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  • 1
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Durham ; London :Duke University Press,
    UID:
    almafu_BV048491422
    Format: 1 Online-Ressource (viii, 166 Seiten) : , Illustrationen.
    ISBN: 978-1-4780-2321-0
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-1861-2
    Language: English
    Keywords: Social Media ; Einfluss ; Mode
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1822466229
    Format: 1 Online-Ressource (174 p.)
    ISBN: 9781478023210
    Content: In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies
    Note: Frontmatter , Contents , Acknowledgments , Introduction “Share This with Your Friends”: Crowdsourcing IP Regulation , 1 Regulating Fashion IP, Regulating Difference , 2 The Asian Fashion Copycat , 3 How Thai Social Media Users Made Balenciaga Pay for Copying the Sampeng Bag , 4 “ Ppl Knocking Each Other Off Lol” diet prada’s politics of refusal , Epilogue: Why We Can’t Have Nice Things , Notes , Bibliography , Index , In English
    Additional Edition: ISBN 9781478015987
    Additional Edition: ISBN 9781478018612
    Additional Edition: Erscheint auch als print ISBN 9781478018612
    Language: English
    URL: Cover
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  • 4
    UID:
    edocfu_9960838720702883
    Format: 1 online resource (177 pages)
    ISBN: 1-4780-2321-X
    Content: "In Why We Can't Have Nice Things, Minh-Ha T. Pham provides a critical discussion of social media's unacknowledged importance to the development of global fashion. In particular, Pham examines the informal and extralegal work social media users do to monitor and regulate the fashion market against an array of "fake" fashion. Practices of "crowdsourced IP regulation" are undertaken in the name of ethical fashion but as Why We Can't Have Nice Things demonstrates, too often, this work relies on and reinforces racist and neocolonial norms, stereotypes, and capitalist logics about what counts as creativity and what counts as copying. The book explains how and why social media is now pivotal to the production and unequal distribution of fashion ethics, property, and value."--
    Note: Regulating fashion IP, regulating difference -- The Asian fashion copycat -- How Thai social media users made Balenciaga pay for copying the Sampeng bag -- "Ppl knocking each other off Lol" or, Diet Prada's politics of refusal.
    Additional Edition: ISBN 1-4780-1861-5
    Language: English
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  • 5
    UID:
    edocfu_9959677751802883
    Format: 1 online resource (273 p.)
    ISBN: 0-8223-7488-9
    Content: Minh-ha T. Pham examines the phenomenal rise and influence of elite Asian personal style superbloggers such as Susie Bubble and Bryanboy. Situating blogging within the historical context of gendered racial fashion work and global consumer capitalism, Pham analyzes how race, class, gender, and sexuality affect bloggers' work, opportunities, and rewards.
    Note: Description based upon print version of record. , The taste and aftertaste for Asian superbloggers -- Style stories, written tastes, and the work of self-composure -- "So many and all the same" (but not quite) : outfit photos and the codes of Asian eliteness -- The racial and gendered job performances of fashion blogger poses -- Invisible labor and racial visibilities in outfit posts. , Issued also in print. , English
    Additional Edition: ISBN 0-8223-6030-6
    Additional Edition: ISBN 0-8223-6015-2
    Language: English
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  • 6
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959690244702883
    Format: 1 online resource (272 p.) : , 38 illustrations
    ISBN: 9780822374886
    Content: In the first ever book devoted to a critical investigation of the personal style blogosphere, Minh-Ha T. Pham examines the phenomenal rise of elite Asian bloggers who have made a career of posting photographs of themselves wearing clothes on the Internet. Pham understands their online activities as “taste work” practices that generate myriad forms of capital for superbloggers and the brands they feature. A multifaceted and detailed analysis, Asians Wear Clothes on the Internet addresses questions concerning the status and meaning of “Asian taste” in the early twenty-first century, the kinds of cultural and economic work Asian tastes do, and the fashion public and industry’s appetite for certain kinds of racialized eliteness. Situating blogging within the historical context of gendered and racialized fashion work while being attentive to the broader cultural, technological, and economic shifts in global consumer capitalism, Asians Wear Clothes on the Internet has profound implications for understanding the changing and enduring dynamics of race, gender, and class in shaping some of the most popular work practices and spaces of the digital fashion media economy.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction. Asian Personal Style Superbloggers and the Material Conditions and Contexts of Asian Fashion Work -- , Chapter 1. The Taste and Aftertaste for Asian Superbloggers -- , Chapter 2. Style Stories, Written Tastes, and the Work of Self-Composure -- , Chapter 3. “So Many and All the Same” (but Not Quite): Outfit Photos and the Codes of Asian Eliteness -- , Chapter 4. The Racial and Gendered Job Performances of Fashion Blogger Poses -- , Chapter 5. Invisible Labor and Racial Visibilities in Outfit Posts -- , Coda. All in the Eyes -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
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