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  • 1
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV010702587
    Format: XI, 291 S. : zahlr. Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-521-45349-6
    Content: The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. This volume of twelve essays by leading international scholars covers some of the musical traditions and practices of this little-understood period of music history. Beginning with the early decades of the eighteenth century, the volume documents selected aspects of musical life and style from the late Baroque period to the early years of the nineteenth century. The four main areas covered in this exploration of new territories in music history are orchestral music, sacred music, opera and keyboard music. Georg Reutter (Haydn's teacher), Antonio Salieri (Mozart's colleague) and Joseph Wolfl (a rival of Beethoven) are only three of the prominent musicians of the period who are discussed at length.
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Musik ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Author information: Jones, David Wyn 1950-
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  • 2
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV025267548
    Format: X, 103 S. : , Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-521-45684-3 , 0-521-45074-8
    Series Statement: Cambridge music handbooks
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Nr. 6 1770-1827 Sinfonien Beethoven, Ludwig van F-Dur ; op. 68 ; Einführung
    Author information: Jones, David Wyn, 1950-
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  • 3
    UID:
    almahu_BV025279701
    Format: XIV, 318 S. : , Ill., Notenbeisp.
    ISBN: 1-8401-4688-5
    Note: The essays in this volume have their origins at a conference on music in eighteenth-century Britain in July 1996, organized by the Department of Music, Cardiff University
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    Author information: Jones, David Wyn, 1950-
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  • 4
    Book
    Book
    Oxford [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV014254657
    Format: XXI, 515 S. : graph. Darst., Kt.
    Edition: 1. publ.
    ISBN: 0-19-866216-5
    Series Statement: Oxford composer companions
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1732-1809 Haydn, Joseph ; Wörterbuch ; Wörterbuch
    Author information: Jones, David Wyn, 1950-
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  • 5
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV021672627
    Format: XII, 231 S. : , Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-0-521-86261-5 , 0-521-86261-2
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Sinfonie ; 1770-1827 Beethoven, Ludwig van ; Sinfonie
    Author information: Jones, David Wyn, 1950-
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  • 6
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; : Cambridge University Press,
    UID:
    almafu_9961128379902883
    Format: 1 online resource (xii, 274 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 1-009-27648-4 , 1-009-27649-2 , 1-009-27645-X
    Content: The music of the Strauss family - Johann and his three sons, Johann, Josef and Eduard - enjoys enormous popular appeal. Yet existing biographies have failed to do justice to the family's true significance in nineteenth and early twentieth-century musical history. David Wyn Jones addresses this deficiency, engagingly showing that - from Johann's first engagements in the mid-1820s to the death of Eduard in 1916 - the music making of the family was at the centre of Habsburg Viennese society as it moved between dance hall, concert hall and theatre. The Strauss industry at its height was, he demonstrates, greater than any one of the individuals, with serious personal and domestic consequences including affairs, illness, rivalry and fraud. This zesty biography, spanning over a hundred years of history, brings the dynasty brilliantly to life across a large canvas as it offers fresh and revealing insights into the cultural life of Vienna as a whole.
    Note: Title from publisher's bibliographic system (viewed on 12 Jun 2023). , 1804-1832. Johann Strauss and the Making of a Tradition -- 1833-1849. Father and Son. Travel and Revolution -- 1850-1870. Three Brothers : Johann, Josef and Eduard -- Dance and March : Music and Culture -- 1871-1899. Two brothers : Johann and Eduard -- Staging Comedy : Operetta and Opera -- 1900-1916. One brother : Eduard -- A Disenchanted Brother and a Disinherited Son -- Memories, Monuments -- Eduard's Reminiscences -- The End of Two.
