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Format: 1 Online-Ressource (xv, 285 Seiten) , Illustrationen, Diagramme

ISBN: 9783319583167

Series Statement: Springer series on touch and haptic systems

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-58315-0

Language: English

Keywords: Aufsatzsammlung

DOI: 10.1007/978-3-319-58316-7

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Format: 1 Online-Ressource (xii, 147 Seiten) : , 61 Illustrationen, 52 in Farbe.

ISBN: 978-3-031-15019-7

Series Statement: Lecture notes in computer science 13417

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-15018-0

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-15020-3

Language: English

Keywords: Mensch-Maschine-Kommunikation ; Multimodales System ; Lautwahrnehmung ; Tastwahrnehmung ; Benutzeroberfläche ; Mobiles Endgerät ; Virtuelle Realität ; Benutzerorientierung ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift

DOI: 10.1007/978-3-031-15019-7

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Format: 1 online resource (290 pages)

Edition: 1st ed.

ISBN: 9783319583167

Series Statement: Springer Series on Touch and Haptic Systems Series

Note: Intro -- Series Editors' Foreword -- Preface -- Contents -- Contributors -- 1 Musical Haptics: Introduction -- 1.1 Scope and Goals -- 1.2 Haptic Cues in Music Practice and Fruition -- 1.3 Musical Devices and Haptic Feedback -- 1.4 Challenges -- 1.5 Outline -- References -- Musical Haptics: Interaction and Perception -- 2 Once More, with Feeling: Revisiting the Role of Touch in Performer-Instrument Interaction -- 2.1 Introduction -- 2.2 A Musician Both Drives and Is Driven by Their Instrument -- 2.3 The Coupled Dynamics: A New Perspective on Control -- 2.4 Inner and Outer Loops in the Interaction Between Player and Instrument -- 2.5 Implications of a Coupled Dynamics Perspective on Learning to Play an Instrument -- 2.6 Conclusions -- References -- 3 A Brief Overview of the Human Somatosensory System -- 3.1 Introduction -- 3.2 Biomechanics of the Hand -- 3.2.1 Hand Structural Organisation -- 3.2.2 Hand Mobility -- 3.2.3 The Volar Hand -- 3.2.4 Bulk Mechanics of the Fingertip and the Skin -- 3.3 Sensory Organs -- 3.3.1 Muscles, Tendons and Joints -- 3.3.2 Glabrous, Hairy and Mucosal Skin -- 3.3.3 Electrophysiological Response -- 3.4 Central Organs -- 3.5 Conclusions -- References -- 4 Perception of Vibrotactile Cues in Musical Performance -- 4.1 Introduction -- 4.1.1 Open-Loop Experimentation -- 4.1.2 Experiments with Musicians -- 4.1.3 Premises to the Present Experiments -- 4.2 Experiment 1: Vibrotactile Sensitivity Thresholds Under Active Touch Conditions -- 4.2.1 Setup -- 4.2.2 Procedure -- 4.2.3 Results -- 4.2.4 Discussion -- 4.3 Experiment 2: Vibration Detection at the Piano Keyboard During Performance -- 4.3.1 Setup -- 4.3.2 Procedure -- 4.3.3 Results -- 4.3.4 Vibration Characterization -- 4.3.5 Discussion -- 4.4 Conclusions -- References -- 5 The Role of Haptic Cues in Musical Instrument Quality Perception -- 5.1 Introduction -- 5.2 Violin. , 5.2.1 Touch and the Conceptualization of Violin Quality by Musicians -- 5.2.2 Vibrotactile Feedback at the Left Hand -- 5.3 Piano -- 5.3.1 Piano Touch and Tone Quality -- 5.3.2 Haptic Cues and Instrument Quality -- 5.4 Conclusions -- References -- 6 A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- 6.1 Introduction -- 6.2 Experiment Design -- 6.2.1 Functionality Testing -- 6.2.2 Adapting Fitts' Law -- 6.2.3 Context of Evaluation -- 6.2.4 Device Description: The Bowls -- 6.2.5 Device Feedback Implementation -- 6.2.6 Participants -- 6.2.7 Procedure -- 6.3 Results -- 6.3.1 Functionality Results -- 6.3.2 Usability Results -- 6.3.3 User Experience Results -- 6.3.4 Interview Data -- 6.3.5 Empathy Mapping -- 6.4 Discussion -- 6.5 Conclusions -- References -- 7 Auditory-Tactile Experience of Music -- 7.1 Introduction -- 7.2 Experimental Design -- 7.2.1 Stimuli -- 7.2.2 Synchronization -- 7.2.3 Setup -- 7.2.4 Participants -- 7.2.5 Procedure -- 7.3 Vibration Generation: Approaches and Results -- 7.3.1 Low-Pass Filtering -- 7.3.2 Reduction to Fundamental Frequency -- 7.3.3 Octave Shift -- 7.3.4 Substitute Signals -- 7.3.5 Compression