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  • 1
    UID:
    gbv_1669154424
    Format: 308 Seiten , Illustrationen
    Edition: First Edition
    ISBN: 9780823285563
    Series Statement: Fordham series in medieval studies
    Additional Edition: Erscheint auch als Online-Ausgabe Whose Middle Ages? New York : Fordham University Press, 2019 ISBN 9780823285594
    Language: English
    Keywords: Mittelalter ; Geschichte 500-1500 ; Mediävistik ; Mittelalter ; Rezeption ; Einführung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1744324212
    Format: 1 Online-Ressource (256 p) , 2
    Edition: [Online-Ausgabe]
    ISBN: 9780823289783
    Content: Frontmatter -- Contents -- I. INTRODUCTION -- 1. Arvo Pärt and the Art of Embodiment -- 2. The Sound—and Hearing—of Arvo Pärt -- II. HISTORY AND CONTEXT -- 3. Sounding Structure, Structured Sound -- 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music -- 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground -- III. PERFORMANCE -- 6. The Pärt Sound -- 7. The Rest Is Silence -- IV. MATERIALITY AND PHENOMENOLOGY -- 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation -- 9. Medieval Pärt -- 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives -- V. THEOLOGY -- 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies -- 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt -- 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt -- 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi -- List of Contributors -- Index of Terms -- Index of Persons -- Works by Other Composers -- Works by Arvo Pärt
    Content: Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
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  • 3
    UID:
    b3kat_BV046846061
    Format: 1 Online-Ressource (308 Seiten) , Illustrationen, Karte
    Edition: First edition
    ISBN: 9780823285594
    Series Statement: Fordham series in medieval studies
    Content: "Whose Middle Ages?" is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar stories, objects, symbols, and myths.Whose Middle Ages? gives nonspecialists access to the richness of our historical knowledge while debunking damaging misconceptions about the medieval past. Myths about the medieval period are especially beloved among the globally resurgent far right, from crusading emblems on the shields borne by alt-right demonstrators to the on-screen image of a purely white European populace defended from actors of color by Internet trolls. This collection attacks these myths directly by insisting that readers encounter the relics of the Middle Ages on their own terms.Each essay uses its author’s academic research as a point of entry and takes care to explain how the author knows what she or he knows and what kinds of tools, bodies of evidence, and theoretical lenses allow scholars to write with certainty about elements of the past to a level of detail that might seem unattainable. By demystifying the methods of scholarly inquiry, Whose Middle Ages? serves as an antidote not only to the far right’s errors of fact and interpretation but also to its assault on scholarship and expertise as valid means for the acquisition of knowledge
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-8232-8557-0
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-8232-8556-3
    Language: English
    Keywords: Mittelalter ; Rezeption ; Mediävistik
    URL: Volltext  (URL des Erstveröffentlichers)
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