UID:
almafu_9958353260902883
Format:
1 online resource
ISBN:
9781442671041
Content:
Artistic Integration in Gothic Buildings reassesses the traditional canon through a new pluralism of approaches and presents the Gothic church as an intricate and complex living monument that has been evolving over eight centuries and more.
Note:
Frontmatter --
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Contents --
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Foreword --
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Preface-The editors --
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1. Integration: A Closed or Open Proposal? --
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2. Integration or Segregation among Disciplines? The Historiography of Gothic Sculpture as Case-Study --
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3. From Admirable Tabernacle to the House of God: Some Theological Reflections on Medieval Architectural Integration --
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4. Liturgy and the Monument --
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5. Durham Cathedral in the Gothic Era: Liturgy, Design, Ornament --
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6. Suger's "Completion" of Saint-Denis --
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7. "The Recollection of the Past Is the Promise of the Future." Continuity and Contextuality: Saint-Denis, Merovingians, Capetians, and Paris --
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8. Interpreting the Architecture of Wells Cathedral --
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9. Chartres Cathedral as a Work of Artistic Integration: Methodological Reflections --
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10. Integrated Fragments and the Unintegrated Whole: Scattered Examples from Reims, Strasbourg, Chartres, and Naumburg --
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11. The Architectural and Glazing Context of Poitiers Cathedral: A Reassessment of Integration --
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12. The Sainte-Chapelle as a Capetian Political Program --
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13. Artistic Integration Inside the Cathedral Precinct: Social Consensus Outside? --
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14. Form as Social Process --
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15. Artistic Integration in Gothic Buildings: A Post-Modern Construct? --
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16. Towards a Cultural Biography of the Gothic Cathedral: Reflections on History and Art History --
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Notes on Contributors --
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Illustrations
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In English.
Language:
English
DOI:
10.3138/9781442671041
URL:
https://doi.org/10.3138/9781442671041
URL:
https://doi.org/10.3138/9781442671041
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