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  • 1
    UID:
    almahu_9949241464702882
    Format: XII, 197 p. 4 illus., 2 illus. in color. , online resource.
    Edition: 1st ed. 2022.
    ISBN: 9789811683756
    Series Statement: Chinese Culture, Globality, Connectivity and Modernity, 3
    Content: This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue. The assessment of cultural exchange in the East-West context involves the original source, the adapted text, and other enigmatic extras incurred during the process. It aims to evaluate the linkage among, but not limited to, literature, film, music, art, and performance. The sections unpack how canonical texts can be read anew in modern society; how ideas can be circulated around the world based on translation, adaptation, and reinvention; and how the global networks of circulation can facilitate cultural interaction and intervention. The authors engage discussions on longstanding debates and controversies relating to Chinese literature as world literature; reconciliations of cultural identity under the contemporary waves of globalization and glocalization; Chinese-Western film adaptations and their impact upon cinematic experiences; an understanding of gendered roles and voices under the social gaze; and the translation of texts from intertextual angles. An enriching intellectual, intertextual resource for researchers and students enthusiastic about the adaptation and transformation process of different genres, this book is a must-have for Sinophiles. It will appeal to world historians interested in the global networks of connectivity, scholars researching cultural life in East Asia, and China specialists interested in cultural studies, translation, and film, media and literary studies.
    Note: Part 1: Reinvention of Tradition -- Chapter 1: Why must the Classics be "Confucian"? Some Reflections on Reading the "Confucian" Classics in the Contemporary World -- Chapter 2: A Strategic Universalism: An Interpretation of Chinese Cultural Conservatism through a Case Study of the Xueheng School -- Chapter 3: Yijing's Evolution in Northern Europe: Gender Roles in the First Scandinavian Translations of the Book of Changes -- Part 2: Media and Mediation -- Chapter 4: The Prince is Going Astray in His Dream: Assonance or Dissonance in Adapting Shakespearean Plays to Cantonese Opera -- Chapter 5: Romantic Love, Self-Exaltation, and Social Rebellion: The Influence of Goethe's Werther on Chinese Epistolary Novels in the 1920s and 1930s -- Chapter 6: At the Junction of Desire and Obligation: Analyzing Stefan Zweig's Letter from an Unknown Woman and its Two Adaptations -- Chapter 7: Translating Western Girlhood: Laura M. White's Chinese Translations of Sara Crewe (1888) -- Part 3: Globality and Modernity -- Chapter 8: Approaching the Cultural Identity of Multimedia Performance in Taiwan - Launching from the Reflection on Confucian Notions of Qì -- Chapter 9: The East-West Interstices of Third Space: Charting Hong Kong as a Kaleidoscope of Heterotopic Narratives -- Chapter 10: Multidirectional Exchange: Mapping the Emergence of the Silk Road Idea as a Global Cultural Imaginary. .
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9789811683749
    Additional Edition: Printed edition: ISBN 9789811683763
    Additional Edition: Printed edition: ISBN 9789811683770
    Language: English
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  • 2
    UID:
    almahu_9948352056702882
    Format: XXIII, 216 p. 40 illus. , online resource.
    Edition: 1st ed. 2020.
    ISBN: 9789811527432
    Series Statement: Chinese Culture, Globality, Connectivity and Modernity, 2
    Content: This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.
    Note: Section I: Modern Chinese Literature: A Comparative Study -- 1.The Evolution of Chinese Women: From Confucian Obligations to Modern Resistance -- 2.A Comparative Study of Stream of Consciousness -- 3.A Contrasting Image of China in Opera Libretti: An Analytical Reading of Puccini/Adami, Simoni's Turandot and Adams/Goodman's Nixon in China -- Section II: Contemporary Perceptions of Chinese Films and Performing Arts -- 4.Remaking China: The Canonization of Fei Mu's Cinema -- 5.The Dilemma of Brand Construction of Chinese New Year Movies: Comparing to the Marvel Movies -- 6.From Comics to Animation: A Media Study of Hong Kong's Creative Industry -- 7.Chinese Musical Culture in the Global Context - Modernization and Internationalization of Traditional Chinese Music in 21st Century -- 8.Cantonese Cameo: Prewar Hong Kong Films and /ɿ/ of Early Cantonese -- Section III: Translation Studies of Hong Kong and Chinese Culture in the Globalized Era -- 9.Reinterpreting Cantonese Opera: Is Sur/Subtitle Translation into English Possible? -- 10.Normalising Cultural Elements from an Operative Functional Perspective -- 11.Beyond Bilinguality: Chinese-English Names of Hong Kong Racehorses -- Section IV: Language and Learning: Changing Ideology in the Digital Age -- 12.Roles of Western Learning in Fevers of National Learning in the Twentieth-Century China -- 13.The Tortuous Path of Digital History in the Chinese Humanities.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9789811527425
    Additional Edition: Printed edition: ISBN 9789811527449
    Additional Edition: Printed edition: ISBN 9789811527456
    Language: English
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  • 3
    UID:
    almahu_9949482651702882
    Format: XVIII, 179 p. 17 illus., 1 illus. in color. , online resource.
    Edition: 1st ed. 2023.
    ISBN: 9789811998416
    Series Statement: Chinese Culture, Globality, Connectivity and Modernity, 7
    Content: This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.
    Note: Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages' "Unmarried" Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: 'Free Love' and 'Free Marriage': An American Female Missionary's Prescription and Chinese Writers' Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad's "Amy Foster" and Ha Jin's "The Woman from New York" -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women's Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang's I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9789811998409
    Additional Edition: Printed edition: ISBN 9789811998423
    Additional Edition: Printed edition: ISBN 9789811998430
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Singapore :Springer Nature Singapore, | Singapore :Springer.
