Format:
Online-Ressource (xix, 347 p)
,
ill
,
25 cm
Edition:
Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
ISBN:
9789047419952
Series Statement:
China studies 12
Content:
Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition
Note:
Includes bibliographical references (p. [313]-334) and index
,
Acknowledgments; List of Illustrations; Introduction: Theater, Illustration, and Time; Chapter One: Toward the Contextualization of Woodblock Illustration: A Critique of Art Historical Method; Chapter Two: The Stage or the Page: Competing Conceptions of the Play in the Wanli Period; Chapter Three: Performance Illustration; Chapter Four: Performance as an Interaction with the Past; Chapter Five: Image as an Interaction with the Past; Chapter Six: Reading as an Interaction with the Past; Conclusion: The Role of the Publisher; Appendix; Glossary; Bibliography; Index
,
Electronic reproduction; Available via World Wide Web
Additional Edition:
ISBN 9004156437
Additional Edition:
ISBN 9789004156432
Additional Edition:
Print version The Eternal Present of the Past : Illustration, Theatre, and Reading in the Wanli Period, 1573-1619
Additional Edition:
Erscheint auch als Druck-Ausgabe Hsiao, Li-ling, 1964 - The eternal present of the past Leiden [u.a.] : Brill, 2007 ISBN 9004156437
Additional Edition:
ISBN 9789004156432
Language:
English
Subjects:
Comparative Studies. Non-European Languages/Literatures
Keywords:
China
;
Holzschnitt
;
Theater
;
Drama
;
Intermedialität
;
Geschichte 1573-1619
DOI:
10.1163/ej.9789004156432.i-349
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