feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    almahu_9949934801402882
    Format: 1 electronic resource (488 p.)
    Series Statement: Studi e saggi
    Content: The Modern Age perspective was born as a bridge between art and science. It made art necessary and science visible; its breeding ground was architecture, which has always involved the lovers of one and the other in synergy. The field of thought in which perspective was conceived focused on the highest topics: the universe and the earth. Starting from astronomers-geographers and topographers, perspective was built over time as a discipline and a scientific-artistic method, systematically deriving a theorem from another, in a crescendo of complexity, which has sometimes taken on acrobatic forms, not open to evidence. The perspective techniques developed over time have accompanied the figures of architecture and of the graphic arts in their changes. Nowadays, the current information technologies make it possible to study the models of this artistic field with the confidence of being able to bring to light a new story about it. This volume collects the essays of 44 researchers who, within an Italian National Project launched in 2011 and coordinated by Riccardo Migliari (from Rome), joined the call of the group in Florence, which Maria Teresa Bartoli directed, in order to illustrate their method of cultural and technical approach to the theme through a case study: be it represented by a painting or by the passages of a treatise.
    Note: Italian
    Additional Edition: ISBN 88-927-3297-8
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Florence :Firenze University Press,
    UID:
    almafu_9961673455202883
    Format: 1 online resource (320 pages).
    Series Statement: Studi e saggi
    Content: The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.
    Additional Edition: ISBN 88-927-3105-X
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    almafu_9961797358502883
    Format: 1 online resource (488 pages) : , illustrations (colour); digital, PDF file(s).
    Edition: 1st ed.
    Series Statement: Studi e saggi ; 148
    Content: La prospettiva dell'età moderna nacque come un ponte gettato tra l'arte e la scienza. Essa dava necessità all'arte e rendeva visibile la scienza; il terreno di coltura fu quello dell'architettura, che da sempre impegnava in sinergia i cultori dell'una e dell'altra. L'ambito di pensiero in cui fu concepita si occupava degli argomenti più alti, l'universo e la terra: a partire dagli astronomi-geografi e dai topografi, si è costruita nel tempo come disciplina e metodo scientifico-artistico, derivando sistematicamente teoremi da teoremi, in un crescendo di complessità, che ha assunto forme talvolta acrobatiche, non aperte all'evidenza. Le tecniche prospettiche sviluppate nel tempo hanno accompagnato le figure dell'architettura e del figurativo nei loro mutamenti. Le attuali tecnologie informatiche ci permettono oggi di studiare i modelli di questo ambito artistico con la fiducia di poter portare alla luce una storia nuova su di esso. Questo volume raccoglie i saggi di 44 ricercatori che, all'interno di un Progetto Nazionale bandito nel 2011, coordinato da Riccardo Migliari di Roma, hanno aderito alla chiamata del gruppo fiorentino, di cui è responsabile Maria Teresa Bartoli, per illustrare il loro metodo di approccio culturale e tecnico al tema attraverso un caso-studio: fosse esso rappresentato da un dipinto o dai passi di un trattato.
    Additional Edition: ISBN 9788866558842
    Additional Edition: ISBN 8866558842
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    almafu_9961797565302883
    Format: 1 online resource (320 pages) : , illustrations; digital, PDF file(s).
    Edition: 1st ed.
    Series Statement: Studi e saggi ; 190
    Content: The perspective in the figurative was born with a different form from that with which it is presented in current teaching and developed accompanying the transformations of scientific thought. The studio disassembles and reassembles the perspective images of a series of works from the inside, following the transformations of the theme with clear graphic elaborations. The succession of essays explains the evolution of the role of the abacus and of the measure in the works of the first artist-scientists, according to the scientific thought of contemporary culture. From Humanism to the Baroque, the perspective is transformed in the end, from research on the truth of vision, in search of its deception, through mechanical devices and complex theorems of geometric optics. The original instance is dissolved in technical virtuosity. The final repertoire offers a selection of examples which, through the centuries, it gives a glimpse of the large dimension of the theme.
    Note: Also available in print form. , Texts in Italian and English.
    Additional Edition: ISBN 9788864537306
    Additional Edition: ISBN 8864537309
    Additional Edition: ISBN 9788864537313
    Additional Edition: ISBN 8864537317
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    gbv_1030792895
    Format: XI, 302 Seiten , Illustrationen, Pläne , 31 cm
    ISBN: 9788864537306
    Series Statement: Studi e saggi 190
    Note: Includes bibliographical references , Texts in Italian and English
    Additional Edition: ISBN 9788864537313
    Language: Italian
    Keywords: Italien ; Architektur ; Malerei ; Perspektive ; Geschichte 1420-1600 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Online Resource
    Online Resource
    Florence :Firenze University Press,
    UID:
    almahu_9949951423402882
    Format: 1 online resource (320 pages)
    Edition: 1st ed.
    ISBN: 9788864537313
    Series Statement: Studi e Saggi Series ; v.190
    Content: The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.
    Additional Edition: Print version: Bartoli, Maria Teresa Diminuzioni e Accrescimenti Florence : Firenze University Press,c2018 ISBN 9788864537306
    Language: Italian
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    UID:
    almahu_9949951312102882
    Format: 1 online resource (488 pages)
    Edition: 1st ed.
    ISBN: 9788866558842
    Series Statement: Studi e Saggi Series ; v.148
    Content: The Modern Age perspective was born as a bridge between art and science. It made art necessary and science visible; its breeding ground was architecture, which has always involved the lovers of one and the other in synergy. The field of thought in which perspective was conceived focused on the highest topics: the universe and the earth. Starting from astronomers-geographers and topographers, perspective was built over time as a discipline and a scientific-artistic method, systematically deriving a theorem from another, in a crescendo of complexity, which has sometimes taken on acrobatic forms, not open to evidence. The perspective techniques developed over time have accompanied the figures of architecture and of the graphic arts in their changes. Nowadays, the current information technologies make it possible to study the models of this artistic field with the confidence of being able to bring to light a new story about it. This volume collects the essays of 44 researchers who, within an Italian National Project launched in 2011 and coordinated by Riccardo Migliari (from Rome), joined the call of the group in Florence, which Maria Teresa Bartoli directed, in order to illustrate their method of cultural and technical approach to the theme through a case study: be it represented by a painting or by the passages of a treatise.
    Additional Edition: Print version: Bartoli, Maria Teresa Le Teorie, le Tecniche, I Repertori Figurativi Nella Prospettiva d'architettura Tra il '400 e Il '700 Florence : Firenze University Press,c2015
    Language: Italian
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    UID:
    gbv_1903977282
    Format: 1 Online-Ressource (466 p) , ill. col
    ISBN: 9788866558842
    Series Statement: Studi e saggi 148
    Note: Online only available
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    UID:
    kobvindex_HPB1374488879
    Format: 1 electronic resource (xi, 302 pages ).
    Edition: Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2023.
    ISBN: 8864537317 , 9788864537313
    Series Statement: Studi e saggi ; 190
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , Texts in Italian and English.
    Additional Edition: Print version: Diminuzioni e accrescimenti Firenze : Firenze University Press, 2018. ISBN 9788864537306 :
    Language: Italian
    Keywords: History
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Online Resource
    Online Resource
    Firenze : Firenze University Press
    UID:
    gbv_1903972884
    Format: 1 Online-Ressource (xi, 302 p) , ill
    ISBN: 9788864537313
    Series Statement: Studi e saggi 190
    Content: La prospettiva nel figurativo nacque con forma diversa da quella con cui è presentata nella didattica attuale e si sviluppò accompagnando le trasformazioni del pensiero scientifico. Lo studio smonta e rimonta dall'interno le immagini prospettiche di una serie di opere, seguendo con chiare elaborazioni grafiche le trasformazioni del tema. La successione dei saggi spiega l'evolversi del ruolo dell'abaco e della misura nelle opere dei primi artisti-scienziati, secondo il pensiero scientifico della cultura coeva. Dall'Umanesimo al Barocco, la prospettiva si trasforma alla fine, da ricerca sulla verità della visione, in ricerca del suo inganno, attraverso espedienti meccanici e complessi teoremi di ottica geometrica. L'istanza originaria è dissolta nei virtuosismi tecnici
    Content: Il repertorio finale offre una selezione di esempi che, attraverso i secoli, fa intravedere la larga dimensione del tema. Maria Teresa Bartoli, ordinario di Disegno e Rilievo dell'Architettura presso l'Università di Firenze, è autrice di numerose pubblicazioni sull'architettura storica fiorentina e sulla prospettiva, ed è stata responsabile dell'Unità di Firenze del PRIN 2010/11 dedicato alle Prospettive di Architettura. Monica Lusoli, architetto, dottore di ricerca in Storia dell'Architettura, collabora nella ricerca e nella didattica con la professoressa Fauzia Farneti, docente di Storia dell'Arte e dell'Architettura. [Testo dell'editore]
    Note: Texts in Italian and English , Includes bibliographical references , Collected essays
    Additional Edition: ISBN 9788864537306
    Additional Edition: Erscheint auch als Diminuzioni e accrescimenti ISBN 9788864537306
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages