feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Subjects(RVK)
Access
  • 1
    Online Resource
    Online Resource
    Cham :Springer International Publishing AG,
    UID:
    almahu_9949602165102882
    Format: 1 online resource (290 pages)
    Edition: 1st ed.
    ISBN: 9783319583167
    Series Statement: Springer Series on Touch and Haptic Systems Series
    Note: Intro -- Series Editors' Foreword -- Preface -- Contents -- Contributors -- 1 Musical Haptics: Introduction -- 1.1 Scope and Goals -- 1.2 Haptic Cues in Music Practice and Fruition -- 1.3 Musical Devices and Haptic Feedback -- 1.4 Challenges -- 1.5 Outline -- References -- Musical Haptics: Interaction and Perception -- 2 Once More, with Feeling: Revisiting the Role of Touch in Performer-Instrument Interaction -- 2.1 Introduction -- 2.2 A Musician Both Drives and Is Driven by Their Instrument -- 2.3 The Coupled Dynamics: A New Perspective on Control -- 2.4 Inner and Outer Loops in the Interaction Between Player and Instrument -- 2.5 Implications of a Coupled Dynamics Perspective on Learning to Play an Instrument -- 2.6 Conclusions -- References -- 3 A Brief Overview of the Human Somatosensory System -- 3.1 Introduction -- 3.2 Biomechanics of the Hand -- 3.2.1 Hand Structural Organisation -- 3.2.2 Hand Mobility -- 3.2.3 The Volar Hand -- 3.2.4 Bulk Mechanics of the Fingertip and the Skin -- 3.3 Sensory Organs -- 3.3.1 Muscles, Tendons and Joints -- 3.3.2 Glabrous, Hairy and Mucosal Skin -- 3.3.3 Electrophysiological Response -- 3.4 Central Organs -- 3.5 Conclusions -- References -- 4 Perception of Vibrotactile Cues in Musical Performance -- 4.1 Introduction -- 4.1.1 Open-Loop Experimentation -- 4.1.2 Experiments with Musicians -- 4.1.3 Premises to the Present Experiments -- 4.2 Experiment 1: Vibrotactile Sensitivity Thresholds Under Active Touch Conditions -- 4.2.1 Setup -- 4.2.2 Procedure -- 4.2.3 Results -- 4.2.4 Discussion -- 4.3 Experiment 2: Vibration Detection at the Piano Keyboard During Performance -- 4.3.1 Setup -- 4.3.2 Procedure -- 4.3.3 Results -- 4.3.4 Vibration Characterization -- 4.3.5 Discussion -- 4.4 Conclusions -- References -- 5 The Role of Haptic Cues in Musical Instrument Quality Perception -- 5.1 Introduction -- 5.2 Violin. , 5.2.1 Touch and the Conceptualization of Violin Quality by Musicians -- 5.2.2 Vibrotactile Feedback at the Left Hand -- 5.3 Piano -- 5.3.1 Piano Touch and Tone Quality -- 5.3.2 Haptic Cues and Instrument Quality -- 5.4 Conclusions -- References -- 6 A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- 6.1 Introduction -- 6.2 Experiment Design -- 6.2.1 Functionality Testing -- 6.2.2 Adapting Fitts' Law -- 6.2.3 Context of Evaluation -- 6.2.4 Device Description: The Bowls -- 6.2.5 Device Feedback Implementation -- 6.2.6 Participants -- 6.2.7 Procedure -- 6.3 Results -- 6.3.1 Functionality Results -- 6.3.2 Usability Results -- 6.3.3 User Experience Results -- 6.3.4 Interview Data -- 6.3.5 Empathy Mapping -- 6.4 Discussion -- 6.5 Conclusions -- References -- 7 Auditory-Tactile Experience of Music -- 7.1 Introduction -- 7.2 Experimental Design -- 7.2.1 Stimuli -- 7.2.2 Synchronization -- 7.2.3 Setup -- 7.2.4 Participants -- 7.2.5 Procedure -- 7.3 Vibration Generation: Approaches and Results -- 7.3.1 Low-Pass Filtering -- 7.3.2 Reduction to Fundamental Frequency -- 7.3.3 Octave Shift -- 7.3.4 Substitute Signals -- 7.3.5 Compression of Dynamic Range -- 7.3.6 Summary -- 7.4 Conclusions -- References -- Haptic Musical Interfaces: Design and Applications -- 8 The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- 8.1 Introduction -- 8.2 A Physical Approach to Digital Musical Instruments -- 8.2.1 Distributed Approach to Haptic Digital Musical Instruments -- 8.2.2 Unitary Approach to Virtual Musical Instruments -- 8.3 Hardware and Software Solutions for the MSCI Platform -- 8.3.1 The TGR Haptic System -- 8.3.2 The CORDIS-ANIMA Formalism -- 8.3.3 The GENESIS Software Environment -- 8.3.4 Synchronous Real-Time Computing Architecture. , 8.4 Multi-rate Decomposition of the Instrumental Chain -- 8.4.1 Gesture-Sound Dynamics -- 8.4.2 Multi-rate CORDIS-ANIMA Simulations -- 8.5 Virtual Instruments Created with MSCI -- 8.5.1 Workflow and Design Process -- 8.5.2 Specificities of MSCI Haptic Virtual Instruments -- 8.5.3 Real-Time Performance in Hélios -- 8.6 Conclusions -- References -- 9 Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- 9.1 Introduction -- 9.1.1 Multisensory Feedback for Musical Instruments -- 9.1.2 Additional Force-Feedback Device Designs from the Haptics Community -- 9.1.3 Open-Source Technology for the Design of Haptic Musical Instruments -- 9.1.4 Laptop Orchestra of Louisiana -- 9.2 Enabling Precise and Physically Intuitive Control of Sound (``Quartet for Strings'') -- 9.2.1 Instrument Design -- 9.2.2 Performance Techniques -- 9.2.3 Compositional Structure -- 9.3 Traditional Controls Can Be Used Alongside Force-Feedback Controls (``Of Grating Impermanence'') -- 9.3.1 Instrument Design -- 9.3.2 Performance Techniques -- 9.3.3 Compositional Structure -- 9.4 Finding Timbres that Sound Uncannily Familiar but Are Nonetheless Novel (``Guest Dimensions'') -- 9.4.1 Instrument Design -- 9.4.2 Performance Techniques -- 9.4.3 Compositional Structure -- 9.5 Conclusions -- References -- 10 Design of Vibrotactile Feedback and Stimulation for Music Performance -- 10.1 Introduction -- 10.2 Haptic Feedback in Music Technology -- 10.2.1 Models of Haptic-Enabled Interfaces -- 10.2.2 Haptic-Enabled Interfaces -- 10.3 Development and Evaluation of Tactile Icons for Music Performance -- 10.3.1 Hardware and Software -- 10.3.2 Symbolic and Musical Tactons: Design and Evaluation -- 10.3.3 Implementation into Live Performance -- 10.4 Conclusions -- References -- 11 Haptics for the Development of Fundamental Rhythm Skills, Including Multi-limb Coordination. , 11.1 Introduction -- 11.2 Motivation and Theoretical Background -- 11.2.1 Dalcroze Eurhythmics -- 11.2.2 Metrical Hierarchies and Polyrhythms -- 11.2.3 Cognitive Science: Entrainment and Neural Resonance -- 11.3 Applications of the Haptic Bracelets -- 11.3.1 The "Haptic IPod" -- 11.3.2 Drum Teaching with Haptic Bracelets -- 11.3.3 Musician Coordination and Synchronisation -- 11.3.4 Teaching Multi-limb Drum Patterns by Multi-limbed Haptic Cueing -- 11.4 Experimental Results -- 11.4.1 Supporting Learning of Rhythm Skills with the Haptic Drum Kit -- 11.4.2 Learning Multi-limb Rhythms with Improved Haptic Drum Kit -- 11.4.3 Passive Learning of Multi-limb Rhythm Skills -- 11.5 Related Work -- 11.6 Conclusions -- References -- 12 Touchscreens and Musical Interaction -- 12.1 Introduction -- 12.2 Perceptual Aspects of Auditory and Haptic Modalities for Musical Touchscreen Applications -- 12.2.1 Intensity -- 12.2.2 Frequency -- 12.2.3 Temporal Acuity and Rhythm Perception -- 12.2.4 Synchrony -- 12.3 Experiment 1: Identification of Audio-Driven Tactile Feedback on a Touchscreen -- 12.3.1 Stimuli -- 12.3.2 Set-up -- 12.3.3 Subjects -- 12.3.4 Results and Discussion -- 12.3.5 Usability and Attractiveness -- 12.4 Experiment 2: Effect of Loudness on Perceived Tactile Intensity of Virtual Buttons -- 12.4.1 Stimuli -- 12.4.2 Set-up -- 12.4.3 Subjects -- 12.4.4 Procedure -- 12.4.5 Results and Discussion -- 12.5 Conclusions -- References -- 13 Implementation and Characterization of Vibrotactile Interfaces -- 13.1 Introduction -- 13.2 Vibrotactile Actuators' Technology -- 13.3 Interface Examples -- 13.3.1 The Touch-Box -- 13.3.2 The VibroPiano -- 13.3.3 The HSoundplane -- 13.4 Conclusions -- References -- Appendix Glossary and Abbreviations.
    Additional Edition: Print version: Papetti, Stefano Musical Haptics Cham : Springer International Publishing AG,c2018 ISBN 9783319583150
    Language: English
    Keywords: Electronic books. ; Aufsatzsammlung ; Electronic books ; Electronic books
    URL: OAPEN
    URL: OAPEN
    URL: OAPEN  (Creative Commons License)
    URL: Image  (Thumbnail cover image)
    URL: Image  (Thumbnail cover image)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Springer Nature | Cham :Springer International Publishing :
    UID:
    almafu_9958959773002883
    Format: 1 online resource (XV, 285 p. 107 illus., 58 illus. in color.)
    Edition: 1st ed. 2018.
    ISBN: 3-319-58316-6
    Series Statement: Springer Series on Touch and Haptic Systems,
    Content: This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
    Note: Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination. , English
    Additional Edition: ISBN 3-319-58315-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    gbv_1019800704
    Format: 239 Seiten , Illustrationen (farbig) , 28 cm
    ISBN: 9788836639502
    Note: Nicola Filotesio (active 1510-1554), known as Cola dell'Amatrice , Catalog of an exhibition held at the Pinacoteca civica, Ascoli Piceno, Italy, March 17-July 15, 2018
    Language: English
    Keywords: Cola dell'Amatrice 1480-1547 ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Cola dell'Amatrice 1480-1547
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    gbv_892963727
    Format: 301 Seiten , Illustrationen , 28 cm
    ISBN: 9788836637577
    Note: Impressum: "Sassoferrato, Sede espositiva/Exhibit location: Palazzo degli Scalzi, Sede collegata/related location: Monastero di Santa Chiara, 17 giugno - 5 novembre 2017, 17 June - 5 November 2017"
    Language: Italian
    Subjects: Art History
    RVK:
    Keywords: Sassoferrato, Il 1609-1685 ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Sassoferrato, Il 1609-1685
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    almafu_BV048456000
    Format: 1 Online-Ressource (xii, 147 Seiten) : , 61 Illustrationen, 52 in Farbe.
    ISBN: 978-3-031-15019-7
    Series Statement: Lecture notes in computer science 13417
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-15018-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-15020-3
    Language: English
    Keywords: Mensch-Maschine-Kommunikation ; Multimodales System ; Lautwahrnehmung ; Tastwahrnehmung ; Benutzeroberfläche ; Mobiles Endgerät ; Virtuelle Realität ; Benutzerorientierung ; Konferenzschrift ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    UID:
    gbv_72535514X
    Format: XI, 398 S. , zahlr. Ill. , 28 cm
    ISBN: 9788870030501
    Note: Text in English and Italian , Ascoli Piceno (Marche) , Includes bibliographical references , Italian, English
    Language: Italian
    Keywords: Pinacoteca Civica ; Museo Diocesano ; Katalog
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
  • 8
    UID:
    almahu_BV043870830
    Format: 159 Seiten ; , 28 cm.
    ISBN: 978-88-366-3529-0
    Language: Italian
    RVK:
    RVK:
    Keywords: Schutzmantelmadonna ; Mariendarstellung ; Malerei ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    UID:
    gbv_856646970
    Format: 131 Seiten , Illustrationen , 28 cm
    ISBN: 9788836633647
    Note: "Francesco nell'arte. Da Cimabue a Caravaggio, Ascoli Piceno Pinacoteca civica, sala della Vittoria, 12 marzo-30 giugno 2016"
    Language: Italian
    Keywords: Franz von Assisi, Heiliger 1182-1226 ; Malerei ; Ikonographie ; Ausstellungskatalog ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    UID:
    gbv_63898789X
    Format: 142 p , chiefly ill. (chiefly col.) , 30 cm
    ISBN: 9788865570043
    Note: Catalog of an exhibition held at Fondazione Roma Museo, Rome, Italy, Sept. 21-Oct. 24, 2010 , Title on cover: Monachesi , On cover: Fondazione Roma Museo , Contains brief biography of S. Monachesi (1910-1991), painter and sculptor, and chronology (p. 126-142)
    Language: Italian
    Subjects: Art History
    RVK:
    Keywords: Monachési, Sante 1910-1991 ; Malerei ; Plastik ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages