Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (xiv, 332 pages) : , digital, PDF file(s).

ISBN: 9781316676639 (ebook)

Series Statement: Cambridge companions to music

Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.

Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019).

Additional Edition: Print version: ISBN 9781107161788

Language: English

URL: https://doi.org/10.1017/9781316676639

UID:

Format: 1 Online-Ressource (xiv, 332pages).

ISBN: 9781316676639

Series Statement: Cambridge companions to music

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-16178-8

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-316-61407-5

Language: English

Subjects: Musicology

Keywords: Musik ; Neue Medien ; Internet ; Digitale Revolution ; Aufsatzsammlung

DOI: 10.1017/9781316676639

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext

URL: Volltext

Author information: Trippett, David, 1980-

UID:

Format: xiv, 332 Seiten , Illustrationen

ISBN: 9781107161788 , 9781316614075

Series Statement: Cambridge companions to music

Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-108-66572-8

Language: English

Subjects: Musicology

Keywords: Musik ; Neue Medien ; Internet ; Digitale Revolution ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

Author information: Trippett, David 1980-

UID:

Format: 1 online resource.

Edition: [First edition].

ISBN: 9781003259800 , 1003259804 , 9781040023006 , 1040023002 , 9781040022993 , 1040022995

Series Statement: [Congregational music studies]

Content: Introduction. Rivers of Babylon : contextualizing Black British gospel music / Pauline Muir, Dulcie Dixon McKenzie, and Monique M. Ingalls -- Look where god has brought us! Remembering the religious foundations of Black British gospel music / Dulcie Dixon McKenzie -- 'Gifts and talents' : sacred and secular musical performance at a suburban British Pentecostal church / Natalie Hyacinth -- Just like church, not like church, or better than church? : community gospel choirs as lived religion and convivial spiritual practice in the contemporary United Kingdom / Monique M. Ingalls -- Black British gospel music : a perspective from a reluctant choir director / Geraldine Latty Luce -- Black British gospel-pop crossover : 'gospel codes' in the music of Stormzy and Mica Paris / Matthew Williams -- The 'sacred' and 'secular' : interplay within gospel grime performance / Samson Tosin Onafuye -- Don't shoot the Messi(nj)ah : charting the growth of the gospel in Great British grime music / Monique Charles -- The Jamaican Bible remix : a theomusicological praxis for bridging the gap between Black liberation theology and contemporary gospel music in Britain / Robert Beckford -- Black British gospel music and the question of belief (in God) / Alexander Douglas -- Decolonising congregational music / Pauline Muir -- Black British gospel music past, present, and future : final reflections from the editors / Dulcie Dixon McKenzie, Pauline Muir, and Monique M. Ingalls -- Afterword. We need Black power, Lord! : Reflections on Black British gospel music / William Ackah

Additional Edition: ISBN 9781032145853

Additional Edition: ISBN 9781032195643

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781032145853

Language: English

DOI: 10.4324/9781003259800

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Format: xiii, 253 Seiten , Illustrationen

ISBN: 9780190499631 , 9780190499648

Note: Includes bibliographical references and index

Additional Edition: ISBN 9780190499679

Additional Edition: Erscheint auch als Online-Ausgabe Ingalls, Monique, 1981 - Singing the congregation New York, NY : Oxford University Press, 2018 ISBN 9780190499679

Language: English

Subjects: Musicology

Keywords: USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung

URL: Inhaltsverzeichnis

URL: Klappentext

URL: Literaturverzeichnis

UID:

Format: 1 online resource , illustrations (black and white)

ISBN: 9780190499679

Content: 'Singing the Congregation' examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations ('modes of congregating').

Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 20, 2018)

Additional Edition: ISBN 9780190499631

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780190499631

Language: English

DOI: 10.1093/oso/9780190499631.001.0001

URL: lizenzpflichtig

UID:

Format: 1 online resource (xiv, 278 pages)

ISBN: 9781315142432

Series Statement: Congregational music studies series

Additional Edition: ISBN 9781138307650

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138307650

Additional Edition: Erscheint auch als Druck-Ausgabe Making congregational music local in Christian communities worldwide London : Routledge, 2018 ISBN 9781138307650

Language: English

Subjects: Ethnology

DOI: 10.4324/9781315142432

URL: lizenzpflichtig

UID:

Format: 1 online resource (x, 270 pages) : , illustrations

ISBN: 9780429492020 , 0429492022 , 9780429959653 , 0429959656 , 9780429959660 , 0429959664 , 9780429959646 , 0429959648 , 1138588873 , 9781138588875

Series Statement: Congregational music studies series

Content: "Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduce readers to a variety of research methodologies within the emerging field of Congregational Music Studies. Utilising insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, they examine and model methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several "key issues" to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally"--

Note: In case you don't have a case: reflections on methods for studying congregational song in liturgical history / , Worshipping "with everything": musical analysis and congregational worship / , Mediating religious experience?: congregational music and the digital music interface / , Ethnography in the study of congregational music / , Re-sounding the history of Christian congregational music / , Music theology as the mouthpiece of science: proving it through congregational music studies / , Political economy and capital in congregational music studies: commodities, worshipers, and worship / , Congregation and chorality: fluidity and distinction in the voicing of religious community / , "We just don't have it": addressing whiteness in congregational voicing / , Researching Black congregational music from a migratory point of view: methods, challenges, and strategies / , Studying Byzantine Ukrainian congregational music in Canada: considering community and diaspora / , Congregational singing and practices of gender in Christian worship: exploring intersections / , Searching for a metaphor: what is the role of the Shaliach/Shalichat Tzibur (leader of prayer)? / , Ecclesioscapes: interpreting gatherings around Christian music in and outside the church through the Dutch case of the "Sing along Matthäuspassion" /

Additional Edition: Print version: Studying congregational music. New York : Routledge, 2021 ISBN 9781138588875

Language: English

Keywords: Electronic books.

DOI: 10.4324/9780429492020

URL: https://www.taylorfrancis.com/books/9780429492020

UID:

Format: 1 online resource (x, 270 pages) , illustrations.

ISBN: 9780429492020 , 0429492022 , 9780429959653 , 0429959656 , 9780429959660 , 0429959664 , 9780429959646 , 0429959648

Series Statement: Congregational music studies series

Additional Edition: ISBN 9781138588875

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138588875

Language: English

Subjects: Musicology

Keywords: Christentum ; Geistliche Musik ; Kirchengesang ; Gotteslob ; Kulturvergleich ; Kongregation ; Kloster ; Musik ; Geschichte ; Aufsatzsammlung

URL: lizenzpflichtig

UID:

Format: 1 online resource (xiv, 332 pages) : , digital, PDF file(s).

Edition: First edition.

ISBN: 9781108625432 , 1108625436 , 9781108665728 , 1108665721 , 9781316676639 , 1316676633

Series Statement: Cambridge Companions to Music Series

Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.

Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019). , Cover -- Half-title -- Series information -- Title page -- Copyright information -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- 1 Digital Technology and Cultural Practice -- From the Social to the Posthuman -- Digital Participation and Audio-Visual Style -- New Technology, New Business -- For Further Study -- Notes -- Personal Take: Whatever Happened to Tape-Trading? -- 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes -- From Servility to Precarity: Music's Heterologous Cycles of Boom and Bust -- Tragedy of the Commons: From Torrent to Stream -- Dialectics of Rights Management: An Allomorphism of the Law -- For Further Study -- Notes -- Personal Take: On Serving as an Expert Witness in the 'Blurred Lines' Case -- Notes -- 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation -- Introduction -- Techniques of Music Recommendation -- Curation -- Collaborative Filtering -- Content Analysis -- Ensemble Methods -- Algorithms beyond Music -- Troubles in Streaming Recommendation and Consumption -- Metadata Inaccuracy and Challenges for Niche Tastes -- Privacy and Payola -- For Further Study -- Notes -- Personal Take: Being a Curator -- Personal Take: Can Machines Have Taste? -- Notes -- 4 Technologies of the Musical Selfie -- Prelude: The Lincoln Music Selfie Experiment -- Musical Selfiehood -- 1. Curation of the Selfie -- 2 Selfie Enclosure -- 3 Broadcast your Selfie -- Postlude: Selfie Surveillance -- For Further Study -- Notes -- Personal Take: Vaporwave is Dead, Long Live Vaporwave! -- Notes -- 5 Witnessing Race in the New Digital Cinema -- Musicians as Multisensory Witnesses -- Digital Video and Its Transformations -- Case 1. Beyoncé's Lemonade: Video as Amplification. , Case 2. Philando Castile's Death: Audio as Amplification -- Conclusion: Oh Say, Can You See? -- Case 3. Football Players Protest 'The Star-Spangled Banner' -- For Further Study -- Notes -- Personal Take: Giving History a Voice -- 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice -- Ritual in Digital Religion: Definitions and Key Issues -- Music and Ritual Online: Shaping and Authenticating Sacred Soundscapes in Virtual Worlds -- Reinventing Tradition: Online Musical Tools for Offline Devotional Practices -- Online Devotional Resources: Muslim and Christian YouTube Videos as Audio-Visual Icons -- Conclusion: The Musical Shaping of Ritual and the Sacred Everyday -- For Further Study -- Notes -- Personal Take: Technicians of Ecstasy -- Personal Take: Live Coded Mashup with the Humming Wires -- Personal Take: Algorave: Dancing to Algorithms -- 7 Rethinking Liveness in the Digital Age -- What is Liveness? -- Defining Liveness in Digital Culture -- Virtual Liveness and Posthuman Subjectivity -- Intermedial Performance and the Aesthetics of Liveness in Digital Culture -- For Further Study -- Notes -- Personal Take: Augmenting Musical Performance -- Personal Take: Digital Demons, Real and Imagined -- Personal Take: Composing with Sounds as Images -- Personal Take: Compositional Approaches to Film, TV and Video Games -- Notes -- 8 Virtual Worlds from Recording to Video Games -- Once upon a Dream of J. S. Bach -- Schizophonia, Mobile Music, Video Games -- Schizophonia -- Mobile Music -- Video Games -- ALI -- Individual, Embodied Musical Worlds: Definitions and Approaches -- Immersion and Affect -- Daily Practices and Augmented Reality -- For Further Study -- Notes -- 9 Digital Voices: Posthumanism and the Generation of Empathy -- Assistance -- Mimesis: Creating with Algorithms -- Semiosis: Sounds like Human. , Case Study: Death and the Powers (2011) -- For Further Study -- Notes -- Personal Take: In the Wake of the Virtual -- Notes -- 10 Digital Inequalities and Global Sounds -- 'Other' View No. 1: Decentring, Recentring and Recirculating Musical Digitality -- Musical Algocracies: Not So New After All? -- 'Other' View No. 2: China -Autocracy as Algocracy? -- From 'Grass Mud Horse' to Sonic Surveillance -- 'Other' View No. 3: Postdigitality and Imagination Gaps -- Conclusion: An 'Other' Take on Black Panther -- For Further Study -- Notes -- 11 The Political Economy of Streaming -- Introduction -- From Disintermediation to Hyper-Intermediation -- The Contested Stylistics of Financialised Streaming -- Internet -Dragnet: Music's Surveillance Economy -- Afterword: Automatic Music and the Peasant's Dilemma -- For Further Study -- Notes -- Bibliography -- 1 Digital Technology and Cultural Practice -- Nicholas Cook -- 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes -- Martin Scherzinger -- 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation -- K. E. Goldschmitt and Nick Seaver -- Personal Take: Can Machines Have Taste? -- Stéphan-Eloïse Gras -- 4 Technologies of the Musical Selfie -- Sumanth Gopinath and Jason Stanyek -- Personal Take: Vaporwave is Dead, Long Live Vaporwave! -- Adam Harper -- 5 Witnessing Race in the New Digital Cinema -- Peter McMurray -- 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice -- Monique M. Ingalls -- Personal Take: Technicians of Ecstasy -- Graham St John -- Personal Take: Live Coded Mashup with the Humming Wires -- Alan F. Blackwell and Sam Aaron -- Personal Take: Algorave: Dancing to Algorithms -- Alex McLean -- 7 Rethinking Liveness in the Digital Age -- Paul Sanden -- Personal Take: Augmenting Musical Performance. , Andrew McPherson -- Personal Take: Digital Demons, Real and Imagined -- Steve Savage -- Personal Take: Compositional Approaches to Film, TV and Video Games -- Stephen Baysted -- 8 Virtual Worlds from Recording to Video Games -- Isabella van Elferen -- 9 Digital Voices: Posthumanism and the Generation of Empathy -- David Trippett -- Personal Take: In the Wake of the Virtual -- Frances Dyson -- 10 Digital Inequalities and Global Sounds -- Shzr Ee Tan -- 11 The Political Economy of Streaming -- Martin Scherzinger -- Index.

Additional Edition: ISBN 9781316614075

Additional Edition: ISBN 1316614077

Additional Edition: ISBN 9781107161788

Additional Edition: ISBN 1107161789

Language: English