Kooperativer Bibliotheksverbund

UID:

Format: XIX, 233 S. : , Ill.

ISBN: 978-0-253-01200-5 , 978-0-253-01204-3

Series Statement: Ethnomusicology multimedia

Note: Includes bibliographical references (pages 207-218) and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-01208-1

Language: English

Subjects: Musicology

Keywords: Hip-Hop ; Afrikanischer Einwanderer ; Ethnische Identität

URL: Inhaltsverzeichnis

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Format: 1 online resource : , illustrations (black and white, and colour), map (colour).

ISBN: 9780197631805

Series Statement: Oxford scholarship online

Content: In 'ReSounding Poverty', author Adriana N. Helbig refocuses studies of Roma communities and explores the failures of Western-funded economic aid programmes by studying musicians' representation of their operations.

Note: Also issued in print: 2023.

Additional Edition: Print version : ISBN 9780197631768

Language: English

DOI: 10.1093/oso/9780197631768.001.0001

URL: Oxford Academic

URL: lizenzpflichtig

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Format: 1 Online-Ressource (XX, 195 Seiten) : , Illustrationen.

ISBN: 978-0-313-34363-6

Series Statement: Culture and customs of Europe

Content: From the Publisher: Ukraine's tumultuous history has left it standing on unstable ground, wrought with the devastation of the 20th Century's wars, famines, and other struggles. Today, life in Ukraine is moving forward, stepping out of the shadows of Communism and into a modern, urban, and multicultural light, finally gaining for itself a sense of national identity. Now a cultural hotspot that serves as a crossroads between Europe and Asia, Ukraine's traditions of yesterdays are evolving into today's daily life and customs. High school and undergraduate students will have the opportunity to delve into Ukraine's modern society by looking at its religious practices, language conflicts, gender issues, education policies, and media censorship struggles, as well as its cuisine, holidays, literature, music, and performing arts. A thorough and unique investigation of this young country, Culture and Customs of Ukraine is an absolute must-have for high school, public, and undergraduate library bookshelves.

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-313-34363-6

Language: English

Subjects: Ethnology , Slavic Studies

Keywords: Kultur ; Brauch

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Format: 1 Online-Ressource

ISBN: 9780253023216 , 0253023211

Content: Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world

Note: Includes bibliographical references and index , Introduction / , Part 1: Hip Hop, Postsocialism, and Democracy - Rapping into Power: The Use of Hip Hop in Albanian Politics / , Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / , Russian Rap in the Era of Vladimir Putin / , Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / , Part 2: Hip Hop and Emerging Market Economies - Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / , "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / , Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / , Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / , Part 3: Hip Hop on the Margins - Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / , Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / , Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / , Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / , Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / , Part 4: Hip Hop and Global Circulations of Blackness - La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / , The Power of the Words: Discourses of Authenticity in Czech Rap Music / , "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography /

Additional Edition: ISBN 9780253022738

Additional Edition: Erscheint auch als Druck-Ausgabe Hip hop at Europe's edge Bloomington : Indiana University Press, [2017] ISBN 9780253022738

Language: English

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (xix, 233 pages) , illustrations

Edition: Online-Ausg.

ISBN: 025301204X , 0253012007 , 0253012082 , 9780253012043 , 9780253012005 , 9780253012081

Series Statement: Ethnomusicology multimedia

Content: In Hip Hop Ukraine, we enter a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence-African, Soviet, American-to show how

Content: Music and black identity in the Soviet Union -- Music and black experiences in post-Soviet Ukraine -- Commercial and underground hip hop in Ukraine -- Afro-Ukrainian hip hop fusion -- Hip hop in Uganda

Note: Includes bibliographical references and index , English

Additional Edition: Erscheint auch als Druck-Ausgabe Helbig, Adriana Hip hop Ukraine Bloomington ; Indianapolis : Indiana University Press, 2014

Language: English

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: ix, 311 Seiten.

ISBN: 978-0-253-02273-8 , 978-0-253-02304-9

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-02321-6

Language: English

Subjects: Musicology

Keywords: Hip-Hop ; Popkultur ; Soziale Funktion ; Politischer Wandel ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Register // Gemischte Register

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Format: 1 online resource (258 pages) : , illustrations, photographs.

ISBN: 9780253012081 (e-book)

Series Statement: Ethnomusicology Multimedia

Additional Edition: Print version: Helbig, Adriana N. Hip hop Ukraine : music, race, and African migration. Bloomington, Indiana : Indiana University Press, c2014 ISBN 9780253012043

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (256 p.) : , 2

ISBN: 9780823289783

Content: Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.

Note: Frontmatter -- , Contents -- , I. INTRODUCTION -- , 1. Arvo Pärt and the Art of Embodiment -- , 2. The Sound—and Hearing—of Arvo Pärt -- , II. HISTORY AND CONTEXT -- , 3. Sounding Structure, Structured Sound -- , 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music -- , 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground -- , III. PERFORMANCE -- , 6. The Pärt Sound -- , 7. The Rest Is Silence -- , IV. MATERIALITY AND PHENOMENOLOGY -- , 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation -- , 9. Medieval Pärt -- , 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives -- , V. THEOLOGY -- , 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies -- , 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt -- , 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt -- , 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi -- , List of Contributors -- , Index of Terms -- , Index of Persons -- , Works by Other Composers -- , Works by Arvo Pärt , In English.

Language: English

DOI: 10.1515/9780823289783

URL: https://doi.org/10.1515/9780823289783

URL: https://www.degruyter.com/isbn/9780823289783

URL: https://doi.org/10.1515/9780823289783

URL: https://www.degruyter.com/isbn/9780823289783

UID:

Format: 1 Online-Ressource (256 p) , 2

Edition: [Online-Ausgabe]

ISBN: 9780823289783

Content: Frontmatter -- Contents -- I. INTRODUCTION -- 1. Arvo Pärt and the Art of Embodiment -- 2. The Sound—and Hearing—of Arvo Pärt -- II. HISTORY AND CONTEXT -- 3. Sounding Structure, Structured Sound -- 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music -- 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground -- III. PERFORMANCE -- 6. The Pärt Sound -- 7. The Rest Is Silence -- IV. MATERIALITY AND PHENOMENOLOGY -- 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation -- 9. Medieval Pärt -- 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives -- V. THEOLOGY -- 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies -- 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt -- 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt -- 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi -- List of Contributors -- Index of Terms -- Index of Persons -- Works by Other Composers -- Works by Arvo Pärt

Content: Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces

Note: Mode of access: Internet via World Wide Web. , In English

Language: English

DOI: 10.1515/9780823289783

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover