feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Subjects(RVK)
Access
  • 1
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV040608822
    Format: XIV, 448 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-1-107-01430-5
    Note: Literaturverz. S. 408 - 438. - Rez.: The Wagner journal 8 (2014),2, S. 83 - 87 (Tash Siddiqui); Wagnerspectrum 11 (2015),2, S. 228-234 (Hans-Joachim Hinrichsen)
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1813-1883 Wagner, Richard ; Melodie ; Musikästhetik
    Author information: Trippett, David 1980-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9958093683902883
    Format: 1 online resource (xiv, 448 pages) : , digital, PDF file(s).
    ISBN: 1-139-88851-X , 1-107-06496-1 , 1-107-05656-X , 1-107-05445-1 , 1-107-05766-3 , 1-139-01370-X , 1-107-05891-0 , 1-107-05547-4
    Content: Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and "original truth" -- Wagner's material expression. , English
    Additional Edition: ISBN 1-316-61823-4
    Additional Edition: ISBN 1-107-01430-1
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Cambridge, United Kingdom :Cambridge University Press,
    UID:
    almahu_BV046189343
    Format: 1 Online-Ressource (xv, 381 Seiten).
    ISBN: 978-1-316-27586-3
    Content: Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-11125-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-107-52902-1
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Oper ; Gesang ; Wissenschaft ; Technologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Trippett, David, 1980-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    UID:
    b3kat_BV046206006
    Format: xiv, 332 Seiten , Illustrationen
    ISBN: 9781107161788 , 9781316614075
    Series Statement: Cambridge companions to music
    Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-108-66572-8
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Neue Medien ; Internet ; Digitale Revolution ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Trippett, David 1980-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Oxford :Oxford University Press,
    UID:
    almahu_9948021595802882
    Format: 1 online resource.
    ISBN: 9780191742286 (ebook) :
    Content: Carl Stumpf was one of the founding fathers of Gestalt psychology. In this volume, first published in German in 1911 he discusses the origin and forms of musical activity as well as various theories on the origin of music.
    Note: Translated and edited by David Trippett. , At foot of title: European Society for the Cognitive Sciences of Music. , Translated from the German.
    Additional Edition: Print version ISBN 9780199695737
    Language: English
    Keywords: Quelle ; Autobiografie ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    UID:
    almahu_BV046158910
    Format: 1 Online-Ressource (xiv, 332pages).
    ISBN: 9781316676639
    Series Statement: Cambridge companions to music
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-16178-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-316-61407-5
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Neue Medien ; Internet ; Digitale Revolution ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Trippett, David, 1980-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Book
    Book
    Oxford : Oxford University Press
    UID:
    gbv_720768039
    Format: XIII, 267 S. , Ill., Notenbeisp. , 24 cm
    Edition: 1. ed.
    ISBN: 0199695733 , 9780199695737
    Uniform Title: Die Anfänge der Musik 〈engl.〉
    Note: Translated from the German
    Additional Edition: Erscheint auch als Online-Ausgabe Stumpf, Carl, - 1848-1936. The origins of music Oxford : Oxford University Press, 2012 ISBN 9780191742286
    Language: English
    Subjects: History
    RVK:
    Keywords: Musik ; Entstehung ; Geschichte 1911 ; Stumpf, Carl 1848-1936 ; Stumpf, Carl 1848-1936 ; Musik ; Geschichte ; Quelle ; Autobiografie ; Bibliografie
    Author information: Trippett, David 1980-
    Author information: Stumpf, Carl 1848-1936
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    UID:
    almafu_9959695705502883
    Format: 1 online resource (xiv, 332 pages) : , digital, PDF file(s).
    ISBN: 1-108-62543-6 , 1-108-66572-1 , 1-316-67663-3
    Series Statement: Cambridge companions to music
    Content: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019).
    Additional Edition: ISBN 1-107-16178-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    UID:
    almahu_9949744116002882
    Format: 1 online resource (xxiv, 459 pages) : , digital, PDF file(s).
