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  • 1
    Online Resource
    Online Resource
    Leeds : Arc Humanities Press
    UID:
    b3kat_BV046996324
    Format: 1 Online-Ressource
    ISBN: 9781942401742
    Series Statement: Collection development, cultural heritage, and digital humanities
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-942401-73-5
    Language: English
    Keywords: Byzantinisches Reich ; Kunst ; Animismus ; Byzantinisches Reich ; Kunst ; Musealisierung ; Museum ; Ausstellung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Book
    Book
    University Park, Pa. : Pennsylvania State University Pr.
    UID:
    b3kat_BV021593625
    Format: xviii, 188 S. , ill. , 24 cm
    ISBN: 0271024704
    Note: Includes bibliographical references (p. [179]-184) and index , The great age of the frame -- The crucifixion contained and containing -- The bloody page in the Chludov Psalter -- Gregory of Nazianzus as twelfth-century paradigm -- Saint George and his iconic bodies -- Silver cladding and the assimilation of bodies and faces -- Framing the body.
    Language: English
    RVK:
    RVK:
    RVK:
    Keywords: Byzantinisches Reich ; Kunst ; Byzantinisches Reich ; Ikonenmalerei ; Chludov psalter
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  • 3
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    UID:
    b3kat_BV025345241
    Format: XV, 235 S. , Ill.
    ISBN: 0520224051
    Series Statement: The transformation of the classical heritage 32
    Language: English
    RVK:
    Keywords: Byzantinisches Reich ; Engel ; Geschichte 600-1500 ; Byzantinisches Reich ; Erzengel ; Geschichte 600-1500 ; Byzantinisches Reich ; Bilderstreit ; Geschichte 600-1500 ; Byzantinisches Reich ; Kunst ; Engel
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  • 4
    UID:
    gbv_312747705
    Format: XXVIII, 128, 115 S , zahlr. Ill
    ISBN: 8887027242
    Series Statement: Millennio medievale 7
    Note: Einheitssacht. des komm. Werkes: Physiologus
    Language: Italian
    Keywords: Sammelhandschrift Ms. B. 8 ; Buchmalerei ; Physiologus
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  • 5
    Online Resource
    Online Resource
    Leeds : Arc Humanities Press
    UID:
    gbv_1750387174
    Format: 1 Online-Ressource (202 p)
    Edition: [Online-Ausgabe]
    ISBN: 9781942401742
    Series Statement: Collection Development, Cultural Heritage, and Digital Humanities
    Content: Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- Introduction -- Part 1. Animate Materialities from Icon to Cathedral -- Chapter 1. Showing Byzantine Materiality -- Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- Part 2. Byzantine Things in the World: Animating Museum Spaces -- Chapter 3. Prelude on Transfiguring Exhibition -- Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- Chapter 7. Late Antique Making and Wonder -- Chapter 8. Senses' Other Sides -- Epilogue -- Bibliography -- Index
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Amsterdam : Arc Humanities Press
    UID:
    gbv_1851398104
    Format: 1 online resource (176 pages)
    Edition: 1st ed.
    ISBN: 9781942401742
    Series Statement: Collection Development, Cultural Heritage, and Digital Humanities Series
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines--modern art, environmental theory, anthropology--to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays--some new and some previously published--and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781641894678
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781641894678
    Language: English
    Keywords: Electronic books.
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Arc Humanities Press
    UID:
    gbv_1778425372
    Format: 1 Online-Ressource (167 p.)
