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  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    UID:
    (DE-603)418710082
    Format: 1 Online-Ressource (ix, 261 pages)
    ISBN: 9780511576607
    Series Statement: Cambridge studies in medieval literature 74
    Content: In contrast to the widespread view that the Middle Ages were a static, unchanging period in which attitudes to women were uniformly negative, D. H. Green argues that around 1200 the conventional relationship between men and women was subject to significant challenge through discussions in the vernacular literature of the period. Hitherto scholarly interest in gender relations in such literature has largely focused on French romance or on literature in English from a later period. By turning the focus on the rich material to be garnered from Germany - the romances Erec, Tristan and Parzival - Professor Green shows how some vernacular writers devised methods to debate and challenge the undoubted antifeminism of the day by presenting a Utopian model, supported by a revision of views by the Church, to contrast with contemporary practice.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: 9780521513357
    Additional Edition: 9781107646292
    Language: English
    Subjects: German Studies
    RVK:
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  • 2
    Book
    Book
    New York : Dover Publicatons
    UID:
    (DE-627)1610350294
    Format: 75 S. , Ill., graph. Darst.
    ISBN: 0486234843
    Language: English
    RVK:
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    (DE-604)BV043929875
    Format: 1 online resource (viii, 357 pages)
    ISBN: 9780511519529
    Content: Although much work has recently been done on the relationship between poet, narrator and audience in medieval literature, no sustained attempt has yet been made to inquire into the ways in which the listener's responses are rhetorically controlled and guided in the case of the Parzival of Wolfram von Eschenbach. This book attempts such an inquiry by combining five approaches which have so far been used only separately or partially: the narrator's use of a point of view technique, a specific problem concerning the medieval technique, a specific problem concerning the medieval reception of his work, a procedure best described as 'revealing while concealing', the technique used in naming characters, and the theme of recognition in Parzival. These approaches are combined and applied in detail to the narrative sequence of Wolfram's romance. Although the narratives dealing with Gahmuret, Parzival and Gawan are all dealt with, the lion's share falls to Parzival as the hero of the work (whereby special importance is attached to his crucial dialogue with the hermit Trevrizent in Book IX), but due regard is also paid to Gawan as a means of highlighting the special position of the hero. The discussion throughout is organised around the various encounters in the work in which recognition or non-recognition plays a part
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-02074-9
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-24500-5
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Wolfram von Eschenbach 1170-1220 Parzival ; Wiedererkennen ; Wolfram von Eschenbach 1170-1220 Parzival ; Erzähltechnik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Cambridge University Press
    UID:
    (DE-605)(DE-60)02786983
    Edition: Elektronische Ressource (xiii, 292 Seiten) :
    ISBN: 0511020570 , 0511045581 , 0521813999 , 0511120532 , 0511485786 , 9780511020575 , 9780511045585 , 9780511120534 , 9780511485787 , 9780521813990
    Series Statement: Cambridge studies in medieval literature 47
    Language: German
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    UID:
    (DE-603)41879703X
    Format: 1 Online-Ressource (xv, 483 pages)
    ISBN: 9780511518720
    Content: This new study brings recent scholarly debates on oral cultures and literate societies to bear on the earliest recorded literature in German (800–1300). It considers the criteria for assessing what works were destined for listeners, what examples anticipated readers, and how far both modes of reception could apply to one work. The opening chapters review previous scholarship, and the introduction of writing into preliterate Germany. The core of the book presents lexical and non-lexical evidence for the different modes of reception, taken from the whole spectrum of genres, from dance songs to liturgy, from drama and heroic literature to the court narrative and lyric poetry. The social contexts of reception and the physical process of reading books are also considered. Two concluding chapters explore the literary and historical implications of the slow interpenetration of orality and literacy.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: 9780521444934
    Additional Edition: 9780521020886
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    UID:
    (DE-603)418828520
    Format: 1 Online-Ressource (x, 431 pages)
    ISBN: 9780511519512
    Content: Despite the fashionable standing of irony in studies of modern literature and its occasional application to medieval studies in a number of recent works, no sustained analysis of this phenomenon has yet been attempted for medieval literature. Professor Green attempts to fill the most important part of this lacuna by discussing irony in the medieval genre in which it is employed most frequently and with the greatest sophistication, the romance. The approach is therefore directed more towards the genre as such than to any specific example, and, although the book is written primarily from a Germanist's point of view, it also takes into account the romances of Chrétien de Troyes and their German adaptations, various examples from the Tristan tradition in France and Germany, Flamenca as an example from Provence, as well as Chaucer's Troilus and Criseyde, and Sir Gawain and the Green Knight from England. Proceeding from a working definition of medieval irony and a survey of the signals which may allow us to perceive its presence, Professor Green considers the possibilities, rhetorical and otherwise, of registering irony in courtly literature at large. From this he moves on to discuss the major themes to which irony may be applied (chivalry and love), as well as the ways in which the narrative is organised so as to bring out any ironic implications of these themes. Subsequent chapters are concerned with the various types of irony to be distinguished: verbal irony, irony of the narrator, dramatic irony, the irony of values, and structural irony. A concluding chapter sums up the reasons, aesthetic and social, for the prevalence of irony in this particular genre of medieval literature.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: 9780521224581
    Additional Edition: 9780521022163
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    Cambridge : Univ. Pr.
    UID:
    (DE-605)(DE-52)345193
    Note: Kurztitelaufnahme (Näheres vg. PI-Katalog)
    Language: German
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    (DE-627)230596487
    Format: VIII, 65 S , Ill., graph. Darst
    ISBN: 9282635023
    Series Statement: EUR 13884
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    (DE-604)BV043922400
    Format: 1 online resource (ix, 261 pages)
    ISBN: 9780511576607
    Series Statement: Cambridge studies in medieval literature 74
    Content: In contrast to the widespread view that the Middle Ages were a static, unchanging period in which attitudes to women were uniformly negative, D. H. Green argues that around 1200 the conventional relationship between men and women was subject to significant challenge through discussions in the vernacular literature of the period. Hitherto scholarly interest in gender relations in such literature has largely focused on French romance or on literature in English from a later period. By turning the focus on the rich material to be garnered from Germany - the romances Erec, Tristan and Parzival - Professor Green shows how some vernacular writers devised methods to debate and challenge the undoubted antifeminism of the day by presenting a Utopian model, supported by a revision of views by the Church, to contrast with contemporary practice
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , The role of women: Introduction ; Women in the Middle Ages ; Feminization in the twelfth century -- Marriage and love: Introduction ; Erec ; Tristan ; Parzival -- Conclusion
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-51335-7
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-1-107-64629-2
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
    Keywords: Deutsch ; Versroman ; Geschlechterrolle ; Geschichte 1100-1200
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    (DE-604)BV043929583
    Format: 1 online resource (x, 431 pages)
    ISBN: 9780511519512
    Content: Despite the fashionable standing of irony in studies of modern literature and its occasional application to medieval studies in a number of recent works, no sustained analysis of this phenomenon has yet been attempted for medieval literature. Professor Green attempts to fill the most important part of this lacuna by discussing irony in the medieval genre in which it is employed most frequently and with the greatest sophistication, the romance. The approach is therefore directed more towards the genre as such than to any specific example, and, although the book is written primarily from a Germanist's point of view, it also takes into account the romances of Chrétien de Troyes and their German adaptations, various examples from the Tristan tradition in France and Germany, Flamenca as an example from Provence, as well as Chaucer's Troilus and Criseyde, and Sir Gawain and the Green Knight from England. Proceeding from a working definition of medieval irony and a survey of the signals which may allow us to perceive its presence, Professor Green considers the possibilities, rhetorical and otherwise, of registering irony in courtly literature at large. From this he moves on to discuss the major themes to which irony may be applied (chivalry and love), as well as the ways in which the narrative is organised so as to bring out any ironic implications of these themes. Subsequent chapters are concerned with the various types of irony to be distinguished: verbal irony, irony of the narrator, dramatic irony, the irony of values, and structural irony. A concluding chapter sums up the reasons, aesthetic and social, for the prevalence of irony in this particular genre of medieval literature
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-02216-3
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-521-22458-1
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Höfisches Epos ; Satire ; Höfisches Epos ; Ironie
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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