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  • 1
    Book
    Book
    [London] :Longmans,
    UID:
    almafu_BV018261876
    Format: XIII, 204 S. : , Ill., Kt.
    Language: English
    Subjects: Ethnology
    RVK:
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  • 2
    UID:
    almahu_9949567222102882
    Format: XXII, 234 p. 127 illus., 114 illus. in color. , online resource.
    Edition: 1st ed. 2023.
    ISBN: 9783031394423
    Series Statement: Springer Theses, Recognizing Outstanding Ph.D. Research,
    Content: Precision measurements of the Higgs boson's properties are a powerful tool to look for deviations from the predictions of the Standard Model (SM) of particle physics. The 139/fb of proton-proton collision data which have been collected by the ATLAS experiment during Run 2 of the LHC, offer an opportunity to investigate rare Higgs-boson topologies, which are particularly sensitive to new physics scenarios but experimentally difficult to access. Several such measurements, which target Higgs-boson decays to heavy-flavour quarks, as well as their combinations are presented in this thesis. A novel analysis that measures Higgs-boson production in association with a heavy vector boson V (VH, with V=W,Z) at high energies is presented. Dedicated Higgs-boson reconstruction techniques are applied to reconstruct the highly Lorentz-boosted Higgs-boson decays into pairs of bottom quarks. The measurement is subsequently combined with a VH cross-section measurement at low and intermediate pT(V) to provide a differential cross-section measurement in kinematic fiducial volumes over the largest possible pT(V) range. All cross-section measurements agree with the SM predictions within relative uncertainties that range from 30% to 300%. The results are furthermore interpreted as limits on the parameters of a SM effective field theory. Finally, a combination of measurements of Higgs decays to heavy-flavour quarks is used to experimentally determine that the Higgs-boson coupling to charm quarks is weaker than to bottom quarks, as predicted by the SM. The target audience for the thesis are physicists and physics students, in particular those with a background in high energy physics.
    Note: Introduction -- Theoretical Foundations -- Higgs Boson Physics -- The ATLAS Experiment at Ahe Large Hadron Collider -- Reconstruction of Physics Objects.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031394416
    Additional Edition: Printed edition: ISBN 9783031394430
    Additional Edition: Printed edition: ISBN 9783031394447
    Language: English
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  • 3
    AV-Medium
    AV-Medium
    [s.l.] : Granada Ventures
    UID:
    kobvindex_ZLB15396050
    Language: English
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  • 4
    UID:
    b3kat_BV026026703
    Format: 79 S.
    Note: Berlin, Fachhochsch. für Wirtschaft, Diplomarbeit, 1994
    Language: Undetermined
    Keywords: Hochschulschrift
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  • 5
    UID:
    kobvindex_ZLB15264601
    Format: 26 Min.
    Content: In the autumn of 1967 World in Action producer Brian Moser was in Bolivia hoping to make contact with Che Guevara, but unfortunately the CIA, US Special Forces and their Bolivian/Cuban exile surrogates got to him first... Brian and Richard Gott of the Guardian were the first foreign journalists to whom Che's corpse was displayed. With Moser's camera crew still to arrive from New York, End of a Revolution opens with dramatic still shots of the corpse with a nervous voiceover recorded on Moser's portable tape recorder. Later in the film he interviews Regis Debray, the Bolivian President, the US Ambassador and members of the US special forces. (Frontline)
    Note: Orig.: Großbritannien, 1968
    In: Che : Teil 1 ; [Blu-ray Disc], [New York, NY], 2009, (2009)
    Language: English
    Keywords: Guevara, Che ; Tod ; Blu-Ray-Disc ; Guevara, Che ; Hinrichtung ; Blu-Ray-Disc
    Author information: Debray, Régis
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  • 6
    UID:
    kobvindex_ZLB15220672
    Format: 26 Min.
