Kooperativer Bibliotheksverbund

UID:

Format: 286 Seiten : , Illustrationen ; , 225 mm x 155 mm.

ISBN: 978-3-89472-834-2

Series Statement: Zürcher Filmstudien Band 34

Note: Dissertation Universität Zürich 2013

Language: German

Subjects: General works

Keywords: Soziale Bewegung ; Politische Bewegung ; Film ; Politik ; Ästhetik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift

URL: Inhaltstext

URL: Inhaltsverzeichnis

URL: Inhaltstext

URL: Inhaltsverzeichnis

URL: Inhaltstext

URL: Inhaltsverzeichnis

URL: http://www.gbv.de/dms/weimar/toc/833219944_toc.pdf

Author information: Zutavern, Julia 1980-

UID:

Format: 1 online resource (483 pages).

ISBN: 90-485-2756-2

Series Statement: Film Theory in Media History

Content: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

Note: Frontmatter -- , Table of Contents -- , Acknowledgments -- , Editorial Note -- , 1. Christian Metz and Film Semiology / , I. Metz and the Tradition of Film Theory -- , 2. Two Ways of Thinking / , 3. Christian Metz and his Theoretical Legacy / , 4. Christian Metz for Today / , 5. Thinking Cinema / , 6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz / , II. Questions of Form and Aesthetics -- , 7. Christian Metz and Aesthetics / , 8. Christian Metz and Modern Cinema / , 9. Christian Metz, Editing, and Forms of Alternation1 / , III. Specificities of the Cinematic Code and the Imaginary -- , 10. Between Classical and Postclassical Theory / , 11. Cyber-Metz? / , 12. Yes, the Image Lies Beyond Analogy / , 13. The Cinematic Signifier and the Imaginary / , 14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell / , IV. Narration, Enunciation, Cinephilia -- , 15. Cinema: Image or Narrative? / , 16. Semiotics, Science, and Cinephilia / , 17. '"Theorize", he says... ' / , 18. Personal Enunciation: Presences of Absences / , 19. Metz with Deleuze / , Two Interviews with Christian Metz -- , 20. Thirty Years After / , 21. The Semiology of Cinema? It Is Necessary to Continue! / , 22. Flashback to Winter 1990 / , 23. 'I Never Expected Semiology to Thrill the Masses' / , Postscript -- , Conclusion -- , Index - Names -- , Index - Film Titles , In English.

Additional Edition: ISBN 90-8964-892-5

Language: English

Subjects: General works

Keywords: Aufsatzsammlung

DOI: 10.1515/9789048527564

URL: Volltext  (lizenzpflichtig)

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

URL: Cover

UID:

Format: 448 Seiten : , Illustrationen.

ISBN: 978-3-89472-525-9

Series Statement: Zürcher Filmstudien 25

Note: Die Tagung "Serielle Formen/Serial forms", deren Beiträge ... in revidierter Form vorgelegt wurden, fand im Juni 2009 an der Universität Zürich statt, veranstaltet vom Seminar für Filmwissenschaft in Verbindung mit dem Peer-Mentoring-Projekt "Film-Wissen". - Literaturangaben

Language: German

Subjects: General works , Sociology

Keywords: Fernsehserie ; Film ; Internet ; Serie ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift

URL: Ausfuehrliche Beschreibung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Ausführliche Beschreibung

URL: http://www.schueren-verlag.de/Serielle+Formen:+Von+den+fr%C3%BChen+Film-Serials+zu+aktuellen+Quality-TV-+und+Onlineserien_AID2835.html

Author information: Köhler, Kristina

Author information: Blanchet, Robert 1970-

Author information: Zutavern, Julia 1980-

UID:

Format: 1 Online-Ressource (351 p.)

ISBN: 9789048527564 , 9789089648921

Series Statement: Film Theory in Media History

Content: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today

Note: English

Language: English

URL: kostenfrei

UID:

Format: 448 Seiten , Illustrationen

ISBN: 9783894725259

Series Statement: Zürcher Filmstudien 25

Note: Die Tagung "Serielle Formen/Serial forms", deren Beiträge ... in revidierter Form vorgelegt wurden, fand im Juni 2009 an der Universität Zürich statt, veranstaltet vom Seminar für Filmwissenschaft in Verbindung mit dem Peer-Mentoring-Projekt "Film-Wissen" , Literaturangaben

Language: German

Subjects: General works , Sociology

Keywords: Fernsehserie ; Film ; Internet ; Serie ; Aufsatzsammlung ; Konferenzschrift

URL: Ausfuehrliche Beschreibung

URL: Inhaltsverzeichnis

Author information: Köhler, Kristina

Author information: Blanchet, Robert 1970-

Author information: Zutavern, Julia 1980-

UID:

Format: 1 online resource (485 pages)

ISBN: 9789048527564 , 9048527562

Series Statement: Film Theory in Media History Ser.