    Series Statement: Collection Development, Cultural Heritage, and Digital Humanities
    Content: Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly explanations, the icon is a window onto the divine: it focuses and directs our minds to a higher understanding of God and saints. Despite their material richness, icons are understood to efface their own materiality, thereby enabling us to do the same. That the privileged relation of image to God is based on its capacity for material self-effacement is the basis for all theology of the icon and all art-historical description. It gets more complicated than this definition, to be sure, but the icon is positioned in this way in most straightforward accounts, whether devotional or scholarly. My position is to undermine the transcendentalizing determination of modern theology and aesthetics, and to lean very heavily on the materiality of these things to the point of allowing them, to the degree I can, a voice and life of their own
    Note: English
    Language: English
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  • 8
    UID:
    b3kat_BV043823541
    Format: 263 pages , illustrations , 24 cm
    Edition: 1st Edition
    ISBN: 9786059388009
    Content: "Trebizond, that "long-anticipated city of the Komnenians with its soft and melodious name" to quote Jakob Fallmerayer, has long lured scholars, attracted by its unique combination of Byzantine familiarity and Anatolian foreignness. From 1204 to 1461 the city was at the heart of an empire that proudly proclaimed its inheritance of Byzantine power, but simultaneously stood apart from it; a ‘Greek Emirate’ surrounded by Turkish and Caucasian states. Focusing on the church of Hagia Sophia in Trebizond, with its unusual architecture, unique sculptural decoration and extraordinary wall paintings, Byzantium’s Other Empire: Trebizond reveals the ways in which these tensions were expressed in public in the monuments of the empire. It draws extensively on the photograph and drawing archives of David and June Winfield, held in the Conway Library at the Courtauld Institute of Art. The Winfields restored the church from 1959-1963, in a Project masterminded by David Talbot Rice, and the book also includes Talbot Rice’s photographs from 1929, as well as those of other early scholars who visited Trabzon, notably Gabriel Millet in 1893 and Fyodor Uspenskii in 1916-1917 are presented. These scholars recorded the city, its palaces, churches and monasteries. They provide glimpses of a lost empire and of the city of Trebizond which has been transformed in the decades since their visits. This volume also includes the first published translation into English of the fourteenth-century chronicle of Michael Panaretos."-- Back cover.
    Note: Literaturangaben , This book has been published on the occasion of the exhibition "Byzantium's other Empire: Trebizond" at Koç University Research Center for Anatolian Civilizations, Istanbul, June 24-September 18, 2016 , Introduction: the lure of Trebizond / Antony Eastmond -- The empire of Trebizond / Antony Eastmond -- Hagia Sophia at Trebizond / Antony Eastmond -- Trebizond and its world through manuscripts / Glenn Peers -- The prayer of Cyprian on the reverse of the amulet roll / Barbara Roggema -- The tower frescoes: art at the end of the Empires / Ioanna Rapti -- The Chronicle of Michael Panaretos / Annika Asp-Talwar -- Byzantine past, Russian present: the Russian Archaeological Institute’s Trabzon expedition during the First World War / Pınar Üre -- A tale of two Davids: the Russell Trust Expedition to conserve the wall paintings of the church of Hagia Sophia (Ayasofya) at Trabzon, 1957-1962 / James Crow -- Contributors
    Language: English
    Keywords: Byzantinisches Reich ; Frühchristentum ; Spätantike ; Kunst ; Kaiserreich Trapezunt ; Christliche Kunst ; Architektur ; Kirchenbau ; Geschichte ; Aufsatzsammlung
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  • 9
    UID:
    gbv_1755363699
    Format: x, 165 Seiten , Illustrationen , 24 cm
    ISBN: 9781942401735 , 1942401736
    Series Statement: Collection development, cultural heritage, and digital humanities
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781942401742
    Language: English
    Keywords: Byzantinisches Reich ; Kunst ; Museum ; Präsentation ; Publikum ; Geschichte
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  • 10
    UID:
    gbv_874289505
    Format: 626 Seiten , Illustrationen , 26 cm
    ISBN: 9788821009525
    Series Statement: Studi e testi 504
    Note: Papers presented at the conference held in Rome, Italy, June 11-13, 2012 , Includes bibliographical references and index , Beiträge teilweise englisch, teilweise italienisch
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Psalter Vat. gr. 752 ; Bibel ; Handschrift ; Biblioteca Apostolica Vaticana ; Psalter Vat. gr. 752 ; Konferenzschrift ; Aufsatzsammlung
    Author information: Crostini, Barbara
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