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  • 1
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    UID:
    almahu_BV046158910
    Format: 1 Online-Ressource (xiv, 332pages).
    ISBN: 9781316676639
    Series Statement: Cambridge companions to music
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-16178-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-316-61407-5
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Neue Medien ; Internet ; Digitale Revolution ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Trippett, David, 1980-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    UID:
    b3kat_BV046206006
    Format: xiv, 332 Seiten , Illustrationen
    ISBN: 9781107161788 , 9781316614075
    Series Statement: Cambridge companions to music
    Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-108-66572-8
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Neue Medien ; Internet ; Digitale Revolution ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Trippett, David 1980-
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  • 3
    UID:
    almahu_9949386383302882
    Format: 1 online resource (x, 270 pages) : , illustrations
    ISBN: 9780429492020 , 0429492022 , 9780429959653 , 0429959656 , 9780429959660 , 0429959664 , 9780429959646 , 0429959648 , 1138588873 , 9781138588875
    Series Statement: Congregational music studies series
    Content: "Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduce readers to a variety of research methodologies within the emerging field of Congregational Music Studies. Utilising insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, they examine and model methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several "key issues" to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally"--
    Note: In case you don't have a case: reflections on methods for studying congregational song in liturgical history / , Worshipping "with everything": musical analysis and congregational worship / , Mediating religious experience?: congregational music and the digital music interface / , Ethnography in the study of congregational music / , Re-sounding the history of Christian congregational music / , Music theology as the mouthpiece of science: proving it through congregational music studies / , Political economy and capital in congregational music studies: commodities, worshipers, and worship / , Congregation and chorality: fluidity and distinction in the voicing of religious community / , "We just don't have it": addressing whiteness in congregational voicing / , Researching Black congregational music from a migratory point of view: methods, challenges, and strategies / , Studying Byzantine Ukrainian congregational music in Canada: considering community and diaspora / , Congregational singing and practices of gender in Christian worship: exploring intersections / , Searching for a metaphor: what is the role of the Shaliach/Shalichat Tzibur (leader of prayer)? / , Ecclesioscapes: interpreting gatherings around Christian music in and outside the church through the Dutch case of the "Sing along Matthäuspassion" /
    Additional Edition: Print version: Studying congregational music. New York : Routledge, 2021 ISBN 9781138588875
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Electronic books. ; Aufsatzsammlung
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  • 4
    UID:
    almahu_9948231331902882
    Format: 1 online resource (xiv, 332 pages) : , digital, PDF file(s).
    ISBN: 9781316676639 (ebook)
    Series Statement: Cambridge companions to music
    Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019).
    Additional Edition: Print version: ISBN 9781107161788
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    UID:
    gbv_819468061
    Format: VI, 300 S. , Ill. , 24 cm
    ISBN: 9780271066622 , 0271066628 , 9780271066639
    Content: Introduction : interconnection, interface, and identification in Pentecostal-charismatic music and worship / Monique M. Ingalls -- Musical bodies in the charismatic renewal : the case of catch the fire and soaking prayer / Peter Althouse and Michael Wilkinson -- Salvation (not yet?) materialized : healing as possibility and possible complication for expressing suffering in Pentecostal music and worship / Andrew M. McCoy -- Dreaming urban indigenous Australian Christian worship in the great southland of the holy spirit / Tanya Riches -- Every creative aspect breaking out! : Pentecostal-charismatic worship, Oro gospel music, and a millenialist aesthetic in Papua Guinea / Michael Webb -- Worship music as aesthetic domain of meaning and bonding : the glocal context of a Dutch Pentecostal church / Miranda Klaver -- "This is not the warm-up act!" : how praise and worship reflects expanding musical traditions and theology in a Bapticostal charismatic African American megachurch / Birgitta J. Johnson -- Singing the Lord's song in the spirit and with understanding : the practice of Nairobi Pentecostal Church / Jean Ngoya Kidula -- "Soaking songs" versus "medicine man chant" : musical resonance among Diné Oodlání (Navajo believers) / Kimberly Jenkins Marshall -- "We can be renewed" : resistance and worship at the Anchor Fellowship / Andrew Mall -- Hillsong abroad : tracing the songlines of contemporary Pentecostal music / Mark Evans -- Charismatic music and the Pentecostalization of Latin American evangelicalism / Ryan R. Gladwin -- Blessed to be a blessing : the prosperity gospel of worship music superstar Israel Houghton / Wen Reagan -- Music, culture industry, and the shaping of charismatic worship : an autobiographical/conversational engagement / Dave Perkins -- We can't go back : liturgies of worship and consumer culture at one African American church / Will Boone -- Gospel funk : Pentecostalism, music, and popular culture in Rio de Janeiro / Martijn Oosterbaan -- Conclu
    Content: "A collection of essays exploring musical sounds and worship practices within Pentecostal Charismatic Christianity. Combines ethnographic case studies with theoretical reflection informed by social science, musicological, religious studies, and theological approaches, resulting in a multidisciplinary analysis of a global phenomenon"--Provided by publisher
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Pfingstbewegung ; Gebet ; Gospelsong ; Musiksoziologie ; Aufsatzsammlung
    Author information: Yong, Amos 1965-
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  • 6
    UID:
    almafu_9959695705502883
    Format: 1 online resource (xiv, 332 pages) : , digital, PDF file(s).
