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  • Musicology
  • Licensed  (4)
  • 1
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    UID:
    b3kat_BV047194959
    Format: 1 Online-Ressource (xii, 351 Seiten) , Illustrationen
    ISBN: 9780226740485
    Series Statement: New material histories of music
    Content: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Content: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-74034-8
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV047831803
    Format: 1 Online-Ressource (XVI, 523 S. 46 Abb)
    Edition: 1st ed. 2021
    ISBN: 9783476057747
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-476-05773-0
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Wagner, Richard 1813-1883 Der Ring des Nibelungen ; Wagner, Richard 1813-1883 Tristan und Isolde ; Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg ; Wagner, Richard 1813-1883 Parsifal ; Musikalische Form ; Wagner, Richard 1813-1883 ; Nietzsche, Friedrich 1844-1900 ; Musikphilosophie ; Musikästhetik
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Hiemke, Sven 1962-
    Author information: Berger, Karol 1947-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge Univ. Press
    UID:
    gbv_832158623
    Format: Online-Ressource (XXXV, 850 S.) , Ill., graph. Darst.
    Edition: Cambridge histories online
    ISBN: 9781139057813
    Series Statement: The Cambridge history of music
    Content: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781107015241
    Additional Edition: ISBN 1107015243
    Additional Edition: Druckausg. The Cambridge history of fifteenth-century music Cambridge : Cambridge University Press, 2015 ISBN 9781107015241
    Additional Edition: ISBN 9781108791885
    Additional Edition: ISBN 1107015243
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Geschichte 1400-1500
    URL: Volltext  (lizenzpflichtig)
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  • 4
    UID:
    gbv_1676294902
    Format: 1 Online-Ressource (xi, 242 Seiten)
    Edition: Second edition
    ISBN: 9781315408583
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781138222137
    Additional Edition: ISBN 9781138222144
    Additional Edition: Erscheint auch als Druck-Ausgabe Theory for ethnomusicology New York : Routledge, Taylor & Francis Group, 2019 ISBN 9781138222137
    Additional Edition: ISBN 9781138222144
    Language: English
    Subjects: Musicology
    RVK:
    URL: Volltext  (lizenzpflichtig)
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