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  • 1
    Online Resource
    Online Resource
    Ann Arbor :University of Michigan Press,
    UID:
    almahu_9949616133402882
    Format: 1 online resource (351 pages)
    Edition: 1st ed.
    ISBN: 9780472903917
    Note: Intro -- Contents -- Conventions -- Acknowledgments -- Abbreviations -- Archives -- Timeline of Events -- Introduction: The War in Memory -- Part I. The End of Literati Politics -- 1. The Revolutionary -- 2. The Statesman -- 3. The "Traitor" -- Part II. The Poetics of Memory -- 4. Poetry as Mnemonic Atlas -- 5. The Iconography of an Assassin -- 6. The Impossibility of Remembering the Past at Nanjing -- Epilogue: Poetry against Oblivion -- Notes -- Selected Bibliography -- Index.
    Additional Edition: Print version: Yang, Zhiyi Poetry, History, Memory Ann Arbor : University of Michigan Press,c2023 ISBN 9780472056507
    Language: English
    Keywords: Electronic books. ; Biografie
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill
    UID:
    gbv_1778636225
    Format: 1 Online-Ressource (248 p.)
    ISBN: 9789004298538
    Series Statement: Sinica Leidensia
    Content: In Dialectics of Spontaneity, Zhiyi Yang examines the aesthetic and ethical theories of Su Shi, the primary poet, artist, and statesman of Northern Song. Readership: All interested in Chinese literature, aesthetics and ethics, in particular Su Shi, in the comparative discussion about spontaneity, and those concerned with the reception history of Tao Qian or with inner alchemy
    Note: English
    Language: English
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  • 3
    UID:
    gbv_1881133230
    Format: 1 Online-Ressource
    Edition: 1. Aufl.
    ISBN: 9783593457659
    Series Statement: China – Normen, Ideen, Praktiken 3
    Content: Biographical note: Sabine Dabringhaus ist Historikerin und Professorin für Außereuropäische Geschichte (Schwerpunkt Ostasien) an der Universität Freiburg. Thomas Duve ist Direktor am Max-Planck-Institut für Rechtsgeschichte und Rechtstheorie in Frankfurt am Main und Professor für vergleichende Rechtsgeschichte am Fachbereich Rechtswissenschaft der Universität Frankfurt. Hans van Ess, Professor für Sinologie und Vizepräsident für Forschung an der Universität München, ist seit 2015 Präsident der Max-Weber-Stiftung. Albrecht Graf v. Kalnein, Historiker und Romanist, ist Vorstand der Werner Reimers Stiftung in Bad Homburg mit Lehrauftrag an der Universität Mainz.
    Content: Was zeichnet den sozialistischen Rechtsstaat chinesischer Prägung aus? Warum verbindet die Kommunistische Partei Rechtsherrschaft mit dem Konzept der Tugendherrschaft? Sind Anleihen an die Tradition des Konfuzianismus nur einem vordergründigen Bemühen der Partei um Legitimität geschuldet oder gehören sie zu den wesentlichen Inhalten der chinesischen Rechtsmodernisierung? Dieses Buch bewertet die chinesische Rechtsentwicklung nicht anhand von Maßstäben liberaler Rechtsstaatlichkeit, sondern untersucht die chinesische Realität eines der Parteiführung unterworfenen Rechtssystems aus der Innenperspektive. Liangs Ausgangspunkt sind dabei die innere Logik gesellschaftlicher Entwicklung sowie die Perspektiven der chinesischen Akteure. Diesem Ansatz folgend, der sowohl die chinesische Rechtskultur wie auch die Parteiideologie als Grundlagen des Rechts ernst nimmt, erläutert der Autor an konkreten Beispielen die Rolle des Rechts in der chinesischen Gesellschaft.
    Additional Edition: ISBN 9783593518992
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783593518992
    Language: German
    URL: Cover
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  • 4
    UID:
    gbv_175557097X
    Format: 1 Online-Ressource (xi, 236 pages)
    ISBN: 9789004298538
    Series Statement: Sinica Leidensia volume 122
    Content: Preliminary Material -- Introduction -- 1 The Poet as a Perfect Mirror -- 2 The Making of Spontaneity in a Work of Art -- 3 Eloquent Stones -- 4 Return to an Inner Utopia -- 5 The Spontaneous Body -- Towards a Conclusion -- Bibliography -- Index.
