Kooperativer Bibliotheksverbund

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ISBN: 0080887961

Content: This chapter discusses that redistributing resource endowments from people who contribute to public goods to other people who contribute to public goods will have no effect on the aggregate contributions to public goods. However, redistribution from non-contributors to contributors will result in an increase in the provision of public goods. A model which incorporates equity theory is used to generate alternative hypotheses for the behavior of individual contributors. Aggregate contribution data from three-person public goods environments support the neutrality theorem originally when endowments were redistributed among contributors. The individual contribution data, however, did not support the predictions of the conventional model. Individuals with relatively high endowments tended to under-contribute, relative to the conventional predictions, while individuals with relatively low endowments over-contributed.

In: Handbook of experimental economics results, Amsterdam : North Holland, 2008, (2008), Seite 831-835, 0080887961

In: 9780080887968

In: 9780444826428

In: 0444826424

In: year:2008

In: pages:831-835

Language: English

DOI: 10.1016/S1574-0722(07)00088-1

URL: Volltext  (Deutschlandweit zugänglich)

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Format: 1 Online-Ressource (344 pages) , 28 B/W illustrations

ISBN: 9781399508186

Series Statement: Screen Serialities

Content: Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances — both within and beyond the East Asian region — while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il’s Unforgiven (2013), a Japanese remake of Clint Eastwood’s Western of the same title, to Stephen Chow’s The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney’s The Little Mermaid (1989) and Hans Christian Andersen’s 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field

Note: Frontmatter , Contents , Illustrations , Foreword , Notes on Contributors , Introduction: East Asian Film Remakes , Part I Re-fleshing the Text: Sex, Seduction, Desire , Chapter 1 How to Sell a Remake: The Gate of Flesh Media Franchise , Chapter 2 Against Anaesthesia: An Empty Dream, Pleasurable Pain and the ‘Illicit’ Thrills of South Korea’s Golden Age Remakes , Chapter 3 Two Faces of Seduction: Martial Heroines and Karmic Women in Chor Yuen’s Intimate Confessions of a Chinese Courtesan and Lust for Love of a Chinese Courtesan , Chapter 4 Japanese Self-Made Film Remakes as Self-Improvement: Professional Desires and DIY Fulfilment, from Panic High School to Tetsuo , Part II Serialising Ozu: The Enduring Legacy of a Cinematic ‘Tofu Maker’ , Chapter 5 Definition and Progression: Ozu Yasujirō’s ‘Noriko Trilogy’ , Chapter 6 A Remake, But. . .: Media Infantility in Ozu’s Good Morning , Chapter 7 The Cinema of Serial Vitality: Ozu Yasujirō and Yamada Yoji , Part III Revisiting Personal/Political Traumas in East Asian Action Films, Gangster Films and Westerns , Chapter 8 Opting Out of History: Miike Takashi’s New Graveyard of Honor , Chapter 9 The Promise of Hokkaidō: Trauma, Violence and the Legacy of the Imperial Frontier in Lee Sang-Il’s Unforgiven , Chapter 10 Benny Chan’s Connected and the Hollywoodisation of Hong Kong Cinema , Chapter 11 Vessels and Cargos: Spaces of Inclusion and Exclusion in Johnnie To’s Drug War and Lee Hae-young’s Korean Remake Believer , Part IV Local Flavours and Transcultural Flows in East Asian Comedies, Dramas and Fantasies , Chapter 12 The Power of Healing in Little Forest(s): Cross-Cultural Perspectives on Food, Friendship and Self-identity, from Japan to Korea , Chapter 13 More than Blue and Man in Love: Transnational Korean-Taiwanese Film Remakes as a Facilitator for Taiwan Cinema , Chapter 14 The Pan-Asian ‘Miss Granny’ Phenomenon , Chapter 15 Remaking in the Age of Chthulumedia: Stephen Chow’s The Mermaid , Index , In English

Additional Edition: ISBN 9781399508162

Additional Edition: Erscheint auch als print ISBN 9781399508162

Language: English

DOI: 10.1515/9781399508186

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover  (lizenzpflichtig)

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Format: Online-Ressource (34 p)

Edition: Online-Ausg.