    Additional Edition: ISBN 1-009-27647-6
    Language: English
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  • 7
    Book
    Book
    Woodbridge : The Boydell Press
    UID:
    b3kat_BV043539408
    Format: X, 277 Seiten , Illustrationen
    ISBN: 9781783271078
    Content: The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writers as well as composers, and deals with institutional and commercial characteristics alongside representative individual works. Music in Vienna focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interested general reader. - DAVID WYN JONES is Professor of Music at Cardiff University.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Wien ; Musik ; Geschichte 1700-1914
    Author information: Wyn Jones, David 1950-
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV035483373
    Format: IX, 253 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-0-521-89574-3
    Series Statement: Musical lives
    Note: Includes bibliographical references (S.235 - 242) and index.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1732-1809 Haydn, Joseph ; Biografie ; Biografie
    Author information: Jones, David Wyn, 1950-
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  • 9
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960119070402883
    Format: 1 online resource (xvii, 247 pages) : , digital, PDF file(s).
    ISBN: 1-108-59575-8 , 1-108-61788-3 , 1-108-55281-1
    Series Statement: Cambridge Composer Studies
    Content: Did you know that Beethoven contemplated, however fleetingly, writing more than forty symphonies and that for the Missa solemnis he sought stimulus from a Latin-German dictionary? And what about the underappreciated sociable side of Beethoven's music to set alongside the familiar one of the heroic? Beethoven Studies 4 is a collection of ten chapters that approach the composer and his music from an appealing range of critical standpoints, aesthetic, analytical, biographical, historical and performance. Alongside essays that offer new information on Beethoven's compositional practice and broaden understanding of the music's contemporary and posthumous appeal, there are essays on his interaction with specific environments, Bonn and post-Napoleonic Austria, and vocal and piano performance practice. The volume will appeal to cultural historians and practitioners as well as Beethoven enthusiasts.
    Note: Title from publisher's bibliographic system (viewed on 07 Oct 2020). , From the Chapel to the Theatre to the Akademiensaal. Beethoven's Musical Apprenticeship at the Bonn Electoral Court, 1784-1792 / John Wilson -- Apprenticeship at the Bonn Electoral Court, 1784-1792 / John Wilson -- Gracious Beethoven? / W. Dean Sutcliffe -- Beethoven's Unfinished Symphonies / Barry Cooper -- Beethoven as Sentimentalist / Michael Spitzer -- Beethoven's Nature : Idealism and Sovereignty from an Ecological Perspective / Keith Chapin -- (Cross-)Gendering the German Voice / Katherine Hambridge -- Beethoven and tonal prototypes : an inherited and developing relationship / Giorgio Sanguinetti -- Shared identities and thwarted narratives. Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824 / David Wyn Jones -- Composing with a dictionary. Sounding the Word in Beethoven's Missa solemnis / Birgit Lodes -- Deafly Performing Beethoven's Last Three Piano Sonatas / Tom Beghin.
    Additional Edition: ISBN 1-108-42852-5
    Language: English
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  • 10
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413616102882
    Format: 1 online resource (x, 277 pages) : , digital, PDF file(s).
    ISBN: 9781782048312 (ebook)
    Content: The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.〈BR〉 This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writersas well as composers, and deals with institutional and commercial characteristics alongside representative individual works. 〈I〉Music in Vienna〈/I〉 focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interestedgeneral reader.〈BR〉〈BR〉 DAVID WYN JONES is Professor of Music at Cardiff University.
    Note: Title from publisher's bibliographic system (viewed on 07 Mar 2017). , Telling tales of music in Vienna -- 1700. Music at the imperial and royal court ; Catholicism, ritual, and ceremony ; Italian opera and the preservation of the Habsburg dynasty -- 1800. Court, aristocrats, and connoisseurs ; Demand, aspiration, and the ennobling of the spirit ; Music, war, and peace -- 1900. Vienna, city of music ; 'Seid umschlungen, Millionen' ; From Johann Strauss to Richard Strauss.
    Additional Edition: Print version: ISBN 9781783271078
    Language: English
    URL: Volltext  (lizenzpflichtig)
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