Content: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

Note: Cover; Table of Contents; Acknowledgments; Editorial Note; 1. Christian Metz and Film Semiology; Dynamics within and on the Edges of the 'Model': An Introduction; Margrit Tröhler; I Metz and the Tradition of Film Theory; 2. Two Ways of Thinking; Raymond Bellour; 3. Christian Metz and his Theoretical Legacy; Michel Marie; 4. Christian Metz for Today; Roger Odin; 5. Thinking Cinema; Christian Metz and/in the Tradition of Film Theory; Frank Kessler; 6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz; Guido Kirsten; II Questions of Form and Aesthetics. , 7. Christian Metz and AestheticsMartin Lefebvre; 8. Christian Metz and Modern Cinema; Francesco Casetti; 9. Christian Metz, Editing, and Forms of Alternation; André Gaudreault and Philippe Gauthier; III Specificities of the Cinematic Code and the Imaginary; 10. Between Classical and Postclassical Theory; Metz on Specificity Then and Now; Philip Rosen; 11. Cyber-Metz?; The Notion of Code in the Writings of Christian Metz; Selim Krichane; 12. Yes, the Image Lies Beyond Analogy; Understanding Metz with Cartier-Bresson; Marc Vernet; 13. The Cinematic Signifier and the Imaginary; Mary Ann Doane. , 14. Fetishism and Scepticism, or the Two Worlds of Christian Metz and Stanley CavellD. N. Rodowick; IV Narration, Enunciation, Cinephilia; 15. Cinema: Image or Narrative?; Anne Goliot-Lété; 16. Semiotics, Science, and Cinephilia; Christian Metz's Last Book, L'énonciation impersonnelle; Dana Polan; 17. '"Theorize", he says ... '; Christian Metz and the Question of Enunciation: A Theory in (Speech) Acts; Alain Boillat; 18. Personal Enunciation: Presences of Absences; Dominique Bluher; 19. Metz with Deleuze; From Film Philosophy to Film Theory and Back Again; Nico Baumbach. , Two Interviews with Christian Metz20. Thirty Years Later; Elena Dagrada; 21. The Semiology of Cinema? It Is Necessary to Continue!; A Conversation with Christian Metz; Elena Dagrada and Guglielmo Pescatore; 22. Flashback to Winter 1990; Margrit Tröhler; 23. 'I Never Expected Semiology to Thrill the Masses'; Interview with Christian Metz; Dominique Blüher and Margrit Tröhler; Postscript; Conclusion; Index -- Names; Index -- Film Titles.

Additional Edition: Print version: Tröhler, Margrit. Christian Metz and the Codes of Cinema : Film Semiology and Beyond. Amsterdam : Amsterdam University Press, ©2017 ISBN 9789089648921

Language: English

Subjects: General works

Keywords: Electronic books. ; Electronic books.

URL: De Gruyter

URL: ProQuest Ebook Central

URL: De Gruyter, Cover

UID:

Format: 1 online resource (483 pages).

ISBN: 90-485-2756-2

Series Statement: Film Theory in Media History

Content: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

Note: Frontmatter -- , Table of Contents -- , Acknowledgments -- , Editorial Note -- , 1. Christian Metz and Film Semiology / , I. Metz and the Tradition of Film Theory -- , 2. Two Ways of Thinking / , 3. Christian Metz and his Theoretical Legacy / , 4. Christian Metz for Today / , 5. Thinking Cinema / , 6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz / , II. Questions of Form and Aesthetics -- , 7. Christian Metz and Aesthetics / , 8. Christian Metz and Modern Cinema / , 9. Christian Metz, Editing, and Forms of Alternation1 / , III. Specificities of the Cinematic Code and the Imaginary -- , 10. Between Classical and Postclassical Theory / , 11. Cyber-Metz? / , 12. Yes, the Image Lies Beyond Analogy / , 13. The Cinematic Signifier and the Imaginary / , 14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell / , IV. Narration, Enunciation, Cinephilia -- , 15. Cinema: Image or Narrative? / , 16. Semiotics, Science, and Cinephilia / , 17. '"Theorize", he says... ' / , 18. Personal Enunciation: Presences of Absences / , 19. Metz with Deleuze / , Two Interviews with Christian Metz -- , 20. Thirty Years After / , 21. The Semiology of Cinema? It Is Necessary to Continue! / , 22. Flashback to Winter 1990 / , 23. 'I Never Expected Semiology to Thrill the Masses' / , Postscript -- , Conclusion -- , Index - Names -- , Index - Film Titles , In English.

Additional Edition: ISBN 90-8964-892-5

Language: English

Subjects: General works

DOI: 10.1515/9789048527564

UID:

Format: 1 online resource (483 pages).

ISBN: 90-485-2756-2

Series Statement: Film Theory in Media History

Content: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

Note: Frontmatter -- , Table of Contents -- , Acknowledgments -- , Editorial Note -- , 1. Christian Metz and Film Semiology / , I. Metz and the Tradition of Film Theory -- , 2. Two Ways of Thinking / , 3. Christian Metz and his Theoretical Legacy / , 4. Christian Metz for Today / , 5. Thinking Cinema / , 6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz / , II. Questions of Form and Aesthetics -- , 7. Christian Metz and Aesthetics / , 8. Christian Metz and Modern Cinema / , 9. Christian Metz, Editing, and Forms of Alternation1 / , III. Specificities of the Cinematic Code and the Imaginary -- , 10. Between Classical and Postclassical Theory / , 11. Cyber-Metz? / , 12. Yes, the Image Lies Beyond Analogy / , 13. The Cinematic Signifier and the Imaginary / , 14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell / , IV. Narration, Enunciation, Cinephilia -- , 15. Cinema: Image or Narrative? / , 16. Semiotics, Science, and Cinephilia / , 17. '"Theorize", he says... ' / , 18. Personal Enunciation: Presences of Absences / , 19. Metz with Deleuze / , Two Interviews with Christian Metz -- , 20. Thirty Years After / , 21. The Semiology of Cinema? It Is Necessary to Continue! / , 22. Flashback to Winter 1990 / , 23. 'I Never Expected Semiology to Thrill the Masses' / , Postscript -- , Conclusion -- , Index - Names -- , Index - Film Titles , In English.

Additional Edition: ISBN 90-8964-892-5

Language: English

Subjects: General works

DOI: 10.1515/9789048527564

UID:

Format: 1 online resource : , 18 halftones

ISBN: 9789048527564

Series Statement: Film Theory in Media History

Content: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

Note: Frontmatter -- , Table of Contents -- , Acknowledgments -- , Editorial Note -- , 1. Christian Metz and Film Semiology / , I. Metz and the Tradition of Film Theory -- , 2. Two Ways of Thinking / , 3. Christian Metz and his Theoretical Legacy / , 4. Christian Metz for Today / , 5. Thinking Cinema / , 6. Barthes’ Early Film Semiology and the Legacy of Filmology in Metz / , II. Questions of Form and Aesthetics -- , 7. Christian Metz and Aesthetics / , 8. Christian Metz and Modern Cinema / , 9. Christian Metz, Editing, and Forms of Alternation1 / , III. Specificities of the Cinematic Code and the Imaginary -- , 10. Between Classical and Postclassical Theory / , 11. Cyber-Metz? / , 12. Yes, the Image Lies Beyond Analogy / , 13. The Cinematic Signifier and the Imaginary / , 14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell / , IV. Narration, Enunciation, Cinephilia -- , 15. Cinema: Image or Narrative? / , 16. Semiotics, Science, and Cinephilia / , 17. ‘“Theorize”, he says… ’ / , 18. Personal Enunciation: Presences of Absences / , 19. Metz with Deleuze / , Two Interviews with Christian Metz -- , 20. Thirty Years After / , 21. The Semiology of Cinema? It Is Necessary to Continue! / , 22. Flashback to Winter 1990 / , 23. ‘I Never Expected Semiology to Thrill the Masses’ / , Postscript -- , Conclusion -- , Index – Names -- , Index – Film Titles , In English.

Language: English

DOI: 10.1515/9789048527564

URL: https://www.degruyter.com/doi/book/10.1515/9789048527564

URL: https://www.degruyter.com/doi/book/10.1515/9789048527564

UID:

Format: 286 S. : , Ill.

ISBN: 978-3-89472-834-2

Series Statement: Zürcher Filmstudien 34

Language: German