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  • 1
    UID:
    gbv_513201769
    Format: XII, 317 S.
    ISBN: 9004152210 , 9789004152212
    Series Statement: Aries book series 2
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Brennan, Christopher John 1870-1932 ; Brennan, Christopher John 1870-1932 ; Symbolik ; Identität
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  • 2
    UID:
    almahu_9947932260302882
    Format: xii, 317 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Aries book series, v. 2
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 3
    UID:
    gbv_1003841201
    ISSN: 1871-0328
    In: Religion and human rights, Leiden : Brill, Nijhoff, 2006, 12(2017), 2/3, Seite 174-197, 1871-0328
    In: volume:12
    In: year:2017
    In: number:2/3
    In: pages:174-197
    Language: English
    Author information: Hill, Mark 1965-
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  • 4
    UID:
    gbv_1669553132
    ISBN: 9789004346895
    In: The Kokkinakis Papers: Taking Stock of 25 years of ECHR Jurisprudence on Freedom of Religion or Belief (Veranstaltung : 2017 : Budapest), The European Court of Human Rights and the freedom of religion or belief, Leiden : Brill Nijhoff, 2019, (2019), Seite 82-102, 9789004346895
    In: year:2019
    In: pages:82-102
    Language: English
    Author information: Hill, Mark 1965-
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  • 5
    UID:
    gbv_180647817X
    Format: 1 Online-Ressource
    ISBN: 9789047410072 , 9789004152212
    Series Statement: Aries Book Series 2
    Content: In 1914 a remarkable poetic work appeared in Sydney, Australia, written in the form of a Symbolist livre composé by one of Stephane Mallarmé's earliest admirers, Christopher Brennan. The book, simply titled Poems , shows that Brennan was exploring pressing religious issues of his time. He melded Western esoteric currents such as alchemy and Rosicrucianism with Romantic literature and philosophy and French Symbolist theory. This book argues that the focus of Poems is the notion of a higher self. It is the first major study of Brennan's work in this broad religious, philosophical and literary context. Its argument is supported by evidence from Brennan's own library and the holdings of the Sydney library in which he worked
    Note: Includes bibliographical references and index , CONTENTS -- Acknowledgements -- Abbreviations -- Introduction -- Chapter One: Divinity and the Self -- Introduction -- Looking for a Human Divinity -- "Twilights of the gods and the folk" -- Esoteric Wisdom -- "My hidden country" -- Chapter Two: Mirror and Abyss -- Brennan, Yeats and Boehme -- The Argument to the Lilith Sequence -- "The watch at midnight" -- "The plumes of night, unfurl'd" and the Inner "Abyss" -- Chapter Three: Art and Silence -- The Romantic View of Imagination -- Five Short Pieces: From "The trees that thro' the tuneful morn had made" -- "O thou that achest, pulse o' the unwed vast" -- "Thick sleep, with error of the tangled wood" -- "Terrible, if he will not have me else" -- "She is the night: all horror is of her" -- Chapter Four: Brennan's Theory of 'Moods' -- Stimmung and Gemüth in German Pre-Romanticism and Romanticism -- Concept of Moods in Early Yeats -- Les Dieux Antiques -- 'Moods' in Brennan's Early Prose -- Chapter Five: "Red autumn in Valvins" -- Introduction -- The 'Passion' of the Poet -- Transposition -- 'Musicality' in the Elegy -- "Was Mallarmé a Great Poet?" -- Chapter Six: Two Preludes and a Liminary -- Introduction -- "MDCCCXCIII: a prelude" -- The Liminary -- "O yon, when Holda leaves her hill" -- Chapter Seven: The Assimilation of our Inmost Passion to the Tetralogy of the Year -- A Secular Liturgy -- "Towards the Source" -- "Secreta Silvarum" -- Interludes -- "Autumn: the year breathes dully" and "The grand cortège of glory" -- The symbol of the rose -- "1908" -- Conclusion -- Appendix One: Table of Contents for Poems -- Appendix Two: Sources of Brennan's Lilith: T.K. Cheyne and Isaiah -- Appendix Three: Relevant Works from Brennan's Library -- Appendix Four: Relevant Works Held by the Public Library of NSW 1895-1909 -- Bibliography -- Index.
    Additional Edition: Erscheint auch als Druck-Ausgabe The Higher Self in Christopher Brennan's Poems : Esotericism, Romanticism, Symbolism Leiden : BRILL, 2006 ISBN 9789004152212
    Language: English
    URL: DOI
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  • 6
    UID:
    almahu_9949701740902882
    Format: 1 online resource.
    ISBN: 9789047410072 , 9789004152212
    Series Statement: Aries Book Series ; 2
    Content: In 1914 a remarkable poetic work appeared in Sydney, Australia, written in the form of a Symbolist livre composé by one of Stephane Mallarmé's earliest admirers, Christopher Brennan. The book, simply titled Poems , shows that Brennan was exploring pressing religious issues of his time. He melded Western esoteric currents such as alchemy and Rosicrucianism with Romantic literature and philosophy and French Symbolist theory. This book argues that the focus of Poems is the notion of a higher self. It is the first major study of Brennan's work in this broad religious, philosophical and literary context. Its argument is supported by evidence from Brennan's own library and the holdings of the Sydney library in which he worked.
    Note: CONTENTS -- Acknowledgements -- Abbreviations -- Introduction -- Chapter One: Divinity and the Self -- Introduction -- Looking for a Human Divinity -- "Twilights of the gods and the folk" -- Esoteric Wisdom -- "My hidden country" -- Chapter Two: Mirror and Abyss -- Brennan, Yeats and Boehme -- The Argument to the Lilith Sequence -- "The watch at midnight" -- "The plumes of night, unfurl'd" and the Inner "Abyss" -- Chapter Three: Art and Silence -- The Romantic View of Imagination -- Five Short Pieces: From "The trees that thro' the tuneful morn had made" -- "O thou that achest, pulse o' the unwed vast" -- "Thick sleep, with error of the tangled wood" -- "Terrible, if he will not have me else" -- "She is the night: all horror is of her" -- Chapter Four: Brennan's Theory of 'Moods' -- Stimmung and Gemüth in German Pre-Romanticism and Romanticism -- Concept of Moods in Early Yeats -- Les Dieux Antiques -- 'Moods' in Brennan's Early Prose -- Chapter Five: "Red autumn in Valvins" -- Introduction -- The 'Passion' of the Poet -- Transposition -- 'Musicality' in the Elegy -- "Was Mallarmé a Great Poet?" -- Chapter Six: Two Preludes and a Liminary -- Introduction -- "MDCCCXCIII: a prelude" -- The Liminary -- "O yon, when Holda leaves her hill" -- Chapter Seven: The Assimilation of our Inmost Passion to the Tetralogy of the Year -- A Secular Liturgy -- "Towards the Source" -- "Secreta Silvarum" -- Interludes -- "Autumn: the year breathes dully" and "The grand cortège of glory" -- The symbol of the rose -- "1908" -- Conclusion -- Appendix One: Table of Contents for Poems -- Appendix Two: Sources of Brennan's Lilith: T.K. Cheyne and Isaiah -- Appendix Three: Relevant Works from Brennan's Library -- Appendix Four: Relevant Works Held by the Public Library of NSW 1895-1909 -- Bibliography -- Index.
    Additional Edition: Print version: The Higher Self in Christopher Brennan's Poems : Esotericism, Romanticism, Symbolism. Leiden ; Boston : BRILL, 2006 ISBN 9789004152212
    Language: English
    URL: DOI:
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  • 7
    UID:
    edocfu_9959230193702883
    Format: 1 online resource (329 p.)
    Edition: 1st ed.
    ISBN: 1-281-39969-8 , 9786611399696 , 90-474-1007-6
    Series Statement: Aries book series, v. 2
    Content: In 1914 a remarkable poetic work appeared in Sydney, Australia, written in the form of a Symbolist livre composé by one of Stephane Mallarmé's earliest admirers, Christopher Brennan. The book, simply titled Poems , shows that Brennan was exploring pressing religious issues of his time. He melded Western esoteric currents such as alchemy and Rosicrucianism with Romantic literature and philosophy and French Symbolist theory. This book argues that the focus of Poems is the notion of a higher self. It is the first major study of Brennan's work in this broad religious, philosophical and literary context. Its argument is supported by evidence from Brennan's own library and the holdings of the Sydney library in which he worked.
    Note: Bibliographic Level Mode of Issuance: Monograph , CONTENTS -- Acknowledgements -- Abbreviations -- Introduction -- Chapter One: Divinity and the Self -- Introduction -- Looking for a Human Divinity -- "Twilights of the gods and the folk" -- Esoteric Wisdom -- "My hidden country" -- Chapter Two: Mirror and Abyss -- Brennan, Yeats and Boehme -- The Argument to the Lilith Sequence -- "The watch at midnight" -- "The plumes of night, unfurl'd" and the Inner "Abyss" -- Chapter Three: Art and Silence -- The Romantic View of Imagination -- Five Short Pieces: From "The trees that thro' the tuneful morn had made" -- "O thou that achest, pulse o' the unwed vast" -- "Thick sleep, with error of the tangled wood" -- "Terrible, if he will not have me else" -- "She is the night: all horror is of her" -- Chapter Four: Brennan's Theory of 'Moods' -- Stimmung and Gemüth in German Pre-Romanticism and Romanticism -- Concept of Moods in Early Yeats -- Les Dieux Antiques -- 'Moods' in Brennan's Early Prose -- Chapter Five: "Red autumn in Valvins" -- Introduction -- The 'Passion' of the Poet -- Transposition -- 'Musicality' in the Elegy -- "Was Mallarmé a Great Poet?" -- Chapter Six: Two Preludes and a Liminary -- Introduction -- "MDCCCXCIII: a prelude" -- The Liminary -- "O yon, when Holda leaves her hill" -- Chapter Seven: The Assimilation of our Inmost Passion to the Tetralogy of the Year -- A Secular Liturgy -- "Towards the Source" -- "Secreta Silvarum" -- Interludes -- "Autumn: the year breathes dully" and "The grand cortège of glory" -- The symbol of the rose -- "1908" -- Conclusion -- Appendix One: Table of Contents for Poems -- Appendix Two: Sources of Brennan's Lilith: T.K. Cheyne and Isaiah -- Appendix Three: Relevant Works from Brennan's Library -- Appendix Four: Relevant Works Held by the Public Library of NSW 1895-1909 -- Bibliography -- Index. , English
    Additional Edition: ISBN 90-04-15221-0
    Language: English
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