ISBN: 1451950470 , 9781451950472

Series Statement: IMF Working Papers Working Paper No. 96/95

Content: The Monetary Authority of Singapore (MAS) has a long-standing policy of controlling bank lending in Singapore dollars to nonresidents and to residents who use the funds outside Singapore. While the control may prevent the internationalization of the Singapore dollar and contain exchange rate volatility, it can hinder the deepening and widening of the financial markets in Singapore. This paper suggests three policy options that would allow traders and investors to borrow Singapore dollars without any restrictions, while making it costly for speculators since their activities can cause exchange rate volatility which arguably imposes external costs to society

Language: English

DOI: 10.5089/9781451950472.001

URL: kostenfrei

URL: Volltext  (IMF e-Library)

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Format: 1 Online-Ressource (304 p.) , 24 B/W illustrations

ISBN: 9781474460866

Series Statement: Edinburgh Studies in East Asian Film

Content: Approaches the recent resurgence of the fantastic in Chinese cinemasOffers the framework of ‘Sino-enchantment’ as a new theoretical lens through which readers can engage elements of the fantastic in Chinese cinemaAddresses the increasing prominence of fantastic narratives, imagery and styles in Chinese filmsInterested not simply in CGI effects, but as much in the ideological, aesthetic and ethical ramifications of the fantastic in contemporary film cultureAlthough Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of ‘Sino-enchantment’ as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema

Note: Frontmatter , Contents , List of Figures , Acknowledgements , Notes on the Contributors , Note on Romanisation , 1 Introduction: Th e Fantastic as Sino-Enchantment in Contemporary Chinese Cinemas , PART I VISUALITY/VIRTUALITY , 2 Heroic Human Pixels: Mass Ornaments and Digital Multitudes in Zhang Yimou’s Spectacles , 3 The Spectacle of Co-Production in The Great Wall , 4 The Blockbuster Breakthrough: The Fantastic in Hero , PART II GENRES OF SINO-ENCHANTMENT , 5 The Restrained Fantastic in Hou Hsiao-hsien’s The Assassin , 6 An Auteurist Journey through the Fantastic Mode: A Case Study of Ho Meng-hua , 7 Tracing the Science Fiction Genre in Hong Kong Cinema , 8 Chick Flick Fantasy and Postfeminism in Chinese Cinema: 20 Once Again as a Transnational Remake , 9 The Sacred Spectacle: Subverting Scepticism in Tsui Hark’s Detective Dee Films , PART III ETHICS , 10 Almost Wild, But Not Quite: The Indexical and the Fantastic Animal Other in China-Co-Produced (Eco)Cinema , 11 Domesticity, Sentimentality and Otherness: The Boundary of the Human in Monster Hunt , 12 Transforming Tripitaka: Toward a (Buddhist) Planetary Ethics in Stephen Chow’s Adaptation of Journey to the West , Coda: Sino-Enchantment in a Time of Crisis , Selected Filmography , Bibliography , Index , In English

Additional Edition: ISBN 9781474460842

Additional Edition: Erscheint auch als print ISBN 9781474460842

Language: English

DOI: 10.1515/9781474460866

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

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ISSN: 1612-1031

Note: Literaturverzeichnis: Seite 427

In: Asia Europe journal, Berlin : Springer, 2003, 18(2020), 4 vom: Dez., Seite 413-427, 1612-1031

In: volume:18

In: year:2020

In: number:4

In: month:12

In: pages:413-427

Language: English

DOI: 10.1007/s10308-019-00546-2

URL: lizenzpflichtig

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Format: Diagr.; Lit.; Tab.; Übers.

ISSN: 0002-0729

Note: Band: 27; Heft: 3; Seiten: 327-332

In: Age and ageing, Oxford : Oxford Univ. Press, 1972, 27(1998), 3, Seite 327-332, 0002-0729

In: volume:27

In: year:1998

In: number:3

In: pages:327-332

Language: English

URL: http://ageing.oupjournals.org/content/vol27/issue3/

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ISSN: 0091-4150

In: The international journal of aging & human development, Thousand Oaks, Calif. [u.a.] : Sage, 1973, 74(2012), 1, Seite 67-86, 0091-4150

In: volume:74

In: year:2012

In: number:1

In: pages:67-86

Language: English

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Format: xiii, 173 pages , Illustrationen , 19 cm

ISBN: 9789888208753 , 9789888208760

Series Statement: The new Hong Kong cinema

Note: Includes bibliographical references and filmography

Language: English

Keywords: Yonfan 1947- ; Film

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Format: 244 S.

Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Providence, RI, Brown University, Diss., 1977

Language: English

Keywords: Wechselkurs ; Hochschulschrift

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Format: 32 S. , Ill.

Series Statement: Working paper series / Department of Economics, McMaster University 85-14

Note: "Spring 1983; revised summer 1984; revised December 1984; revised April 1985." , Includes bibliographical references (page 32)

Language: English