    Content: In Dialectics of Spontaneity , Zhiyi Yang examines Su Shi’s poetry on art and connoisseurship, his emulation of Tao Qian in exile poetry, and his inner alchemical practice. She argues that the concept of absolute spontaneity is defined negatively, and artistic and ethical spontaneity which can be actualized must be provisional and conditioned. This book argues that Su Shi’s lyrical persona of a 'spontaneous genius' is a construction that serves various rhetorical and existential purposes. Making use of Su’s prolific works and referring to a broad scope of Western philosophy, this book not only enriches the literature on Su Shi, but further attempts to engages Chinese literature in a cross-cultural and interdisciplinary dialogue
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004298491
    Additional Edition: Erscheint auch als Druck-Ausgabe Yang, Zhiyi, 1981 - Dialectics of spontaneity Leiden : Brill, 2015 ISBN 9789004298491
    Language: English
    Keywords: Su, Shi 1037-1101 ; Lyrik ; Electronic books ; Electronic books
    URL: DOI
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  • 5
    UID:
    almahu_9948368392702882
    Format: 1 online resource (248 pages)
    Edition: 1st ed.
    ISBN: 90-04-29853-3
    Series Statement: Sinica Leidensia ; v. 122
    Content: In Dialectics of Spontaneity , Zhiyi Yang examines Su Shi’s poetry on art and connoisseurship, his emulation of Tao Qian in exile poetry, and his inner alchemical practice. She argues that the concept of absolute spontaneity is defined negatively, and artistic and ethical spontaneity which can be actualized must be provisional and conditioned. This book argues that Su Shi’s lyrical persona of a 'spontaneous genius' is a construction that serves various rhetorical and existential purposes. Making use of Su’s prolific works and referring to a broad scope of Western philosophy, this book not only enriches the literature on Su Shi, but further attempts to engages Chinese literature in a cross-cultural and interdisciplinary dialogue.
    Note: Preliminary Material -- Introduction -- 1 The Poet as a Perfect Mirror -- 2 The Making of Spontaneity in a Work of Art -- 3 Eloquent Stones -- 4 Return to an Inner Utopia -- 5 The Spontaneous Body -- Towards a Conclusion -- Bibliography -- Index. , English
    Additional Edition: ISBN 90-04-29849-5
    Language: English
    Keywords: Criticism, interpretation, etc. ; History. ; Criticism, interpretation, etc. ; History.
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  • 6
    UID:
    gbv_1759363375
    Format: 62 Seiten , 黑白图 , 10 cm
    Edition: 初版
    Original writing title: 胡四娘
    Original writing person/organisation: 蒲松龄
    Original writing publisher: 山东省 : 山东人民出版社
    Series Statement: Liao zhai zhi yi gu shi xuan 36
    Language: Chinese
    Keywords: Comic
    Author information: Pu, Songling 1640-1715
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  • 7
    UID:
    gbv_1812223978
    Format: 100 Seiten
    Edition: Online-Ausgabe Bei jing 2012 1 Online-Ressource Min guo tu shu shu ju ku = Early Twentieth Century Book in China, 1911-1949. tu shu ; yi qi
    Original writing title: 食物疗病常识(续编)
    Original writing publisher: 上海 : 国医出版社
    Note: Pinyin-Umschrift und Langzeichen wurden automatisiert erstellt , System requirements: Internet browser, Acrobat reader with Adobe simplified Chinese fonts.
    Language: Chinese
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  • 8
    Online Resource
    Online Resource
    [S.l.] :UNIV OF MICHIGAN PRESS,
    UID:
    kobvindex_HPB1404445939
    Format: 1 online resource
    ISBN: 9780472903917 , 0472903918
    Content: Wang Jingwei, poet and politician, patriot and traitor, has always been a figure of major academic and popular interest. Until now, his story has never been properly told, let alone critically investigated. The significance of his biography is evident from an ongoing war on cultural memory: modern mainland China prohibits serious academic research on wartime collaboration in general, and on Wang Jingwei in particular. At this critical juncture, when the recollection of World War II is fading from living memory and transforming into historical memory, this knowledge embargo will undoubtedly affect how China remembers its anti-fascist role in WWII. In Poetry, History, Memory: Wang Jingwei and China in Dark Times, Zhiyi Yang brings us a long overdue reexamination of Wang's impact on cultural memory of WWII in China. In this book, Yang brings disparate methodologies into a fruitful dialogue, including sophisticated methods of poetic interpretation. The author argues that Wang's lyric poetry, as the public performance of a private voice, played a central role in constructing his political identity and heavily influenced the public's posthumous memory of him. Drawing on archives (in the PRC, Taiwan, Japan, the USA, France, and Germany), memoires, historical journals, newspapers, interviews, and other scholarly works, this book offers the first biography of Wang that addresses his political, literary, and personal life in a critical light and with sympathetic impartiality.
    Note: Intro -- Contents -- Conventions -- Acknowledgments -- Abbreviations -- Archives -- Timeline of Events -- Introduction: The War in Memory -- Part I. The End of Literati Politics -- 1. The Revolutionary -- 2. The Statesman -- 3. The "Traitor" -- Part II. The Poetics of Memory -- 4. Poetry as Mnemonic Atlas -- 5. The Iconography of an Assassin -- 6. The Impossibility of Remembering the Past at Nanjing -- Epilogue: Poetry against Oblivion -- Notes -- Selected Bibliography -- Index
    Additional Edition: Print version: ISBN 0472056506
    Additional Edition: ISBN 9780472056507
    Additional Edition: ISBN 0472076507
    Additional Edition: ISBN 9780472076505
    Language: English
    Keywords: Electronic books. ; Criticism, interpretation, etc.
    URL: JSTOR
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Michigan Press
    UID:
    gbv_1877796921
    Format: 1 Online-Ressource (351 p.)
    ISBN: 9780472076505 , 9780472056507
    Content: Wang Jingwei, poet and politician, patriot and traitor, has always been a figure of major academic and popular interest. Until now, his story has never been properly told, let alone critically investigated. The significance of his biography is evident from an ongoing war on cultural memory: modern mainland China prohibits serious academic research on wartime collaboration in general, and on Wang Jingwei in particular. At this critical juncture, when the recollection of World War II is fading from living memory and transforming into historical memory, this knowledge embargo will undoubtedly affect how China remembers its anti-fascist role in WWII. In Poetry, History, Memory: Wang Jingwei and China in Dark Times, Zhiyi Yang brings us a long overdue reexamination of Wang’s impact on cultural memory of WWII in China. In this book, Yang brings disparate methodologies into a fruitful dialogue, including sophisticated methods of poetic interpretation. The author argues that Wang’s lyric poetry, as the public performance of a private voice, played a central role in constructing his political identity and heavily influenced the public’s posthumous memory of him. Drawing on archives (in the PRC, Taiwan, Japan, the USA, France, and Germany), memoires, historical journals, newspapers, interviews, and other scholarly works, this book offers the first biography of Wang that addresses his political, literary, and personal life in a critical light and with sympathetic impartiality
    Note: English
    Language: Undetermined
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  • 10
    Online Resource
    Online Resource
    Shang hai
    UID:
    gbv_1843936534
    Format: 68 Seiten
    Edition: 4版
    Edition: Online-Ausgabe Bei jing 2016 1 Online-Ressource Min guo tu shu shu ju ku = Early Twentieth Century Books in China, 1911-1949. tu shu ; er qi
    Original writing title: 神经衰弱浅说
    Original writing publisher: 上海 : 国医出版社
    Note: Pinyin-Umschrift und Langzeichen wurden automatisiert erstellt , System requirements: Internet browser, Acrobat reader with Adobe simplified Chinese fonts.
    Language: Chinese
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