Kooperativer Bibliotheksverbund

UID:

Format: XVI, 450 S. : , Ill. ; , 24 cm.

Edition: 1. publ.

ISBN: 0-8223-3013-X , 0-8223-3004-0 , 978-0-8223-3013-4

Note: Includes bibliographical references and index

Language: English

Subjects: Musicology

Keywords: Klangerzeugung ; Kultur ; Schallaufzeichnung ; Klangerzeugung ; Kultur ; Geschichte

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009890445&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009890445&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Autorenbiografie

URL: Verlagsangaben

URL: Inhaltsverzeichnis

UID:

Format: XV, 341 S. : , Ill., graph. Darst. ; , 24 cm.

ISBN: 978-0-8223-5283-9 , 0-8223-5283-4 , 978-0-8223-5287-7 , 0-8223-5287-7

Series Statement: Sign, storage, transmission

Language: English

Subjects: Computer Science , Musicology

Keywords: MP3

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024775347&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024775347&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: x, 566 Seiten , Diagramme

Edition: First published

ISBN: 9780415771306 , 9780415771313

Content: "The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"--

Note: Literaturangaben

Language: English

Subjects: General works , Musicology , Sociology

Keywords: Klang ; Kultur ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (552 p.)

ISBN: 9781478021391 , 9783110743319

Series Statement: Refiguring American Music : 25

Content: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.

