Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (256 p.) : , 2

ISBN: 9780823289783

Content: Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.

Note: Frontmatter -- , Contents -- , I. INTRODUCTION -- , 1. Arvo Pärt and the Art of Embodiment -- , 2. The Sound—and Hearing—of Arvo Pärt -- , II. HISTORY AND CONTEXT -- , 3. Sounding Structure, Structured Sound -- , 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music -- , 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground -- , III. PERFORMANCE -- , 6. The Pärt Sound -- , 7. The Rest Is Silence -- , IV. MATERIALITY AND PHENOMENOLOGY -- , 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation -- , 9. Medieval Pärt -- , 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives -- , V. THEOLOGY -- , 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies -- , 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt -- , 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt -- , 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi -- , List of Contributors -- , Index of Terms -- , Index of Persons -- , Works by Other Composers -- , Works by Arvo Pärt , In English.

Language: English

DOI: 10.1515/9780823289783

URL: https://doi.org/10.1515/9780823289783

URL: https://www.degruyter.com/isbn/9780823289783

URL: https://doi.org/10.1515/9780823289783

URL: https://www.degruyter.com/isbn/9780823289783

UID:

Format: 1 Online-Ressource (256 p) , 2

Edition: [Online-Ausgabe]

ISBN: 9780823289783

Content: Frontmatter -- Contents -- I. INTRODUCTION -- 1. Arvo Pärt and the Art of Embodiment -- 2. The Sound—and Hearing—of Arvo Pärt -- II. HISTORY AND CONTEXT -- 3. Sounding Structure, Structured Sound -- 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music -- 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground -- III. PERFORMANCE -- 6. The Pärt Sound -- 7. The Rest Is Silence -- IV. MATERIALITY AND PHENOMENOLOGY -- 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation -- 9. Medieval Pärt -- 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives -- V. THEOLOGY -- 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies -- 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt -- 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt -- 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi -- List of Contributors -- Index of Terms -- Index of Persons -- Works by Other Composers -- Works by Arvo Pärt

Content: Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces

Note: Mode of access: Internet via World Wide Web. , In English

Language: English

DOI: 10.1515/9780823289783

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

UID:

Format: IX, 129 S. ; 24 cm

ISBN: 2825413119

Series Statement: Faith and Order paper 183

Language: German

UID:

Format: XV, 240 S. , 23 cm

ISBN: 0801032334 , 9780801032332

Content: And there was evening : a preface -- The authors under review -- The questions we pose -- A word about language -- Acknowledgments -- And there was morning : an introduction -- The text and its journey -- Silence and irruption : first references to Genesis 1-3 -- Summary -- Philo : a coda -- At the birth of Christian reflection : Paul and the New Testament -- Paul in context -- Paul and Scripture -- Paul and the paradise narrative : sin and death -- Paul and the paradise narrative : gender and marriage -- Paul and the evangelists -- Postscript : the Pastoral Epistles -- Conclusions -- Recapitulation : the second-century apologists -- The Scriptures of the people -- Justin Martyr -- Melito of Sardis -- Theophilus of Antioch -- Irenaeus of Lyons -- Conclusions -- Senses of Scripture : the world of Origen and the origin of the world -- Tertullian -- Origen -- Conclusions -- Paradise, whatever that may mean : the Cappadocians and their Origen -- Cyril of Jerusalem -- Athanasius of Alexandria -- Enshrining Origen : the Philocalia -- Basil of Caesarea -- Gregory of Nazianzus -- Gregory of Nyssa -- Conclusions -- These are the generations : concluding observations -- Scripture and exegesis -- The Hexaemeron -- Paradise -- Allegory, type, myth, and history -- The one thing needful

Note: Includes bibliographical references (p. 201-222) and indexes , And there was evening : a preface -- The authors under review -- The questions we pose -- A word about language -- Acknowledgments -- And there was morning : an introduction -- The text and its journey -- Silence and irruption : first references to Genesis 1-3 -- Summary -- Philo : a coda -- At the birth of Christian reflection : Paul and the New Testament -- Paul in context -- Paul and Scripture -- Paul and the paradise narrative : sin and death -- Paul and the paradise narrative : gender and marriage -- Paul and the evangelists -- Postscript : the Pastoral Epistles -- Conclusions -- Recapitulation : the second-century apologists -- The Scriptures of the people -- Justin Martyr -- Melito of Sardis -- Theophilus of Antioch -- Irenaeus of Lyons -- Conclusions -- Senses of Scripture : the world of Origen and the origin of the world -- Tertullian -- Origen -- Conclusions -- Paradise, whatever that may mean : the Cappadocians and their Origen -- Cyril of Jerusalem -- Athanasius of Alexandria -- Enshrining Origen : the Philocalia -- Basil of Caesarea -- Gregory of Nazianzus -- Gregory of Nyssa -- Conclusions -- These are the generations : concluding observations -- Scripture and exegesis -- The Hexaemeron -- Paradise -- Allegory, type, myth, and history -- The one thing needful.

Language: English

Subjects: Theology

Keywords: Schöpfungsbericht ; Rezeption ; Paulus Apostel, Heiliger ; Bibel ; Schöpfungsbericht ; Rezeption ; Frühchristentum ; Apologeten ; Kirchenväter ; Schöpfungslehre

URL: Inhaltsverzeichnis

UID:

Format: 231, [8] Seiten , Illustrationen

ISBN: 9780881415124

Note: Includes bibliographical references

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-88141-513-1

Language: English

Subjects: Musicology

Keywords: Pärt, Arvo 1935- ; Orthodoxe Kirche ; Religion ; Pärt, Arvo 1935- ; Komposition ; Spiritualität

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource (259 pages) , illustrations, portraits, charts, music

ISBN: 9780823289783 , 0823289788 , 082328977X , 9780823289776

Content: Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces

Note: Includes bibliographical references and index , I. Introduction. Arvo Pärt and the art of embodiment -- The sound-and hearing-of Arvo Pärt -- II. History and context. Sounding structure, structured sound -- Colorful dreams : exploring Pärt's Soviet film music -- Arvo Pärt's tintinnabuli and the 1970s Soviet underground -- III. Performance. The Pärt sound -- The rest is silence -- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation -- Medieval Pärt -- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives -- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies -- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt -- Christian liturgical chant and the musical reorientation of Arvo Pärt -- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism.

Additional Edition: Erscheint auch als Druck-Ausgabe Bouteneff, Peter C Arvo Pärt : Sounding the Sacred New York : Fordham University Press, ©2020

Language: English

URL: lizenzpflichtig