of Dynamic Range -- 7.3.6 Summary -- 7.4 Conclusions -- References -- Haptic Musical Interfaces: Design and Applications -- 8 The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- 8.1 Introduction -- 8.2 A Physical Approach to Digital Musical Instruments -- 8.2.1 Distributed Approach to Haptic Digital Musical Instruments -- 8.2.2 Unitary Approach to Virtual Musical Instruments -- 8.3 Hardware and Software Solutions for the MSCI Platform -- 8.3.1 The TGR Haptic System -- 8.3.2 The CORDIS-ANIMA Formalism -- 8.3.3 The GENESIS Software Environment -- 8.3.4 Synchronous Real-Time Computing Architecture. , 8.4 Multi-rate Decomposition of the Instrumental Chain -- 8.4.1 Gesture-Sound Dynamics -- 8.4.2 Multi-rate CORDIS-ANIMA Simulations -- 8.5 Virtual Instruments Created with MSCI -- 8.5.1 Workflow and Design Process -- 8.5.2 Specificities of MSCI Haptic Virtual Instruments -- 8.5.3 Real-Time Performance in Hélios -- 8.6 Conclusions -- References -- 9 Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- 9.1 Introduction -- 9.1.1 Multisensory Feedback for Musical Instruments -- 9.1.2 Additional Force-Feedback Device Designs from the Haptics Community -- 9.1.3 Open-Source Technology for the Design of Haptic Musical Instruments -- 9.1.4 Laptop Orchestra of Louisiana -- 9.2 Enabling Precise and Physically Intuitive Control of Sound (``Quartet for Strings'') -- 9.2.1 Instrument Design -- 9.2.2 Performance Techniques -- 9.2.3 Compositional Structure -- 9.3 Traditional Controls Can Be Used Alongside Force-Feedback Controls (``Of Grating Impermanence'') -- 9.3.1 Instrument Design -- 9.3.2 Performance Techniques -- 9.3.3 Compositional Structure -- 9.4 Finding Timbres that Sound Uncannily Familiar but Are Nonetheless Novel (``Guest Dimensions'') -- 9.4.1 Instrument Design -- 9.4.2 Performance Techniques -- 9.4.3 Compositional Structure -- 9.5 Conclusions -- References -- 10 Design of Vibrotactile Feedback and Stimulation for Music Performance -- 10.1 Introduction -- 10.2 Haptic Feedback in Music Technology -- 10.2.1 Models of Haptic-Enabled Interfaces -- 10.2.2 Haptic-Enabled Interfaces -- 10.3 Development and Evaluation of Tactile Icons for Music Performance -- 10.3.1 Hardware and Software -- 10.3.2 Symbolic and Musical Tactons: Design and Evaluation -- 10.3.3 Implementation into Live Performance -- 10.4 Conclusions -- References -- 11 Haptics for the Development of Fundamental Rhythm Skills, Including Multi-limb Coordination. , 11.1 Introduction -- 11.2 Motivation and Theoretical Background -- 11.2.1 Dalcroze Eurhythmics -- 11.2.2 Metrical Hierarchies and Polyrhythms -- 11.2.3 Cognitive Science: Entrainment and Neural Resonance -- 11.3 Applications of the Haptic Bracelets -- 11.3.1 The "Haptic IPod" -- 11.3.2 Drum Teaching with Haptic Bracelets -- 11.3.3 Musician Coordination and Synchronisation -- 11.3.4 Teaching Multi-limb Drum Patterns by Multi-limbed Haptic Cueing -- 11.4 Experimental Results -- 11.4.1 Supporting Learning of Rhythm Skills with the Haptic Drum Kit -- 11.4.2 Learning Multi-limb Rhythms with Improved Haptic Drum Kit -- 11.4.3 Passive Learning of Multi-limb Rhythm Skills -- 11.5 Related Work -- 11.6 Conclusions -- References -- 12 Touchscreens and Musical Interaction -- 12.1 Introduction -- 12.2 Perceptual Aspects of Auditory and Haptic Modalities for Musical Touchscreen Applications -- 12.2.1 Intensity -- 12.2.2 Frequency -- 12.2.3 Temporal Acuity and Rhythm Perception -- 12.2.4 Synchrony -- 12.3 Experiment 1: Identification of Audio-Driven Tactile Feedback on a Touchscreen -- 12.3.1 Stimuli -- 12.3.2 Set-up -- 12.3.3 Subjects -- 12.3.4 Results and Discussion -- 12.3.5 Usability and Attractiveness -- 12.4 Experiment 2: Effect of Loudness on Perceived Tactile Intensity of Virtual Buttons -- 12.4.1 Stimuli -- 12.4.2 Set-up -- 12.4.3 Subjects -- 12.4.4 Procedure -- 12.4.5 Results and Discussion -- 12.5 Conclusions -- References -- 13 Implementation and Characterization of Vibrotactile Interfaces -- 13.1 Introduction -- 13.2 Vibrotactile Actuators' Technology -- 13.3 Interface Examples -- 13.3.1 The Touch-Box -- 13.3.2 The VibroPiano -- 13.3.3 The HSoundplane -- 13.4 Conclusions -- References -- Appendix Glossary and Abbreviations.

Additional Edition: Print version: Papetti, Stefano Musical Haptics Cham : Springer International Publishing AG,c2018 ISBN 9783319583150

Language: English

Keywords: Electronic books. ; Electronic books ; Electronic books

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URL: http://dx.doi.org/10.1007/978-3-319-58316-7

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Format: XI, 398 S. , zahlr. Ill. , 28 cm

ISBN: 9788870030501

Note: Text in English and Italian , Ascoli Piceno (Marche) , Includes bibliographical references , Italian, English

Language: Italian

Keywords: Pinacoteca Civica ; Museo Diocesano ; Katalog

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Format: 223 Seiten , Illustrationen , 28 cm

Note: Catalog of an itinerant exhibition held at the Forte Malatesta, Ascoli Piceno, Italy, November 24, 2019-February 2, 2020, at the Complesso Monumentale di San Salvatore in Lauro del Pio Sodalizio dei Piceni, Rome, Italy, February 18-July 5, 2020, and at the Palazzo del duca, Senigallia, Italy, July 23-November 3, 2020 , Includes bibliographical references (pages 219-223)

Language: Italian

Keywords: Marken ; Malerei ; Plastik ; Renaissance ; Erdbebenschaden ; Restaurierung ; Geschichte 2016-2019 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog

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Format: 127 Seiten , Illustrationen , 28 cm

ISBN: 9788894078923

Note: Titelblattrückseite: "Sulle Orme Di San Michele Arcangelo. Pellegrini E Devoti Nell'Arte", Loreto, Bastione Sangallo, 9 aprile-13 luglio 2022. Ascoli Piceno, Pinacoteca Civica, 29 luglio-6 novembre 2022. Senigallia, Palazzetto Baviera, 11 novembre 2022-12 febraio 2023 , Catalog of an itinerant exhibition held at the Bastione Sangallo, Loreto, Italy, April 9-July 13, 2022, at the Pinacoteca civica, Ascoli Piceno, Italy, July 29-November 6, 2022, and at the Palazzetto Baviera, Senigallia, Italy, November 11, 2022-February 12, 2023 , Includes bibliographical references

Language: Italian

Keywords: Italien ; Loreto ; Wallfahrt ; Devotionalie ; Christliche Kunst ; Geschichte ; Michael Erzengel ; Heiligenverehrung ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Format: 131 Seiten , Illustrationen , 28 cm

ISBN: 9788836633647

Note: "Francesco nell'arte. Da Cimabue a Caravaggio, Ascoli Piceno Pinacoteca civica, sala della Vittoria, 12 marzo-30 giugno 2016"

Language: Italian

Keywords: Franz von Assisi, Heiliger 1182-1226 ; Malerei ; Ikonographie ; Ausstellungskatalog ; Ausstellungskatalog

URL: Inhaltsverzeichnis

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Format: 239 Seiten , Illustrationen (farbig) , 28 cm

ISBN: 9788836639502

Note: Nicola Filotesio (active 1510-1554), known as Cola dell'Amatrice , Catalog of an exhibition held at the Pinacoteca civica, Ascoli Piceno, Italy, March 17-July 15, 2018

Language: English

Keywords: Cola dell'Amatrice 1480-1547 ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband

URL: Inhaltsverzeichnis

Author information: Cola dell'Amatrice 1480-1547

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Format: 301 Seiten , Illustrationen , 28 cm

ISBN: 9788836637577

Note: Impressum: "Sassoferrato, Sede espositiva/Exhibit location: Palazzo degli Scalzi, Sede collegata/related location: Monastero di Santa Chiara, 17 giugno - 5 novembre 2017, 17 June - 5 November 2017"

Language: Italian

Subjects: Art History

Keywords: Sassoferrato, Il 1609-1685 ; Ausstellungskatalog ; Ausstellungskatalog

URL: Inhaltsverzeichnis

Author information: Sassoferrato, Il 1609-1685

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Format: 142 p , chiefly ill. (chiefly col.) , 30 cm

ISBN: 9788865570043

Note: Catalog of an exhibition held at Fondazione Roma Museo, Rome, Italy, Sept. 21-Oct. 24, 2010 , Title on cover: Monachesi , On cover: Fondazione Roma Museo , Contains brief biography of S. Monachesi (1910-1991), painter and sculptor, and chronology (p. 126-142)

Language: Italian

Subjects: Art History

Keywords: Monachési, Sante 1910-1991 ; Malerei ; Plastik ; Ausstellungskatalog