Note: Frontmatter -- , CONTENTS -- , Introduction -- , Part I Setting the Scene -- , First Writer, of Music and on Music -- , Blackface Minstrelsy Extends Its Twisted Roots -- , Shape-Note Singing and Early Country -- , Music in Captivity -- , Champion of the White Male Vernacular -- , Notating Spirituals -- , First Black Music Historian -- , Child Ballads and Folklore -- , Women Not Inventing Ethnomusicology -- , First Hit Songwriter, from Pop to Folk and Back Again -- , Novelist of Urban Pop Longings -- , Americana Emerges -- , Documenting the Story -- , Tin Pan Alley's Sheet Music Biz -- , First Family of Folk Collecting -- , Proclaiming Black Modernity -- , Songcatching in the Mountains -- , Part II The Jazz Age -- , Stories for the Slicks -- , Remembering the First Black Star -- , Magazine Criticism across Popular Genres -- , Harlem Renaissance -- , Tin Pan Alley's Standards Setter -- , Broadway Musical as Supertext -- , Father of the Blues in Print -- , Poet of the Blare and Racial Mountain -- , Blessed Immortal, Forgotten Songwriter -- , Tune Detective and Expert Explainer -- , Pop's First History Lesson -- , Roots Intellectual -- , Jook Ethnography, Inventing Black Music Studies -- , What He Played Came First -- , Jazz's Original Novel -- , Introducing Jazz Critics -- , Part III Midcentury Icons -- , Folk Embodiment -- , A Hack Story Soldiers Took to War -- , From Immigrant Jew to Red Hot Mama -- , White Negro Drug Dealer -- , Composer of Tone Parallels -- , Jazz's Precursor as Pop and Art -- , Field Recording in the Library of Congress Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz," 1950 -- , Dramatizing Blackness from a Distance -- , Centering Vernacular Song -- , Writing about Records -- , Collective Oral History to Document Scenes -- , The Greatest Jazz Singer's Star Text -- , Beat Generation -- , Borderlands Folklore and Transnational Imaginaries -- , New Yorker Critic of a Genre Becoming Middlebrow -- , Part IV Vernacular Counterculture -- , Blues Revivalists -- , Britpop in Fiction -- , Form-Exploding Indeterminacy -- , Science Fiction Writer Pens First Rock and Roll Novel -- , Pro-Jazz Scene Sociology -- , Reclaiming Black Music -- , An Endless Lit, Limited Only in Scope -- , Music as a Prose Master's Jagged Grain -- , How to Succeed in . . . -- , Schmaltz and Adversity -- , New Journalism and Electrified Syntax -- , Defining a Genre -- , Swing's Movers as an Alternate History of American Pop -- , Rock and Roll's Greatest Hyper -- , Ebony's Pioneering Critic of Black Pop as Black Power -- , Entertainment Journalism and the Power of Knowing -- , An Over-the- Top Genre's First Reliable History -- , Rock Critic of the Trivially Awesome -- , Black Religious Fervor as the Core of Rock and Soul -- , Jazz Memoir of "Rotary Perception" Multiplicity -- , Composing a Formal History -- , Krazy Kat Fiction of Viral Vernaculars -- , Derrière Garde Prose and Residual Pop Styles American Popular Song: The Great Innovators, 1900-1950, 1972 -- , Charts as a New Literature -- , Selling Platinum across Formats -- , Blues Relationships and Black Women's Deep Songs -- , "Look at the World in a Rock 'n' Roll Sense . . . What Does That Even Mean?" -- , Cultural Studies Brings Pop from the Hallway to the Classroom -- , A Life in Country for an Era of Feminism and Counterculture -- , Introducing Rock Critics -- , Patriarchal Exegete of Black Vernacular as "Equipment for Living" -- , Reading Pop Culture as Intellectual Obligation -- , Paging through Books to Make History -- , Historians Begin to Study Popular Music -- , Musicking to Overturn Hierarchy -- , Drool Data and Stained Panties from a Critical Noise Boy -- , Part V After the Revolution -- , Punk Negates Rock -- , The Ghostwriter behind the Music Books -- , Disco Negates Rock -- , Industry Schmoozer and Black Music Advocate Fills Public Libraries with Okay Overviews -- , Musicology's Greatest Tune Chronicler -- , Criticism's Greatest Album Chronicler -- , Rock's Frank Capra -- , Culture Studies/Rock Critic Twofer -- , A Magical Explainer of Impure Sounds -- , Feminist Rock Critic, Pop-Savvy Social Critic -- , New Deal Swing Believer Revived -- , Ethnomusicology and Pop, Forever Fraught -- , Autodidact Deviance, Modeling the Rock Generation to Come -- , The Rolling Stones of Rolling Stones Books -- , Finding the Blackface in Bluegrass -- , Cyberpunk Novels and Cultural Studies Futurism -- , Glossy Magazine Features Writer Gets History's Second Draft -- , Theorizing Sound as Dress Rehearsal for the Future -- , Classic Rock, Mass Market Paperback Style -- , Love and Rockets, Signature Comic of Punk Los Angeles as Borderland Imaginary -- , Plays about Black American Culture Surviving the Loss of Political Will -- , Putting Pop in the Big Books of Music -- , Popular Music's Defining Singer and Swinger -- , Anti-Epic Lyricizing of Black Music after Black Power -- , Lost Icon of Rock Criticism -- , Veiled Glimpses of the Songwriter Who Invented Rock and Roll as Literature -- , Making "Wild-Eyed Girls" a More Complex Narrative -- , Reporting Black Music as Art Mixed with Business -- , Sessions with the Evil Genius of Jazz -- , Part VI New Voices, New Methods -- , Literature of New World Order Americanization -- , Ethnic Studies of Blended Musical Identities -- , Ballad Novels for a Baby Boomer Appalachia -- , Pimply, Prole, and Putrid, but with a Surprisingly Diverse Genre Literature -- , How Musicology Met Cultural Studies -- , Idol for Academic Analysis and a Changing Public Sphere -- , Black Bohemian Cultural Nationalism -- , From Indie to Alternative Rock -- , Musicology on Popular Music- In Pragmatic Context -- , Listening, Queerly -- , Blackface as Stolen Vernacular -- , Media Studies of Girls Listening to Top 40 -- , Ironies of a Contested Identity -- , Two Generations of Leading Ethnomusicologists Debate the Popular -- , Defining Hip-Hop as Flow, Layering, Rupture, and Postindustrial Resistance -- , Regendering Music Writing, with the Deadly Art of Attitude -- , Soundscaping References, Immersing Trauma -- , Sociologist Gives Country Studies a Soft-Shell Contrast to the Honky-Tonk -- , All That Not-Quite Jazz -- , Jazz Studies Conquers the Academy -- , Part VII Topics in Progress -- , Paradigms of Club Culture, House and Techno to Rave and EDM -- , Performance Studies, Minoritarian Identity, and Academic Wildness -- , Left of Black: Networking a New Discourse -- , Aerobics as Genre, Managing Emotions -- , Confronting Globalization -- , Evocations of Cultural Migration Centered on Race, Rhythm, and Eventually Sexuality -- , Digging Up the Pre-Recordings Creation of a Black Pop Paradigm -- , When Faith in Popular Sound Wavers, He's Waiting -- , Codifying a Precarious but Global Academic Field -- , Salsa and the Mixings of Global Culture -- , Musicals as Pop, Nationalism, and Changing Identity -- , Musical Fiction and Criticism by the Greatest Used Bookstore Clerk of All Time -- , Poetic Ontologies of Black Musical Style -- , Rescuing the Afromodern Vernacular -- , Sound Studies and the Songs Question The Audible Past: Cultural Origins of Sound Reproduction, 2003 -- , Dylanologist Conventions -- , Two Editions of a Field Evolving Faster Than a Collection Could Contain -- , Revisionist Bluesology and Tangled Intellectual History -- , Trying to Tell the Story of a Dominant Genre -- , Refiguring American Music- And Its Institutionalization -- , Country Music Scholars Pioneer Gender and Industry Analysis -- , Where Does Classical Music Fit In -- , Poptimism, 33⅓ Books, and the Struggles of Music Critics -- , Novelists Collegial with Indie Music -- , YouTube, Streaming, and the Popular Music Performance Archive -- , Idiosyncratic Musician Memoirs-Performer as Writer in the Era of the Artist as Brand -- , Acknowledgments -- , Works Cited -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: Duke University Press Complete eBook-Package 2021, De Gruyter, 9783110743319

