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  • 1
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almafu_BV047293442
    Format: 1 Online-Ressource (xviii, 433 Seiten) : , Illustrationen, Diagramme.
    ISBN: 978-1-5013-3404-7 , 978-1-5013-3403-0 , 978-1-5013-3405-4
    Series Statement: Bloomsbury handbooks
    Content: "A summary of current research on the production of stereo and mono recorded music"--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-3402-3
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musikproduktion ; Aufsatzsammlung ; History ; Aufsatzsammlung ; Aufsatzsammlung ; History ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Zagorski-Thomas, Simon
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_BV043927099
    Format: 1 online resource (vii, 269 pages).
    ISBN: 978-1-139-87184-6
    Content: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction -- Why study record production? -- How should we study record production? -- Theoretical interlude 1 -- Sonic cartoons -- Staging -- Theoretical interlude 2 -- The development of audio technology -- Using technology -- Theoretical interlude 3 -- Training, communication and practice -- Performance in the studio -- Theoretical interlude 4 -- Aesthetics and consumer influence -- The business of record production
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-07564-1
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-107-42834-8
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Schallplattenproduktion
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Author information: Zagorski-Thomas, Simon.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV042058905
    Format: VII, 269 S.
    Edition: 1. publ.
    ISBN: 978-1-107-07564-1
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-316-00953-6
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Schallplattenproduktion
    Author information: Zagorski-Thomas, Simon
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    New York :Bloomsbury Academic,
    UID:
    almahu_BV048394806
    Format: 237 Seiten ; , 23 cm.
    Edition: [1st.]
    ISBN: 978-1-5013-5779-4 , 1501357794 , 978-1-5013-9287-0 , 1501392875
    Series Statement: 21st century music practices
    Content: "A theoretical framework for studying how music is made as opposed to what is produced"--
    Note: Introduction -- Context -- Musicking -- Learning and Knowing -- Communication and Influence -- Interaction and Influence -- Systems and Networks -- Afterword
    Additional Edition: Online version Zagorski-Thomas, Simon Practical musicology New York : Bloomsbury Academic, 2022 ISBN 978-1-5013-5780-0
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF Zagorski-Thomas, Simon Practical musicology New York : Bloomsbury Academic, 2022 ISBN 978-1-5013-5781-7
    Language: English
    Subjects: Musicology
    RVK:
    Author information: Zagorski-Thomas, Simon.
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  • 5
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    UID:
    gbv_1811792367
    Format: 1 Online-Ressource (viii, 240 Seiten)
    ISBN: 9781501357824 , 9781501357817
    Series Statement: 21st century music practices
    Content: "A theoretical framework for studying how music is made as opposed to what is produced"
    Note: Introduction -- Context -- Musicking -- Learning and Knowing -- Communication and Influence -- Interaction and Influence -- Systems and Networks -- Afterword. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501357794
    Additional Edition: ISBN 9781501392870
    Additional Edition: Erscheint auch als Druck-Ausgabe Zagorski-Thomas, Simon Practical musicology New York : Bloomsbury Academic, 2022 ISBN 9781501357794
    Additional Edition: ISBN 9781501392870
    Language: English
    Keywords: Musikwissenschaft
    Author information: Zagorski-Thomas, Simon
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_857501437
    Format: 1 Illustration
    ISBN: 9780262033909
    Note: Literaturverzeichnis: Seite 409-410
    In: Sound as popular culture, Cambridge, Massachusetts : The MIT Press, 2016, (2016), Seite 403-410, 9780262033909
    In: year:2016
    In: pages:403-410
    Language: English
    Author information: Zagorski-Thomas, Simon
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    gbv_1627985883
    Format: VII, 269 Seiten , 25 cm
    Edition: First paperback edition
    ISBN: 9781107428348 , 9781107075641
    Content: The author employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. The book combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production
    Content: Introduction. Why study record production? -- How should we study record production? -- Theoretical interlude 1 -- Sonic cartoons -- Staging -- Theoretical interlude 2 -- The development of audio technology -- Using technology -- Theoretical interlude 3 -- Training, communication and practice -- Performance in the studio -- Theoretical interlude 4 -- Aesthetics and consumer influence -- The business of record production
    Note: First published, in hardback: 2014. - Includes bibliographical references (pages 251-262) and index. Includes discography (pages 263-264). Includes filmography (page 265)
    Language: English
    Keywords: Schallplattenproduktion
    Author information: Zagorski-Thomas, Simon
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Book
    Book
    New York, NY : Bloomsbury Academic
    UID:
    kobvindex_ZLB35171145
    Format: xvii, 413 Seiten , Illustrationen, Diagramme
    Edition: Paperback edition
    ISBN: 9781501393426
    Series Statement: Bloomsbury Handbooks
    Language: English
    Keywords: Musikproduktion
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  • 9
    Book
    Book
    New York : Bloomsbury Academic USA
    UID:
    kobvindex_ZLB35190152
    Format: 246 Seiten
    Edition: 1. Auflage
    ISBN: 9781501392870
    Series Statement: 21st Century Music Practices
    Content: Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.
    Language: English
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  • 10
    UID:
    almahu_9949383397802882
    Format: 1 online resource
    ISBN: 9781315467634 , 1315467631 , 9781315467658 , 1315467658 , 9781315612638 , 1315612631 , 9781315467641 , 131546764X , 9781315467627 , 1315467623
    Content: The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
    Note: The creative use of technology. Tanya Tagaq : a cosmopolitan artist in the studio / Sophie Stévance and Serge Lacasse ; Moving at high speed into the future : notes on British postpunk record production / Albin Zak ; Mixing with quotation marks : restrictive mashups and contextual transformation / Ragnhild Brøvig-Hanssen ; Heaviness in three dimensions : the use of sonic space in contemporary metal music production / Mark Mynett -- The social interactions of production activity. Who's the producer? / Mike Howlett ; Random access changed everything / Richard James Burgess ; The virtual producer in the recording studio : media networks in long distance peripheral performances / Isabel Campelo -- Forms of theoretical analysis. The systems approach to creative practice : the case of supersonic 2003-2004 / Phillip McIntyre ; What is a jazz record anyway? Lennie Tristano and the use of extended studio techniques in jazz / Marian Jago ; Sound engineering in the recording studio as creative practice / Paul Thompson and Phillip McIntyre ; Studio recording and world music making in Central America : the case of the Garifuna Paranda, from local revival to internationalization / Ons Barnat ; Haydn in modern dress : applying experimental contemporary production techniques to the classical repertoire / Simon Zagorski-Thomas.
    Additional Edition: Print version: Art of record production. Abingdon, Oxon ; New York, NY : Routledge, 2019 ISBN 9781138205109
    Language: English
    Keywords: Electronic books. ; Electronic books.
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