education / , A field divided : how Legitimation Code Theory reveals problems impacting the growth of school music education / , Music and the social imaginaries of young people / , Doublespeak in higher music education in England : culture, marketisation, and democracy / , Multiple hierarchies as change-innovation strategy : ambivalence as policy framing at the New World Symphony / , Neoliberalism as political rationality : a call for heretics / , Mobilising capitals in the creative industries : an investigation of emotional and professional capital in women creatives navigating boundaryless careers / , Curriculum and assessment in the secondary school in England : the sociology of musical status / , Structure and agency in music education / , The hidden curriculum in higher music education / , Countering anomie and alienation : music education as remix and life-hack / , Crossing borders : problematising assumptions. , Art-music-pedagogy : a view from a geopolitical cauldron / , Music education, genderfication, and symbolic violence / , Reading Audre Lorde : black lesbian feminist disidentifications in canonical sociology of music education / , Engaging contemporary ideas of community music through historical sociology / , Cage(D) : creativity and 'the contemporary' in music education : a sociological view / , Towards a music education for maturing, never arriving / , From parallel musical identities to cultural omnivorousness and back : strategies and functions of multi-layered musical conduct / , Hunka, hunka burning love : vernacular music education / , Challenges in music and inclusive education : diversity, musical canon, and trialectic contract / , Collaborative video logs : virtual communities of practice and aliveness in the music classroom / , Digital sociology, music-learning, and online communities of practice / , The creative youth club : double features of organic music education in a post-industrial city / , Intergenerational transmission of music listenership values in five US families : music listening guidelines and sociolinguistic analysis / , Engagement and agency in music education across the lifespan /
    Additional Edition: Print version: Handbook of research on advancements in manufacturing, materials, and mechanical engineering Hershey, PA : Engineering Science Reference, 2021. ISBN 9781799849391
    Language: English
    Keywords: Electronic books.
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  • 2
    UID:
    almahu_9949386567702882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9781000174700 , 1000174700 , 9780429325076 , 042932507X , 9781000174724 , 1000174727 , 9781000174748 , 1000174743 , 9781000174748
    Series Statement: ISME global perspectives in music education series
    Content: Musical Gentrification is an exploration of the role of popular music in processes of socio-cultural inclusion and exclusion in a variety of contexts. Twelve chapters by international scholars reveal how cultural objects of relatively lower status, in this case popular musics, are made objects of acquisition by subjects or institutions of higher social status, thereby playing an important role in social elevation, mobility and distinction. The phenomenon of musical gentrification is approached from a variety of angles: theoretically, methodologically and with reference to a number of key issues in popular music, from class, gender and ethnicity to cultural consumption, activism, hegemony and musical agency. Drawing on a wide range of case studies, empirical examples and ethnographic data, this is a valuable study for scholars and researchers of Music Education, Ethnomusicology, Cultural Studies and Cultural Sociology.
    Note: Musical gentrification and socio-cultural diversities: an analytical approach towards popular music expansion in egalitarian societies / , Musical gentrification: strategy for social positioning in late modern culture / , Exploring the phenomenon of musical gentrification: methods and methodologies / , Musical gentrification and the (un)democratisation of culture: symbolic violence in country music discourse / , Musical gentrification, parenting and children's media music / , Gentrification, hegemony, activism and anarchy: how these concepts may inform the field of higher popular music education / , Changing rhythms, ideas and status in jazz: the case of the Norwegian jazz forum in the 1960s / , Musical gentrification and "genderfication" in higher music education / , Musical agency meets musical gentrification: exploring the workings of hegemonic power in (popular) music academisation / , Enclosure and abjection in American school music / , Musical pathways of migrant musicians: connecting, re-connecting and dis0connecting / , Afterword: taste and distinction after Bourdieu /
    Additional Edition: Print version: ISBN 0367343355
    Additional Edition: ISBN 9780367343354
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
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  • 3
    UID:
    gbv_1853340588
    Format: 1 Online-Ressource (196 p.)
    ISBN: 9780429325076 , 9780367535599 , 9780367343354
    Series Statement: ISME Series in Music Education
    Content: Musical Gentrification is an exploration of the role of popular music in processes of socio-cultural inclusion and exclusion in a variety of contexts. Twelve chapters by international scholars reveal how cultural objects of relatively lower status, in this case popular musics, are made objects of acquisition by subjects or institutions of higher social status, thereby playing an important role in social elevation, mobility and distinction. The phenomenon of musical gentrification is approached from a variety of angles: theoretically, methodologically and with reference to a number of key issues in popular music, from class, gender and ethnicity to cultural consumption, activism, hegemony and musical agency. Drawing on a wide range of case studies, empirical examples and ethnographic data, this is a valuable study for scholars and researchers of Music Education, Ethnomusicology, Cultural Studies and Cultural Sociology. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license
    Note: English
    Language: Undetermined
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  • 4
    UID:
    gbv_44614438X
    Format: 100 S. , Ill. , 8°
    Edition: 1. Aufl.
    Uniform Title: La torta in cielo 〈dt.〉
    Language: German
    Author information: Rodari, Gianni 1920-1980
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  • 5
    UID:
    gbv_214527786
    Language: English
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  • 6
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV049036437
    Format: 1 Online-Ressource (vi, 185 Seiten) , Diagramme
    ISBN: 9780429325076
    Series Statement: ISME global perspectives in music education series
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-367-34335-4
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    UID:
    gbv_1765038731
    Format: 1 online resource , illustrations (black and white)
    Edition: First edition.
    ISBN: 9781000174700 , 1000174700 , 9780429325076 , 042932507X , 9781000174724 , 1000174727 , 9781000174748 , 1000174743
    Series Statement: ISME global perspectives in music education series
    Content: Musical Gentrification is an exploration of the role of popular music in processes of socio-cultural inclusion and exclusion in a variety of contexts. Twelve chapters by international scholars reveal how cultural objects of relatively lower status, in this case popular musics, are made objects of acquisition by subjects or institutions of higher social status, thereby playing an important role in social elevation, mobility and distinction. The phenomenon of musical gentrification is approached from a variety of angles: theoretically, methodologically and with reference to a number of key issues in popular music, from class, gender and ethnicity to cultural consumption, activism, hegemony and musical agency. Drawing on a wide range of case studies, empirical examples and ethnographic data, this is a valuable study for scholars and researchers of Music Education, Ethnomusicology, Cultural Studies and Cultural Sociology.
    Additional Edition: ISBN 0367343355
    Additional Edition: ISBN 9780367343354
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367343355
    Language: English
    Subjects: Musicology
    RVK:
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  • 8
    UID:
    gbv_1607398052
    Format: 107 S. , Ill.
    Edition: 1. Aufl.
    Uniform Title: Favole al telefono 〈dt.〉
    Language: German
    Subjects: Education
    RVK:
    Author information: Rodari, Gianni 1920-1980
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  • 9
    UID:
    gbv_446144371
    Format: 123 S , Ill , 8"
    Edition: 1. Aufl
    Uniform Title: La torta in cielo 〈dt.〉
    Language: German
    Author information: Rodari, Gianni 1920-1980
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  • 10
    Book
    Book
    Stuttgart : Engelhorn
    UID:
    kobvindex_ZLB12264422
    Format: 296 Seiten
    Edition: 1
    Language: German
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