    ISBN: 9781108871150 (ebook)
    Series Statement: Composers in context
    Content: Few composers embodied wider cultural interests than Wagner or had greater cultural consequences. This is the first collection to examine directly the rich array of intellectual, social and cultural contexts within which Wagner worked. Alongside fresh accounts of historical topics, from spa culture to racial theory, sentient bodies to stage technology, America to Spain, it casts an eye forward to contexts of Wagner's ongoing reception, from video gaming to sound recording, Israel to Friedrich Kittler, and twenty-first century warfare. The collection brings together an international cast of leading authorities and new voices. Its 42 short chapters offer a reader-friendly way into Wagner studies, with authoritative studies of central topics set alongside emerging new fields. It sheds new light on previously neglected individuals such as Minna Wagner, Theodor Herzl and Houston Stewart Chamberlain, and investigates/assesses/examines the global circulation of Wagner's works, his approach to money, and the controversies that continue to accompany him.
    Note: Title from publisher's bibliographic system (viewed on 14 Mar 2024). , Place. Paris / Katharine Ellis ; Dresden / Thomas S. Grey ; Zurich and Lucerne / Chris Walton ; Italy / Ellen Lockhart ; London / Barry Millington ; Bayreuth as City : a Wagnerian Chronology / Sven Friedrich ; America / Leon Botstein ; Spain in the Cosmos of Richard Wagner / Dieter Borchmeyer --People. Franz Liszt / Joanne Cormac ; Nietzsche and Wagner : The Logic of Contradiction / Federico Celestini / Wagner, Schopenhauer and the World as a Phantasmagoria / Robert Wicks ; Assessing Wilhelmine Schröder-Devrient : influence, genre, and voice / Anno Mungen ; Cosima Wagner / Eva Rieger ; The Wagner Family : Rebellion, Honour, Aftermath / John Deathridge -- Politics, Ideas & Bodies. National Politics / Tim Blanning ; Revolutionary Politics / Mark Berry ; World Drama : Wagner's Hegelian Heritage / Günter Zöller ; Towards an 'ideal' Feminine / Eva Rieger ; Health & Wellness / Holly Watkins ; Sexuality & Social Mores / Barry Millington ; Sentient Bodies / David Trippett ; Racial Theory / George Williamson -- Life, Language & The Ancient World. Wagner's Finances / Sven Friedrich ; Wagner's Apprenticeship / Anna Stoll Knecht ; Wagner's Mendacious Humanism : Wagnerian Rhetoric between Nature and the Human / Kirsten Paige ; Declaiming Wagner : between Genesis and Historical Performance Practice / Martin Knust ; The German Study of India and Buddhism / Douglas McGetchin ; Greek Drama in its Nineteenth-Century Reception / Michael Ewans -- Music & Performance. Orchestration / Edward Reeve ; Wagner and Music Analysis : Siegfried and the Rhinemaidens / Patrick McCreless ; The Scene of Grand Opera / Barbara Eichner ; Wagner on the Move / Charlotte Bentley ; Stage Technology / Gundula Kreuzer ; Historic Staging (1876-1976) / Patrick Carnegy -- Reception. Regietheater in Performance / Clemens Risi ; Twentieth-Century Reception and anti-Semitisim / Pamela Potter ; Bayreuth as Idea : Chamberlain, Wolzogen, Hitler / Udo Bermbach ; Performing Wagner in Israel : An Affront or a Tribute? / Victor Nefkens ; Nineteenth-Century Music Criticism / Alexander Wilfing ; Wotan's Stormtroopers and the Total Art Machine : Kittler's Ring of the Nibelung / Geoffrey Winthrop-Young ; Sound Recording / Laura Tunbridge ; The Wagnerian Erotics of Video Game Music / Tim Summers.
    Additional Edition: Print version: ISBN 9781108836463
    Language: English
    Subjects: Musicology
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    UID:
    b3kat_BV040930798
    ISSN: 0177-4182
    In: Musiktheorie, Laaber, 24(2009)3, S. 228 - 237, 0177-4182
    Language: English
    Keywords: Kolisch, Rudolf 1896-1978 ; Adorno, Theodor W. 1903-1969
    Author information: Trippett, David 1980-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages