Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (x, 270 pages) : , illustrations

ISBN: 9780429492020 , 0429492022 , 9780429959653 , 0429959656 , 9780429959660 , 0429959664 , 9780429959646 , 0429959648 , 1138588873 , 9781138588875

Series Statement: Congregational music studies series

Content: "Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduce readers to a variety of research methodologies within the emerging field of Congregational Music Studies. Utilising insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, they examine and model methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several "key issues" to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally"--

Note: In case you don't have a case: reflections on methods for studying congregational song in liturgical history / , Worshipping "with everything": musical analysis and congregational worship / , Mediating religious experience?: congregational music and the digital music interface / , Ethnography in the study of congregational music / , Re-sounding the history of Christian congregational music / , Music theology as the mouthpiece of science: proving it through congregational music studies / , Political economy and capital in congregational music studies: commodities, worshipers, and worship / , Congregation and chorality: fluidity and distinction in the voicing of religious community / , "We just don't have it": addressing whiteness in congregational voicing / , Researching Black congregational music from a migratory point of view: methods, challenges, and strategies / , Studying Byzantine Ukrainian congregational music in Canada: considering community and diaspora / , Congregational singing and practices of gender in Christian worship: exploring intersections / , Searching for a metaphor: what is the role of the Shaliach/Shalichat Tzibur (leader of prayer)? / , Ecclesioscapes: interpreting gatherings around Christian music in and outside the church through the Dutch case of the "Sing along Matthäuspassion" /

Additional Edition: Print version: Studying congregational music. New York : Routledge, 2021 ISBN 9781138588875

Language: English

Subjects: Musicology

Keywords: Electronic books. ; Aufsatzsammlung

DOI: 10.4324/9780429492020

URL: https://www.taylorfrancis.com/books/9780429492020

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (322 p)

Edition: [Online-Ausgabe]

ISBN: 9780520974784

Content: Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Playlists -- Introduction: Popular Music, Markets, Margins, and the Curious Case of Christian Music -- PART ONE. CHRISTIAN MUSIC: AN INDUSTRY AND ITS HISTORY -- 1 “Why Should the Devil Have All the Good Music?” -- 2 The Great Adventure -- 3 A Wolf in Sheep’s Clothing? -- 4 “Find a Way” -- PART TWO. NICHE MUSIC MARKETS: ETHICS, PROFITS, AND RISK -- 5 Music to Raise the Dead -- 6 Lost in the Sound of Separation -- 7 From Margins to Mainstreams and Back -- Conclusion: The Stability of Risk and the Risk of Stability -- Appendix 1. Discographies -- Appendix 2. Pop Singles with Christian References (1957–70) -- Appendix 3. Major Christian Record Labels and Subsidiaries -- Appendix 4. Successful 1990s-Era Pop Singers’ Albums -- Notes -- Bibliography -- Index

Content: Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream

Note: Mode of access: Internet via World Wide Web. , In English

Language: English

DOI: 10.1525/9780520974784

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

UID:

Format: xxiii, 295 Seiten : , Illustrationen.

ISBN: 978-0-520-34342-9 , 978-0-520-34341-2

Content: "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"--

Note: Includes bibliographical references and index , Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97478-4

Language: English

Keywords: Neues geistliches Lied ; Musikwirtschaft ; Marktnische ; Hochschulschrift ; Criticism, interpretation, etc ; History

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494726&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: 1 online resource (312 p.) : , 5 illustrations

ISBN: 9780271070681

Content: In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.

Note: Frontmatter -- , Contents -- , Preface -- , Introduction: Interconnection, Interface, and Identification in Pentecostal- Charismatic Music and Worship -- , Contributors -- , Part I: Healing, Renewal, and Revitalization -- , 1 Musical Bodies in the Charismatic Renewal: 1 The Case of Catch the Fire and Soaking Prayer -- , 2 Salvation (Not Yet?) Materialized: Healing as Possibility and Possible Complication for Expressing Suffering in Pentecostal Music and Worship -- , 3 Dreaming Urban Indigenous Australian Christian Worship 3 in the Great Southland of the Holy Spirit -- , 4 Every Creative Aspect Breaking Out! Pentecostal- Charismatic 4 Worship, Oro Gospel Music, and a Millennialist Aesthetic in Papua New Guinea -- , 5 Worship Music as Aesthetic Domain of Meaning and Bonding: The Glocal Context of a Dutch Pentecostal Church -- , Part II Negotiating Traditions in Transition -- , 6 “This Is Not the Warm- Up Act!” How Praise and Worship Reflects Expanding Musical Traditions and Theology in a Bapticostal Charismatic African American Megachurch -- , 7 Singing the Lord’s Song in the Spirit and with Understanding: The Practice of Nairobi Pentecostal Church -- , 8 “Soaking Songs” Versus “Medicine Man Chant”: Musical Resonance Among Diné Oodlání (Navajo Believers) -- , 9 “We Can Be Renewed”: Resistance and Worship at the Anchor Fellowship -- , 10 Hillsong Abroad: Tracing the Songlines of Contemporary Pentecostal Music -- , Part III Media, Culture, and the Marketplace -- , 11 Charismatic Music and the Pentecostalization of Latin American Evangelicalism -- , 12 Blessed to Be a Blessing: The Prosperity Gospel of Worship Music Superstar Israel Houghton -- , 13 Music, Culture Industry, and the Shaping of Charismatic Worship: An Autobiographical/Conversational Engagement -- , 14 We Can’t Go Back: Liturgies of Worship and Consumer Culture at One African American Church -- , 15 Gospel Funk: Pentecostalism, Music, and Popular Culture in Rio de Janeiro -- , Conclusion Improvisation, Indigenization, and Inspiration: Theological Reflections on the Sound and Spirit of Global Renewal -- , List of Contributors -- , Index , In English.

Language: English

DOI: 10.1515/9780271070681

URL: https://www.degruyter.com/isbn/9780271070681

UID:

Format: 1 online resource (322 p.)

ISBN: 0-520-97478-6

Content: Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.

Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Playlists -- , Introduction: Popular Music, Markets, Margins, and the Curious Case of Christian Music -- , PART ONE. CHRISTIAN MUSIC: AN INDUSTRY AND ITS HISTORY -- , 1 “Why Should the Devil Have All the Good Music?” -- , 2 The Great Adventure -- , 3 A Wolf in Sheep’s Clothing? -- , 4 “Find a Way” -- , PART TWO. NICHE MUSIC MARKETS: ETHICS, PROFITS, AND RISK -- , 5 Music to Raise the Dead -- , 6 Lost in the Sound of Separation -- , 7 From Margins to Mainstreams and Back -- , Conclusion: The Stability of Risk and the Risk of Stability -- , Appendix 1. Discographies -- , Appendix 2. Pop Singles with Christian References (1957–70) -- , Appendix 3. Major Christian Record Labels and Subsidiaries -- , Appendix 4. Successful 1990s-Era Pop Singers’ Albums -- , Notes -- , Bibliography -- , Index , In English.

Additional Edition: ISBN 0-520-34341-7

Language: English

DOI: 10.1525/9780520974784