    Content: In the autumn of 1967 World in Action producer Brian Moser was in Bolivia hoping to make contact with Che Guevara, but unfortunately the CIA, US Special Forces and their Bolivian/Cuban exile surrogates got to him first... Brian and Richard Gott of the Guardian were the first foreign journalists to whom Che's corpse was displayed. With Moser's camera crew still to arrive from New York, End of a Revolution opens with dramatic still shots of the corpse with a nervous voiceover recorded on Moser's portable tape recorder. Later in the film he interviews Regis Debray, the Bolivian President, the US Ambassador and members of the US special forces. (Frontline)
    Note: Orig.: Großbritannien, 1968
    In: Che : Teil 1 ; [DVD-Video], [New York, NY], 2009, (2009)
    Language: English
    Keywords: Guevara, Che ; Tod ; DVD-Video ; Guevara, Che ; Hinrichtung ; DVD-Video ; DVD-Video
    Author information: Debray, Régis
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  • 7
    E-Resource
    E-Resource
    London :Royal Anthropological Institute,
    UID:
    edocfu_9959639678302883
    Format: 1 online resource (55 min.). , 005432
    Series Statement: Academic Video Online
    Content: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , In English. , Original language in English.
    Language: English
    Keywords: Documentary films.
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  • 8
    E-Resource
    E-Resource
    London :Royal Anthropological Institute,
    UID:
    edocfu_9959639112302883
    Format: 1 online resource (55 min.). , 005055
    Series Statement: Academic Video Online
    Content: The way of life of the 10,000 Embera Indians who live in the Choco region of Colombia, South American, is threatened by the encroachments of Negro Libres (descendants of freed slaves) and by the expansion of the Pan-American highway which cuts through their land. The film's main concern is to show the effects of interaction between the Embera river dwellers and two groups of outsiders the Libres with whom they trade, and the local Catholic mission which administers education, religion and civil justice. Although the Embera are exploited by the Libres (who, for example, sell them hunting dogs at very high prices) both groups are poor and largely without rights in Colombian society. In an interview, the Embera explain to the anthropologist that they want protection from the physical attacks of the Libres and legal rights over the land which they have inhabited for many years. Sequences such as this bring out the Embera's plight they are caught between the bulldozers and the banknotes of the Libres. We are shown the material culture and way of life of the Indians (canoe building, pot making, hunting, curing rituals) but not in a romanticised way, and the polemical organisation of the film allows the ethnographic details of the life of these river Indians to be placed in a wide social and economic context.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
    Language: English
    Keywords: Documentary films.
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  • 9
    E-Resource
    E-Resource
    London :Royal Anthropological Institute,
    UID:
    edocfu_9959639109702883
    Format: 1 online resource (58 min.). , 005742
    Series Statement: Academic Video Online
    Content: The second of two films on Mongolia made by Granada Television in 1974-75 looks at life in Ulan Bator, the capital of Mongolia and home of a quarter of the population. The city celebrates the 53rd anniversary of the socialist revolution with parades, festivals, wrestling and archery contests, and a remarkable horse-race. (The child jockeys are usually between 7 and 12 years old.) The film returns to a shepherd's camp on a collective for the traditional celebration of Tsagan Sar, the lunar New Year festival now known as the Herdsman's New Year.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , In Mongolian. , In English. , Original language in English.
    Language: Mongolian
    Keywords: Documentary films.
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  • 10
    E-Resource
    E-Resource
    London :Royal Anthropological Institute,
    UID:
    edocfu_9959639112802883
    Format: 1 online resource (66 min.). , 010625
    Series Statement: Academic Video Online
    Content: The film focuses on recent changes in the culture and society of the Cuiva, hunters and gatherers in a remote forest region of south-eastern Colombia, brought about through contact with Colombian settlers. Two groups of Cuiva are shown: one is relatively isolated, while the other has had extensive contacts with the settlers. The first group live a nomadic life moving frequently; the men hunt and fish, the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers to earn money to buy trade goods. The film also usefully includes interviews with white ranchers, showing their racist attitudes to the Indians, whom in the past they feared and on whose land they are now continually encroaching. The basic incompatibility between the economic systems of the Cuiva (based on communal distribution of food, gift-giving and receiving), and that of the settlers who attempt to survive within the world-capitalist market, is startlingly illustrated. Unlike later films in the series, The Last of the Cuiva relies on a moving commentary recorded during filming by the French-Canadian anthropologist, Bernard Arcand, who emphasises that the traditional way of life of the Cuiva (whom he describes, following Sahlins, as exemplifying the 'original affluent society') will be seriously damaged by these contacts with whites. Rather than giving a more conventional anthropological description, Arcand's commentary is a humanist plea for the survival of hunter-gatherer groups, and carries an implicit criticism of western lifestyles.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , In English. , In Spanish.
    Language: English
    Keywords: Documentary films.
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