Kooperativer Bibliotheksverbund

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Format: 1 online resource (338 pages)

Edition: 1st ed.

ISBN: 90-485-6456-5

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies ; v.10

Content: Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.

Note: Frontmatter -- , Table of Contents -- , Editorial -- , Acknowledgments -- , PART I Questions Concerning Technics -- , 1. Technics: An Introduction -- , 2. Ten Statements on Technics -- , PART II Philosophies of Technology -- , 3. Machine Aesthetics: Animation through Technology, Animation of Technology -- , 4. “New Stars Were Rising in the Sky” : On Benjamin’s Concept of Cosmic Experience and Technology around 1930 -- , 5. Instructions for Use : Thinking Body, Machine, and Technicity with Simondon -- , 6. Knowing, Studying, Writing : A Conversation on History, Practice, and Other Doings with Technics -- , PART III Theories of Media -- , 7. Protective Media -- , Francesco Casetti -- , 8. Carried Away: The Carrier Bag Theory of Media -- , 9. Beyond Access: Transforming Ableist Techno-Worlds -- , PART IV Archaeologies of Media -- , 10. Coming to Terms with the “Smart” Phone -- , 11. The Afterlife of an Optical Device, or Making the Lantern Kosher -- , PART V Filmic Techniques -- , 12. Theories of the Frame and Framing in Cinema: A Genealogy -- , 13. Split Screens : A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew -- , 14. Specks of Time : Digital Editing and Verse Jumping in Everything Everywhere All at Once -- , PART VI Digital Humanities -- , 15. Streams, Portals, and Data Flows: Digital Infrastructures of Film Studies -- , 16. Six Memos for the New Millennium : A Dialogue with Andreas Fickers on Epistemic Virtues in the Digital Humanities

Additional Edition: ISBN 90-485-6455-7

Language: English

Keywords: Electronic books.

DOI: 10.1515/9789048564569

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: lizenzpflichtig

URL: Click to View

UID:

Format: 1 online resource (281 p.)

Edition: 1st ed.

ISBN: 1-283-05018-8 , 9786613050182 , 90-485-0795-2

Series Statement: The key debates ; 1

Content: Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.

Note: Description based upon print version of record. , pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny. , English

Additional Edition: ISBN 90-8964-079-7

Language: English

Keywords: Electronic books

URL: Volltext

URL: kostenfrei

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Format: 1 online resource : , 25 halftones

ISBN: 9789048537082

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies

Content: Stories are central to modern media today. Not only narrative entertainment media, such as television, cinema, theater, but also in social media. Telling and having ‘a story’ are widely deemed essential, in advertising and commerce as well as in social life. Does this represent an intensification of what has always been part of culture or has it reached a new universality? The collection Stories identifies new phenomena in the fields of complex narration, puzzle film, and transmedia storytelling, and in turn addresses the chief issues of stories and storytelling amid the vast amount of discussion and analysis on the topic, presenting innovative and promising paths forward in research.

Note: Frontmatter -- , Contents -- , Editorial -- , Acknowledgments -- , 1. Screen Narrative in the Digital Era / , Part I. Theory in Contemporary Contexts Reassessing Key Questions -- , 2. Stories and Storytelling in the Era of Graphic Narrative / , 3. Rediscovering Iconographic Storytelling / , 4. Wallowing in Dissonance / , 5. “Storification” / , 6. Transmedia Storytelling / , Part II. History and Analyses -- , 7. The Endless Endings of Michelangelo Antonioni’s Films / , 8. The Film That Dreams / , 9. Spoilers, Twists, and Dragons / , PART III. Discussions -- , 10. Storytelling and Mainstream Television Today – A Dialogue / , 11. The Single Shot , Narration, and Creativity in the Space of Everyday Communication / , PART IV. Practicalities -- , 12. Rewriting Proust / , 13. Introduction to Dickensian / , 14. The Lives of the Characters in Dickensian / , 15. Music Structuring Narrative – A Dialogue / , Notes on Contributors -- , Index of Names -- , Index of Film Titles , In English.

Language: English

DOI: 10.1515/9789048537082

URL: https://www.degruyter.com/doi/book/10.1515/9789048537082

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

URL: Cover

UID:

Format: 1 Online-Ressource

ISBN: 9789089645715 , 9789048519910

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies

Content: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 Online-Ressource (280 p.)

ISBN: 9789089640796

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies

Content: Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. European Film Studies ­ ‘The Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors’ ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves. With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Miklós Kiss, Annie van den Oever, Emile Poppe, László Tarnay, Barend van Heusden, András Bálint Kovács, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 online resource.

Series Statement: Key debates

Content: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.

Note: Introduction : researching cinema and media technologies / Annie van den Oever -- Part I. Philosophy of technology : reassessing key questions -- The philosophy of technology in the frame of film theory : Walter Benjamin's contribution / Dominique Chateau -- Toward an archaeology of the cinema/technology relation : from mechanization to "digital cinema" / Benoît Turquety -- Technē and Poiēsis : on Heidegger and film theory / Robert Sinnerbrink -- Stiegler's post-phenomenological account of mediated experience / Patrick Crogan -- What are media? / Lambet Wiesing -- Part II. Cinema and media technologies : hardware, software, wetware -- The "history of vision"-debate revisited / Annemone Ligensa -- Will the 3D revolution happen? A brief perspective on the long history of stereoscopy (with special thanks to Eisenstein and Bazin) / Ian Christie -- Television's many technologies : domesticity, governmentality, genealogy / Markus Stauff -- Postmodern hi-fi vs. post-cool lo-fi : an epistemological war / Laurent Jullier -- Part III. Cinema and media technologies : a historical context -- Marey's gun : apparatuses of capture and the operational image / Pasi Väliaho -- Re-editing as psychotechnique : montage and mediality in early Soviet Cinema / Malte Hagener -- Technophobia and Italian film theoy in the interwar period / Francesco Pitassio -- Jean-Luc Godard's Histoire(s) du cinéma : cogito ergo video / Céline Scemama -- Peformativity/Expressivity : the mobile micro screen and its subject / Nanna Verhoeff and Heidi Rae Cooley -- Part IV. Discussions : revisiting the past -- Rethinking the materiality of technical media : Friedrich Kittler, enfant terrible with a rejuvenating effect on parental discipline : a dialogue / Geoffrey Winthrop-Young and Annie van den Oever -- Revisiting Christian Metz's "apparatus theory" : a dialogue / Martin Lefebvre and Annie van den Oever -- Part V. Envisioning the future -- The future history of a vanishing medium / André Gaudreault -- Experimental media archaeology : a plea for new directions / Andeas Fickers and Annie van den Oever.

Additional Edition: ISBN 90-485-1991-8

Language: English

UID:

Format: 1 online resource

ISBN: 9789089645715 , 9089645713 , 9789048519903 , 904851990X , 9048519918 , 9789048519910

Series Statement: Open Access e-Books 4

Content: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.

Note: Introduction : researching cinema and media technologies / Annie van den Oever -- Part I. Philosophy of technology : reassessing key questions -- The philosophy of technology in the frame of film theory : Walter Benjamin's contribution / Dominique Chateau -- Toward an archaeology of the cinema/technology relation : from mechanization to "digital cinema" / Benoît Turquety -- Technē and Poiēsis : on Heidegger and film theory / Robert Sinnerbrink -- Stiegler's post-phenomenological account of mediated experience / Patrick Crogan -- What are media? / Lambet Wiesing -- Part II. Cinema and media technologies : hardware, software, wetware -- The "history of vision"-debate revisited / Annemone Ligensa -- Will the 3D revolution happen? A brief perspective on the long history of stereoscopy (with special thanks to Eisenstein and Bazin) / Ian Christie -- Television's many technologies : domesticity, governmentality, genealogy / Markus Stauff -- Postmodern hi-fi vs. post-cool lo-fi : an epistemological war / Laurent Jullier -- Part III. Cinema and media technologies : a historical context -- Marey's gun : apparatuses of capture and the operational image / Pasi Väliaho -- Re-editing as psychotechnique : montage and mediality in early Soviet Cinema / Malte Hagener -- Technophobia and Italian film theoy in the interwar period / Francesco Pitassio -- Jean-Luc Godard's Histoire(s) du cinéma : cogito ergo video / Céline Scemama -- Peformativity/Expressivity : the mobile micro screen and its subject / Nanna Verhoeff and Heidi Rae Cooley -- Part IV. Discussions : revisiting the past -- Rethinking the materiality of technical media : Friedrich Kittler, enfant terrible with a rejuvenating effect on parental discipline : a dialogue / Geoffrey Winthrop-Young and Annie van den Oever -- Revisiting Christian Metz's "apparatus theory" : a dialogue / Martin Lefebvre and Annie van den Oever -- Part V. Envisioning the future -- The future history of a vanishing medium / André Gaudreault -- Experimental media archaeology : a plea for new directions / Andeas Fickers and Annie van den Oever. , English.

Additional Edition: Print version: ISBN 9789089645715

Language: English

Keywords: Electronic books.

DOI: 10.26530/OAPEN_607770

URL: OAPEN

URL: OAPEN

URL: http://VH7QX3XE2P.search.serialssolutions.com/?V=1.0&L=VH7QX3XE2P&S=JCs&C=TC0001837391&T=marc&tab=BOOKS

URL: https://openresearchlibrary.org/content/6981d432-3ccd-499d-8cb6-d61904533c35

URL: EBSCOhost

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URL: View this content on Open Research Library.

URL: https://doi.org/10.1515/9789048519903?locatt=mode:legacy

URL: Open Access

URL: Cover

UID:

Format: 1 Online-Ressource

ISBN: 9789048519903

Content: Techne;/Technology offers a penetrating, close look at the origins of the term techne;, which unleashed a revolution in cinema and media studies when it was first introduced and which continues to influence the study of film as the digital revolution rolls along. The contributors investigate the effects of technologies on major film debates and, moreover, how technologies have affected film theory and its key concepts

Note: English

Language: Undetermined

URL: kostenfrei

UID:

Format: 1 online resource (338 pages)

Edition: 1st ed.

ISBN: 90-485-6456-5

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies ; v.10

Content: Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.

Note: Frontmatter -- , Table of Contents -- , Editorial -- , Acknowledgments -- , PART I Questions Concerning Technics -- , 1. Technics: An Introduction -- , 2. Ten Statements on Technics -- , PART II Philosophies of Technology -- , 3. Machine Aesthetics: Animation through Technology, Animation of Technology -- , 4. “New Stars Were Rising in the Sky” : On Benjamin’s Concept of Cosmic Experience and Technology around 1930 -- , 5. Instructions for Use : Thinking Body, Machine, and Technicity with Simondon -- , 6. Knowing, Studying, Writing : A Conversation on History, Practice, and Other Doings with Technics -- , PART III Theories of Media -- , 7. Protective Media -- , Francesco Casetti -- , 8. Carried Away: The Carrier Bag Theory of Media -- , 9. Beyond Access: Transforming Ableist Techno-Worlds -- , PART IV Archaeologies of Media -- , 10. Coming to Terms with the “Smart” Phone -- , 11. The Afterlife of an Optical Device, or Making the Lantern Kosher -- , PART V Filmic Techniques -- , 12. Theories of the Frame and Framing in Cinema: A Genealogy -- , 13. Split Screens : A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew -- , 14. Specks of Time : Digital Editing and Verse Jumping in Everything Everywhere All at Once -- , PART VI Digital Humanities -- , 15. Streams, Portals, and Data Flows: Digital Infrastructures of Film Studies -- , 16. Six Memos for the New Millennium : A Dialogue with Andreas Fickers on Epistemic Virtues in the Digital Humanities

Additional Edition: ISBN 90-485-6455-7

Language: English

DOI: 10.1515/9789048564569

UID:

Format: 1 online resource (338 pages)

Edition: 1st ed.

ISBN: 90-485-6456-5

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies ; v.10

Content: Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.

Note: Frontmatter -- , Table of Contents -- , Editorial -- , Acknowledgments -- , PART I Questions Concerning Technics -- , 1. Technics: An Introduction -- , 2. Ten Statements on Technics -- , PART II Philosophies of Technology -- , 3. Machine Aesthetics: Animation through Technology, Animation of Technology -- , 4. “New Stars Were Rising in the Sky” : On Benjamin’s Concept of Cosmic Experience and Technology around 1930 -- , 5. Instructions for Use : Thinking Body, Machine, and Technicity with Simondon -- , 6. Knowing, Studying, Writing : A Conversation on History, Practice, and Other Doings with Technics -- , PART III Theories of Media -- , 7. Protective Media -- , Francesco Casetti -- , 8. Carried Away: The Carrier Bag Theory of Media -- , 9. Beyond Access: Transforming Ableist Techno-Worlds -- , PART IV Archaeologies of Media -- , 10. Coming to Terms with the “Smart” Phone -- , 11. The Afterlife of an Optical Device, or Making the Lantern Kosher -- , PART V Filmic Techniques -- , 12. Theories of the Frame and Framing in Cinema: A Genealogy -- , 13. Split Screens : A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew -- , 14. Specks of Time : Digital Editing and Verse Jumping in Everything Everywhere All at Once -- , PART VI Digital Humanities -- , 15. Streams, Portals, and Data Flows: Digital Infrastructures of Film Studies -- , 16. Six Memos for the New Millennium : A Dialogue with Andreas Fickers on Epistemic Virtues in the Digital Humanities

Additional Edition: ISBN 90-485-6455-7

Language: English

DOI: 10.1515/9789048564569