    UID:
    edoccha_BV048918641
    Format: 1 Online-Ressource (XVIII, 179 p. 17 illus., 1 illus. in color).
    Edition: 1st ed. 2023
    ISBN: 978-981-1998-41-6
    Series Statement: Chinese Culture, Globality, Connectivity and Modernity 7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-1998-40-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-1998-42-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-1998-43-0
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Amsterdam ; : John Benjamins Publishing Company,
    UID:
    almahu_9949420731702882
    Format: 1 online resource (379 pages).
    Series Statement: Benjamins Translation Library ; Volume 153
    Additional Edition: Print version: Opera in translation : unity and diversity. Amsterdam ; Philadelphia : John Benjamins Publishing Company, c2020 ISBN 9789027207500
    Language: English
    Keywords: Electronic books.
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  • 6
    Book
    Book
    Boca Raton [u.a.] : Lewis Publ.
    UID:
    gbv_293166153
    Format: 128 S. , graph. Darst.
    ISBN: 1566702410
    Language: English
    Subjects: Geography
    RVK:
    RVK:
    RVK:
    Keywords: Geoinformationssystem ; Geoinformationssystem ; Einführung
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  • 7
    UID:
    gbv_1853951803
    Format: 1 Online-Ressource (198 pages) , illustrations (colour)
    ISBN: 9789811998416 , 9811998418
    Series Statement: Chinese culture volume 7
    Content: This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture
    Note: Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages Unmarried Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: Free Love and Free Marriage: An American Female Missionarys Prescription and Chinese Writers Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrads Amy Foster and Ha Jins The Woman from New York -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Womens Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yangs I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong.
    Additional Edition: ISBN 9789811998409
    Additional Edition: ISBN 9789811998423
    Additional Edition: ISBN 9789811998430
    Additional Edition: Erscheint auch als Druck-Ausgabe Conjugal relationships in Chinese culture Singapore : Springer, 2023 ISBN 9789811998409
    Language: English
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  • 8
    UID:
    almahu_9949709287502882
    Format: VIII, 226 p. 15 illus., 11 illus. in color. , online resource.
    Edition: 1st ed. 2024.
    ISBN: 9789819998210
    Content: This book is a collection of academic essays that examines the representation, esthetics and dichotomy of the notions of grief and melancholy in East-West exchanges and cultural dialogues. It explores the topic in the dimensions of individual behaviors under specific social norms and cultural products such as literature, film and any other forms of arts/genres, etc. In his 1917 work Mourning and Melancholia (Trauer und Melancholie), Sigmund Freud connected the grief of loss with melancholic emotions which may give rise to acts of mourning. He suggested that "[i]n mourning it is the world which has become poor and empty; in melancholia it is the ego itself" (Freud, 1917: 246). Inspired by Freud's stance and with the goal of providing up-to-date intellectual resources for academics, researchers and students with ardent interests in the varying exemplifications of grief and melancholy in Sino-Western contexts, the book serves more than a discussion over the pragmatic and ritualistic connections of grief and melancholy in relation to the inner self and the external world. It aims at the pursuit of a contemporary theorization of grief and melancholy beyond its modern limits.
    Note: Part I Grief and Melancholy in the Chinese Literary Contexts -- Chapter 1 Epitomizing the Poignancy in Poetry and Cantonese Opera: "The Heartbroken Poetry" -- Chapter 2 Representing Melancholy Love: "Aiqing xiaoshuo" in Early Twentieth-Century Chinese Media Culture -- Chapter 3 Mourning does not Become Beiju: Forging a Tragic Spirit of Grief and Heroic Resistance in Some 1920 Chinese (she-)tragedies -- Chapter 4 -- Translating China for the Gazing eyes - A Case Study of The Battle of Chosin -- Part II: The Triggering of Melancholic Loss from the Cross-cultural Perspective -- Chapter 5 Melancholy across the Multiverse: The Everything Bagel and the Loss of Self in Everything Everywhere All At Once (2022) -- Chapter 6 The Grief of Losing and the Melancholy of Being: A Journey of Dream and Awakening in Lao She's Mr Ma and Son -- Chapter 7 Poetics of Loss in Esperanto: Mao Zifu Writes on his Wheelchair -- Chapter 8 Mourning the Lost Self in Mei Ng's Eating Chinese Food Naked and LuLu Wang's The Farewell -- Part III The Various Forms of Grief and Melancholy in Contemporary Hong Kong Discourses -- Chapter 9 Words on Display: Chinese Funeral banners and Wreath Messages through a Geosemiotic Lens -- Chapter 10 Covering the Grief of Leaving: A Study of News discourse on Hong Kong Emigration Wave -- Chapter 11 Melancholy in Narratives of Early Career English Teachers in Hong Kong.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9789819998203
    Additional Edition: Printed edition: ISBN 9789819998227
    Additional Edition: Printed edition: ISBN 9789819998234
    Language: English
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  • 9
    Book
    Book
    Boca Raton [u.a.] :Lewis,
    UID:
    almahu_BV024852255
    Format: 128 S. : , graph. Darst.
    ISBN: 1-56670-241-0
    Language: English
    Subjects: Geography
    RVK:
    Keywords: Geoinformationssystem ; Norm
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  • 10
    UID:
    edocfu_BV046747198
    Format: 1 Online-Ressource (XXIII, 216 p. 40 illus).
    Edition: 1st ed. 2020
    ISBN: 978-981-152-743-2
    Series Statement: Chinese Culture, Globality, Connectivity and Modernity 2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-152-742-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-152-744-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-152-745-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
    RVK:
    RVK:
    Keywords: Kultur ; Rezeption ; Kultur ; Internationalisierung ; Globalisierung ; Kultur ; Literatur ; Film ; Globalisierung ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
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