Kooperativer Bibliotheksverbund

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Format: 223 Seiten ; , 25 cm.

ISBN: 978-83-235-1761-0

Note: Hier auch später erschienene, unveränderte Nachdrucke. - Zusatztitel auf der Umschlagseite: Od blokowisk do kultury popularnej. , Text polnisch

Language: Polish

Subjects: Slavic Studies , Musicology

Keywords: Hip-Hop ; Subkultur ; Massenkultur ; Hochschulschrift

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Format: 1 Online-Ressource (VI, 191 Seiten).

ISBN: 978-90-04-41169-2

Series Statement: Studies in Critical Social Sciences volume 146

Additional Edition: Erscheint auch als Druck-Ausgabe Miszczyński, Miłosz The Dialectical Meaning of Offshored Work : Neoliberal Desires and Labour Arbitrage in Post-Socialist Romania Boston : BRILL,c2019 ISBN 978-90-04-41168-5

Language: English

DOI: 10.1163/9789004411692

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Format: 1 Online-Ressource

ISBN: 9789004411692

Series Statement: Studies in Critical Social Sciences volume146

Content: Front Matter -- Copyright Page -- Acknowledgement -- The Post-socialist Workforce in the Global Offshoring Networks -- Romania’s Systemic Transformation: Chaos, Austerity and Imposed Neoliberal Reform -- The Arrival: Global Assemblage of Neoliberal Production -- A Journey onto the Shop Floor: Cultural Specificity of the Offshored Plant and Workforce Adaptation -- Shop Floor Culture and Routine Production Process -- Familial Involvement in Offshored Labour -- Employee Reactions to the Plant Closure -- Coping with Loss: Local Agency and Offshored Labour -- Labour Arbitrage, Modernity and the Realities of Offshored Labour -- Back Matter -- Bibliography -- Index.

Content: The Dialectical Meaning of Offshored Work analyzes how offshoring investments function as a platform for intercultural encounters among corporate actors and local populations of hosting communities. The book synthesizes ethnographic research, media reviews, and policy analysis to examine how localized forms of offshoring production occur in social, political and economic processes to highlight dilemmas connected to mobility of capital, modernization, social equality and capitalist expansion. The book delineates the complex interplay between Western neoliberalism and a transforming post-socialist Europe, to show the complex ways in which offshoring production infiltrates local communities. Analyzing issues of labor, work and employment, this book engages with current scholarship on critical management, sociology, anthropology, and East European studies

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789004411685

Additional Edition: Erscheint auch als Druck-Ausgabe Miszczyński, Miłosz The dialectical meaning of offshored work Leiden : Brill, 2019 ISBN 9789004411685

Language: English

DOI: 10.1163/9789004411692

URL: DOI

URL: lizenzpflichtig

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Format: 1 Online-Ressource (VIII, 217 Seiten)

ISBN: 9789004504240 , 9789004504233

Series Statement: Studies in critical social sciences series volume 214

Content: "The Art of the Creative Commons is a book about peer-to-peer production, providing a unique model of commons from the creative industries. The book expands the knowledge about the role in which an alternative framework of copyright protection (Creative Commons) regulates and establishes norms and conventions within the commons. The book gives insight into a vibrant community that fosters creative projects and a variety of works, from elementary school plays, to exhibitions in the Smithsonian or multimillion-dollar Hollywood films. Taking up the perspective of the creative workforce involved in production and collaboration, permits understanding the rules of production that follows an alternative model of production. Analyzing issues of media production, this book engages with current scholarship on critical management, political economy and cultural studies"--

Additional Edition: Erscheint auch als Druck-Ausgabe Miszczyński, Miłosz The art of the creative commons Leiden : Brill, 2022 ISBN 9789004504233

Language: English

Keywords: Kulturwirtschaft ; Digitalisierung ; Creative Commons ; Offenheit ; Partizipation

DOI: 10.1163/9789004504240

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

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Format: ix, 311 Seiten.

ISBN: 978-0-253-02273-8 , 978-0-253-02304-9

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-02321-6

Language: English

Subjects: Musicology

Keywords: Hip-Hop ; Popkultur ; Soziale Funktion ; Politischer Wandel ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Register // Gemischte Register

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Format: 223 s. ; , 24 cm.

ISBN: 9788323517610

Language: Polish

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Format: 1 Online-Ressource (223 Seiten)

Edition: Wydanie 1

ISBN: 9788323517696

Content: The book shows the importance of hip-hop culture for popular culture in Poland and describes the rules and contexts of hip-hop, as well as the methods of their scientific research. Authors representing various scientific disciplines (sociology, cultural anthropology, linguistics, literary studies) try to interpret selected fragments of hip-hop culture, using theoretical and methodological devices specific to their disciplines. Most of the texts were written in intensive cooperation with the hip-hop community

Note: Zusatztitel auf der Umschlagseite: Od blokowisk do kultury popularnej

Additional Edition: ISBN 9788323517610

Additional Edition: Erscheint auch als Druck-Ausgabe Hip-hop w Polsce Warszawa : Wydawnictwo Uniwersytetu Warszawskiego WUW, 2014 ISBN 9788323517610

Language: Polish

URL: lizenzpflichtig

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Format: 1 Online-Ressource

ISBN: 9780253023216 , 0253023211

Content: Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world

Note: Includes bibliographical references and index , Introduction / , Part 1: Hip Hop, Postsocialism, and Democracy - Rapping into Power: The Use of Hip Hop in Albanian Politics / , Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / , Russian Rap in the Era of Vladimir Putin / , Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / , Part 2: Hip Hop and Emerging Market Economies - Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / , "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / , Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / , Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / , Part 3: Hip Hop on the Margins - Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / , Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / , Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / , Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / , Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / , Part 4: Hip Hop and Global Circulations of Blackness - La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / , The Power of the Words: Discourses of Authenticity in Czech Rap Music / , "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography /

Additional Edition: ISBN 9780253022738

Additional Edition: Erscheint auch als Druck-Ausgabe Hip hop at Europe's edge Bloomington : Indiana University Press, [2017] ISBN 9780253022738

Language: English

URL: lizenzpflichtig

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Format: 1 online resource (199 pages)

ISBN: 9789004411692 (e-book)

Additional Edition: Print version: Miszczynski, Milosz. Dialectical meaning of offshored work : neoliberal desires and labour arbitrage in post-socialist Romania. Leiden ; Boston : BRILL, c2019 ISBN 9789004411685

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource.

ISBN: 9789004504240 , 9789004504233

Series Statement: Studies in Critical Social Sciences ; 214/16

Content: "The Art of the Creative Commons is a book about peer-to-peer production, providing a unique model of commons from the creative industries. The book expands the knowledge about the role in which an alternative framework of copyright protection (Creative Commons) regulates and establishes norms and conventions within the commons. The book gives insight into a vibrant community that fosters creative projects and a variety of works, from elementary school plays, to exhibitions in the Smithsonian or multimillion-dollar Hollywood films. Taking up the perspective of the creative workforce involved in production and collaboration, permits understanding the rules of production that follows an alternative model of production. Analyzing issues of media production, this book engages with current scholarship on critical management, political economy and cultural studies"--

Note: Acknowledgements -- List of Illustrations -- Introduction The Art of the Creative Commons -- 1 Creative Industries: Opening Copyright with Open Licensing -- 2 Creative Commoning: Commons-Based Peer Production and Networked Value of Objects -- 3 Sound Industry and FreeSound.org -- 4 Studying the Art of the Creative Commons -- 5 The Structure of the Book -- 1 Managing and Organizing Openness in the Digital Economy -- 1 Openness in Business Strategy and Operations -- 1.1 Open Innovation -- 1.2 Open Business -- 2 Participatory Cultures -- 2.1 Open Capital -- 2.2 Open Production -- 3 Openness in Public Policy -- 3.1 Open Data Movement -- 3.2 Open Scholarship -- 3.3 Open Government -- 2 Cultural, Legal and Organisational Foundations of Digital Commons and Peer-Production -- 1 Culture of Resistance and the Roots of the Digital Commons -- 2 Open Licensing: The Legal Foundations of Digital Commoning -- 3 Principles of Digital Peer Production -- 3 Creative Commons Political Economy of Creative Peer-to-Peer Production -- 1 The Basic Framework of Copyright in Creative Industries -- 2 Creative Industries' Crisis in the Digital Era -- 3 Opening Creative Industries: Creative Commons as a Remedy to Restrictiveness of Copyright -- 4 Creative Commons: Alternative Production and Distribution in Sound Industry -- 4 Creative Commons Peer-Production and the Quest for Networked Value -- 1 Metadata and Content Annotation -- 2 Sound Scenes and Their Cross-Fertilisation -- 3 Growing Commons: Providing Representation for Underrepresented Sound -- 4 Sharing Building Blocks: On a Search for Use Value of Content -- 5 The Art of Commoning and Content in Context -- 1 Technical Quality and Context -- 2 Openness and Artistic Experimentation -- 3 Sound Commoning and a Sense of Community -- 6 Acknowledging Authorship Attribution in the Market Context -- 1 Attribution and Reputation -- 2 Waiving Attribution -- 3 Violation of Creative Commons License -- 4 Public Domain (cc-0) as a Response to Limitations of Protection -- 5 Conclusion -- 7 Art for Art's Sake? Commodifying the Commons -- 1 Symbolic Unity of Creative Commons and Creative Industries -- 2 Multiple Channel Content Sales -- 3 Freemium Mode of Sound and Related Products -- 4 Exclusivity of Access and Intermediation -- 5 Curation and Automated Integration -- 6 Conclusions -- Conclusion The Art of the Creative Commons -- 1 Creative Commons and the Opening of the Creative Industries -- 2 Networked Value and the Commons -- 3 Artistic Work through Commons-Based Production -- 4 Creative Commons in the Political Economy of the Creative Industries -- 5 Future Research on the Art of the Commons -- Bibliography -- Index.

Additional Edition: Print version: The Art of the Creative Commons : Openness, Networked Value and Peer Production in the Sound Industry. Leiden ; Boston : Brill, 2022 ISBN 9789004504233

Language: English

URL: DOI: