UID:
almahu_9949385888902882
Format:
1 online resource (116 pages)
ISBN:
9780429293801
,
0429293801
,
1000062244
,
9781000062182
,
100006218X
,
9781000062212
,
100006221X
,
9781000062243
Content:
"This book attempts to answer the questions, posed by T.J. Demos (in Against the Anthropocene, 2107): how do we find a way address the planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the Regenerative model set out in Kate Raworth's book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. The hope is that this approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process"--
Note:
"Routledge Focus" -- Front cover.
,
Film and Ecology, Doughnut Economics and Film Theory -- Film and the Anthropocene : Dirty Capitalism--Mildred Pierce (1945), Tulsa (1949), and Giant (1956) -- Where we are now and where we need to be : from source and sink to take-make-use-re-use : Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013) -- A moral imperative to REVOLT : Hotel Rwanda (2004) and Caphernaüm (2018).
Additional Edition:
Print version: Hayward, Susan, 1945- Film ecology. London ; New York : Routledge, 2020 ISBN 9780367265519
Language:
English
Keywords:
Electronic books.
;
Electronic books.
;
Electronic books
DOI:
10.4324/9780429293801
URL:
https://www.taylorfrancis.com/books/9780429293801
URL:
Volltext
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