    Edition: First edition.
    ISBN: 9781108625432 , 1108625436 , 9781108665728 , 1108665721 , 9781316676639 , 1316676633
    Series Statement: Cambridge Companions to Music Series
    Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019). , Cover -- Half-title -- Series information -- Title page -- Copyright information -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- 1 Digital Technology and Cultural Practice -- From the Social to the Posthuman -- Digital Participation and Audio-Visual Style -- New Technology, New Business -- For Further Study -- Notes -- Personal Take: Whatever Happened to Tape-Trading? -- 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes -- From Servility to Precarity: Music's Heterologous Cycles of Boom and Bust -- Tragedy of the Commons: From Torrent to Stream -- Dialectics of Rights Management: An Allomorphism of the Law -- For Further Study -- Notes -- Personal Take: On Serving as an Expert Witness in the 'Blurred Lines' Case -- Notes -- 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation -- Introduction -- Techniques of Music Recommendation -- Curation -- Collaborative Filtering -- Content Analysis -- Ensemble Methods -- Algorithms beyond Music -- Troubles in Streaming Recommendation and Consumption -- Metadata Inaccuracy and Challenges for Niche Tastes -- Privacy and Payola -- For Further Study -- Notes -- Personal Take: Being a Curator -- Personal Take: Can Machines Have Taste? -- Notes -- 4 Technologies of the Musical Selfie -- Prelude: The Lincoln Music Selfie Experiment -- Musical Selfiehood -- 1. Curation of the Selfie -- 2 Selfie Enclosure -- 3 Broadcast your Selfie -- Postlude: Selfie Surveillance -- For Further Study -- Notes -- Personal Take: Vaporwave is Dead, Long Live Vaporwave! -- Notes -- 5 Witnessing Race in the New Digital Cinema -- Musicians as Multisensory Witnesses -- Digital Video and Its Transformations -- Case 1. Beyoncé's Lemonade: Video as Amplification. , Case 2. Philando Castile's Death: Audio as Amplification -- Conclusion: Oh Say, Can You See? -- Case 3. Football Players Protest 'The Star-Spangled Banner' -- For Further Study -- Notes -- Personal Take: Giving History a Voice -- 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice -- Ritual in Digital Religion: Definitions and Key Issues -- Music and Ritual Online: Shaping and Authenticating Sacred Soundscapes in Virtual Worlds -- Reinventing Tradition: Online Musical Tools for Offline Devotional Practices -- Online Devotional Resources: Muslim and Christian YouTube Videos as Audio-Visual Icons -- Conclusion: The Musical Shaping of Ritual and the Sacred Everyday -- For Further Study -- Notes -- Personal Take: Technicians of Ecstasy -- Personal Take: Live Coded Mashup with the Humming Wires -- Personal Take: Algorave: Dancing to Algorithms -- 7 Rethinking Liveness in the Digital Age -- What is Liveness? -- Defining Liveness in Digital Culture -- Virtual Liveness and Posthuman Subjectivity -- Intermedial Performance and the Aesthetics of Liveness in Digital Culture -- For Further Study -- Notes -- Personal Take: Augmenting Musical Performance -- Personal Take: Digital Demons, Real and Imagined -- Personal Take: Composing with Sounds as Images -- Personal Take: Compositional Approaches to Film, TV and Video Games -- Notes -- 8 Virtual Worlds from Recording to Video Games -- Once upon a Dream of J. S. Bach -- Schizophonia, Mobile Music, Video Games -- Schizophonia -- Mobile Music -- Video Games -- ALI -- Individual, Embodied Musical Worlds: Definitions and Approaches -- Immersion and Affect -- Daily Practices and Augmented Reality -- For Further Study -- Notes -- 9 Digital Voices: Posthumanism and the Generation of Empathy -- Assistance -- Mimesis: Creating with Algorithms -- Semiosis: Sounds like Human. , Case Study: Death and the Powers (2011) -- For Further Study -- Notes -- Personal Take: In the Wake of the Virtual -- Notes -- 10 Digital Inequalities and Global Sounds -- 'Other' View No. 1: Decentring, Recentring and Recirculating Musical Digitality -- Musical Algocracies: Not So New After All? -- 'Other' View No. 2: China -Autocracy as Algocracy? -- From 'Grass Mud Horse' to Sonic Surveillance -- 'Other' View No. 3: Postdigitality and Imagination Gaps -- Conclusion: An 'Other' Take on Black Panther -- For Further Study -- Notes -- 11 The Political Economy of Streaming -- Introduction -- From Disintermediation to Hyper-Intermediation -- The Contested Stylistics of Financialised Streaming -- Internet -Dragnet: Music's Surveillance Economy -- Afterword: Automatic Music and the Peasant's Dilemma -- For Further Study -- Notes -- Bibliography -- 1 Digital Technology and Cultural Practice -- Nicholas Cook -- 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes -- Martin Scherzinger -- 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation -- K. E. Goldschmitt and Nick Seaver -- Personal Take: Can Machines Have Taste? -- Stéphan-Eloïse Gras -- 4 Technologies of the Musical Selfie -- Sumanth Gopinath and Jason Stanyek -- Personal Take: Vaporwave is Dead, Long Live Vaporwave! -- Adam Harper -- 5 Witnessing Race in the New Digital Cinema -- Peter McMurray -- 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice -- Monique M. Ingalls -- Personal Take: Technicians of Ecstasy -- Graham St John -- Personal Take: Live Coded Mashup with the Humming Wires -- Alan F. Blackwell and Sam Aaron -- Personal Take: Algorave: Dancing to Algorithms -- Alex McLean -- 7 Rethinking Liveness in the Digital Age -- Paul Sanden -- Personal Take: Augmenting Musical Performance. , Andrew McPherson -- Personal Take: Digital Demons, Real and Imagined -- Steve Savage -- Personal Take: Compositional Approaches to Film, TV and Video Games -- Stephen Baysted -- 8 Virtual Worlds from Recording to Video Games -- Isabella van Elferen -- 9 Digital Voices: Posthumanism and the Generation of Empathy -- David Trippett -- Personal Take: In the Wake of the Virtual -- Frances Dyson -- 10 Digital Inequalities and Global Sounds -- Shzr Ee Tan -- 11 The Political Economy of Streaming -- Martin Scherzinger -- Index.
    Additional Edition: ISBN 9781316614075
    Additional Edition: ISBN 1316614077
    Additional Edition: ISBN 9781107161788
    Additional Edition: ISBN 1107161789
    Language: English
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  • 7
    UID:
    gbv_1015016936
    Format: xiii, 253 Seiten , Illustrationen
    ISBN: 9780190499631 , 9780190499648
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780190499679
    Additional Edition: Erscheint auch als Online-Ausgabe Ingalls, Monique, 1981 - Singing the congregation New York, NY : Oxford University Press, 2018 ISBN 9780190499679
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9948206606502882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9780190499679 (ebook) :
    Content: 'Singing the Congregation' examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations ('modes of congregating').
    Note: Previously issued in print: 2018.
    Additional Edition: Print version : ISBN 9780190499631
    Language: English
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  • 9
    Online Resource
    Online Resource
    University Park, Pennsylvania :Pennsylvania State University Press,
    UID:
    almahu_9949087405902882
    Format: 1 online resource (vi, 300 pages) : , illustrations
    ISBN: 9780271070643 (e-book)
    Additional Edition: Print version: Spirit of praise : music and worship in global Pentecostal-Charismatic Christianity. University Park, Pennsylvania : Pennsylvania State University Press, c2015 ISBN 9780271066622
    Language: English
    Keywords: Electronic books.
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  • 10
    UID:
    gbv_1779270976
    Format: 1 online resource (281 pages)
    ISBN: 9781315571850 , 9781317166764 , 9781317166771
    Content: pt. 1. Performing theology -- pt. 2. Interplay of identities -- pt. 3. Experience and embodiment.
    Additional Edition: ISBN 9781409466024
    Additional Edition: ISBN 9781138270183
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781409466024
    Language: English
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