In: EBOOK PACKAGE COMPLETE 2021 English, De Gruyter, 9783110754001

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English, De Gruyter, 9783110754124

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899

Language: English

Keywords: Criticism, interpretation, etc

URL: https://doi.org/10.1515/9781478021391

URL: https://www.degruyter.com/isbn/9781478021391

URL: Cover

URL: https://doi.org/10.1515/9781478021391

URL: https://www.degruyter.com/isbn/9781478021391

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

UID:

Format: X, 566 S. , graph. Darst.

ISBN: 9780415771306 , 9780415771313

Content: "The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"--

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe The sound studies reader London : Routledge, 2011 ISBN 9780203723647

Language: English

Subjects: Ethnology , Musicology , General works , Sociology

Keywords: Elektroakustik ; Sound ; Musikalische Akustik ; Elektroakustik ; Kommunikation ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: XVI, 450 S. : , Ill.

Edition: 2. print.

ISBN: 0-8223-3004-0 , 0-8223-3013-X

Language: English

Subjects: History , Musicology

Keywords: Klangerzeugung ; Kultur ; Klangerzeugung ; Kultur ; Geschichte ; Schallaufzeichnung

UID:

Format: XVI, 450 S. : , Ill.

Edition: 3. printing

ISBN: 978-0-8223-3013-4 , 0-8223-3013-x , 0-8223-3004-0

Note: Incl. bibliographical references and index, Literaturverz.: S. 415 - 436 ; Sound / Music, Studies / History of Technology

Language: English

Subjects: History , Musicology

Keywords: Klangerzeugung ; Kultur ; Geschichte ; Klangerzeugung ; Kultur ; Schallaufzeichnung

UID:

Format: X, 257 S. , graph. Darst. , 23 cm

Edition: 1. ed.

ISBN: 9781597180498 , 1597180491

Note: Literaturangaben

Language: English

Subjects: Computer Science , Economics , Psychology , Sociology

Keywords: Metaanalyse ; Stata

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource (VIII, 292 p.)

Edition: Issued also in print

ISBN: 9783110730791

Series Statement: acoustic studies düsseldorf 5

Content: "Acoustic intelligence" designates a form of surveillance-listening in art and society. In this edited volume, it is the concept guiding the analysis of acoustic spying and surveillance scenarios in media. At the same time, Acoustic Intelligence draws attention to the agency of intelligent machines and algorithms. Its phenomena and fields of analysis constantly shift between the semantic poles of listening and obeying

Content: Durch die zunehmende Digitalisierung und kommunikative Vernetzung gesellschaftlicher Prozesse werden auch Fragen nach Überwachungstechnologien und Abhörszenarien akut. Intelligente Systeme, wie Smartdevices oder virtuelle Sprachassistenten, erzeugen riesige Datenmengen und erlauben somit hermeneutische Kurzschlüsse zwischen Big Brother und Big Data. Für den Sammelband ist daher der Begriff Acoustic Intelligence leitgebend, der einen Bedeutungshorizont von militärischem Informationsgewinn und überwachendem Hören im Zusammenhang von Kunst und Gesellschaft eröffnet. Hieraus folgen zum einen Perspektivierungen, die das Ohrenmerk auf die Herausbildung akustischer Überwachungs- und Reglementierungsprozesse legen. Zum anderen rücken bei einem weiteren Verständnis von Acoustic Intelligence auch maschinelle agencies in den Fokus, beispielsweise in Form selbstlernender Algorithmen und künstlicher Intelligenzen. Für den Band stellen sich somit Fragen nach Hörregimen, -techniken und Dispositiven, wie auch nach der Autonomie von Kompositions- und Hörgeräten im Kontext elektronischer und digitaler Medien. Dabei bewegen sich die Untersuchungsfelder und akustischen Phänomene stets in einem semantischen Spannungsfeld zwischen Hören und Gehorchen

Note: Frontmatter , Inhalt , Vorwort , Acoustic Intelligence , Teil 1: Panakustik , Intermezzo , (Gegen) die kommende Welt hörender Maschinen , Hören macht Macht , Intermezzo , Machine Listening als aktiver Prozess in interaktiven Kompositionen , Hören, was die Maschine hört , Intermezzo , Was bedeutet es, Machine Listening als eine Form des Hörens zu begreifen? , Teil 2: Monitor , Maschinelle Intelligenz?! , Intermezzo , AV3RY & CRAWLERS , „A Wall of Sound“ , Intermezzo , Schizo Sonics , Die zweifache akustische Intelligenz virtueller Sprachassistenten zwischen verteilter Kooperation und Datafizierung , Intermezzo , Lektionen, wie man (nicht) gehört wird , Teil 3: Agent , Musik(tabellen)formulare: Musikmach(t)dinge von Musikklangverwaltungen , Intermezzo , Improvisation und Kontrolle , Streamability , Intermezzo , #dirigate , „Recognized by sound“ , Intermezzo , Mycelium Melody , Beiträger*innen , Index , Issued also in print , In German

Additional Edition: ISBN 9783110730869

Additional Edition: ISBN 9783110727203

Additional Edition: Erscheint auch als print ISBN 9783110727203

Language: German

DOI: 10.1515/9783110730791

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: https://doi.org/10.1515/9783110730791

URL: https://www.degruyter.com/isbn/9783110730791

UID:

Format: 1 Online-Ressource (472 Seiten) : , Illustrationen.

ISBN: 978-0-8223-8425-0

Content: The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death.Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English

Language: English

Subjects: Musicology

DOI: 10.1515/9780822384250

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://doi.org/10.1515/9780822384250

URL: https://www.degruyter.com/isbn/9780822384250