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  • 1
    UID:
    gbv_1869178882
    Format: 1 Online-Ressource (472 p.)
    ISBN: 9781920489823
    Content: For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an ìidentityî which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social --in this case pseudo-racial --identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and 'racial'categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture
    Note: English
    Additional Edition: Erscheint auch als Druck-Ausgabe Martin, Denis-Constant Sounding the Cape Music, Identity and Politics in South Africa : Music, Identity and Politics in South Africa Oxford : African Minds, ©2013 ISBN 9781920489823
    Language: Undetermined
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  • 2
    UID:
    b3kat_BV049096656
    Format: 1 Online-Ressource
    ISBN: 9782913169654
    Series Statement: Musique et société
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-2-913169-61-6
    Language: French
    Keywords: USA ; Karibik ; Südafrika ; Unterhaltungsmusik ; Musiksoziologie
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    UID:
    gbv_082921466
    Format: 185 S. , Kt.
    ISBN: 2865376540
    Series Statement: Espace caribéen et hai͏̈tien
    Language: French
    Keywords: Barbados ; Trinidad und Tobago ; Jamaika ; Demokratie ; Politik ; Geschichte 1917-1994
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  • 4
    UID:
    almafu_BV042915689
    Format: 155 S. : , Ill.
    Series Statement: Epistrophy
    Language: French
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  • 5
    Online Resource
    Online Resource
    Guichen : Éditions Mélanie Seteun
    UID:
    gbv_1832295834
    Format: 1 Online-Ressource (550 p.)
    ISBN: 9782913169654 , 9782913169616
    Series Statement: Musique et société
    Content: Depuis la fin du xixe siècle, la sociologie de la musique (dont Max Weber fut un pionnier) a voulu montrer que « la musique, c'est toujours plus que de la musique » ; que, « fait social total » (notion empruntée à Marcel Mauss), elle fait entendre un écho de la société dans laquelle elle est produite tout en influant sur sa vie collective. L'ethnomusicologie s'est ensuite attachée à rendre compte de la place et du rôle de la musique dans des sociétés où elle est transmise oralement, pour s'ouvrir plus récemment à toutes sortes de genres. Parallèlement, s'est développée une sociologie des musiques populaires qui a étudié, entre autres, les mécanismes de sa production et de sa diffusion, les paroles des chansons et ses significations sociales. Ce livre, qui se rattache à cette dernière discipline sans négliger les enseignements des précédentes, présente une conception de ce que la sociologie des musiques populaires peut apporter à la compréhension des phénomènes sociaux et politiques. Il propose en outre des études de cas, échelonnées dans le temps, réparties dans l'espace, qui abordent les questions de la créolisation des musiques dans des sociétés modelées par le colonialisme et envisage notamment les héritages de l'esclavage inscrits dans les genres populaires aux xxe et xxie siècles, tout en illustrant certaines perspectives et méthodes. Ces études portent sur différents répertoires de musique sud-africaine, de musique antillaise, de musique afro-étatsunienne pour finir par une réflexion sur le phénomène de la world music
    Note: French
    Language: Undetermined
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : African Minds
    UID:
    gbv_1778585256
    Format: 1 Online-Ressource (368 p.)
    Content: Cape Town’s public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the ‘research tools’ one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive ‘mother city’. Various of its constituent parts sound different from each other … [T]here is the sound of the singing men and their choirs (“teams” they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. […] There are texts of the hallowed ‘Dutch songs’ but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago – back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city
    Note: English
    Language: English
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  • 7
    UID:
    kobvindex_DGP1660532477
    Format: (juillet-septembre 1993) 167, S. 3-13 , Lit.Hinw.
    ISSN: 0002-0478
    In: Afrique contemporaine, Bruxelles : De Boeck & Larcier, 1962, (1993), (juillet-septembre 1993) 167, Seite 3-13, 0002-0478
    Language: French
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  • 8
    UID:
    kobvindex_DGP1660193885
    Format: 39 (decembre 1989) 6, S. 793-814 , Anm.
    ISSN: 0035-2950
    In: Revue française de science politique, Paris : Presses de Sciences PO, 1951, 39(1989), 6, Seite 793-814, 0035-2950
    Language: French
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  • 9
    UID:
    kobvindex_DGP1660210933
    Format: 42 (octobre 1992) 5, S. 747-764 , Lit.Hinw.
    ISSN: 0035-2950
    In: Revue française de science politique, Paris : Presses de Sciences PO, 1951, 42(1992), 5, Seite 747-764, 0035-2950
    Language: French
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  • 10
    UID:
    kobvindex_DGP1660207339
    Format: 42 (aout 1992) 4, S. 582-593 , Lit.Hinw.
    ISSN: 0035-2950
    In: Revue française de science politique, Paris : Presses de Sciences PO, 1951, 42(1992), 4, Seite 582-593, 0035-2950
    Language: French
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