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  • 1
    Online Resource
    Online Resource
    Feminism/femininity in Chinese literature (2002)
    Amsterdam [u.a.] : Rodopi
    Details
    UID:
    gbv_61624830X
    Format: Online-Ressource (XII, 219 S.)
    Edition: Online-Ausg.
    ISBN: 9789004333987
    Series Statement: Critical studies 18
    Content: INTRODUCTION /PENG-HSIANG CHEN and WHITNEY CROTHERS DILLEY -- MING-QINGWOMEN POETS AND CULTURAL ANDROGYNY /KANG-I SUN CHANG -- WOMEN’S AUTOBIOGRAPHY AS COUNTER-DISCOURSE: THE CASES OF DOROTHY LIVESAY AND YU LOUJIN /JOHN (ZHONG) MING CHEN -- REJECTION OF POSTMODERN ABANDON: ZHU TIANWEN’S FIN-DE-SIÈCLE SPLENDOR /SHU-CHEN CHIANG -- IDENTITY POLITICS IN CONTEMPORARY WOMEN’S NOVELS IN TAIWAN /KUEI-FEN CHIU -- MAN INWOMAN’S VOICE AND VICE VERSA: THE CHINESE AND ENGLISH FEMALE-PERSONA LYRICS—A RESPONSE TO SOME CONCEPTS IN FEMINIST CRITICISM /TIM-HUNG KU -- FEMALE IDENTITY IN CONTEMPORARY CHINESE ANDWESTERN LITERATURE: ZHANG XINXIN AND VIRGINIAWOOLF /LAU KAM-FUNG -- RESISTING WHILE HOLDING THE TRADITION—CLAIMS FOR RIGHT RAISED IN LITERATURE BY CHINESEWOMENWRITERS IN THE NEW PERIOD /LI XIAOJIANG -- THE DISAPPEARANCE AND REVIVAL OF FEMININE DISCOURSE /LI ZIYUN -- CASTRATION PARODY AND MALE ‘CASTRATION’: EILEEN CHANG’S FEMALEWRITING AND HER ANTI-PATRIARCHAL STRATEGY /LIM CHIN CHOWN -- FILMIC TRANSPOSITION OF THE ROSES: STANLEY KWAN’S FEMININE RESPONSE TO EILEEN CHANG’SWOMEN /JOYCE CHI-HUI LIU -- SEX HISTORIES: ZHANG JINGSHENG’S SEXUAL REVOLUTION /PENG HSIAO-YEN -- IBSENISM AND IDEOLOGICAL CONSTRUCTIONS OF THE ‘NEWWOMAN’ IN MODERN CHINESE FICTION /KWOK-KAN TAM -- LITERARY CALLS FROMWOMEN NOVELISTS /WANG FEI -- FEMINIST THEORY AND CONTEMPORARY CHINESE FEMALE LITERATURE /WANG NING -- BIBLIOGRAPHY /Peng-hsiang Chen and Whitney Crothers Dilley.
    Content: The present volume of Critical Studies is a collection of selected essays on the topic of feminism and femininity in Chinese literature. Although feminism has been a hot topic in Chinese literary circles in recent years, this remarkable collection represents one of the first of its kind to be published in English. The essays have been written by well-known scholars and feminists including Kang-I Sun Chang of Yale University, and Li Ziyun, a writer and feminist in Shanghai, China. The essays are inter- and multi-disciplinary, covering several historical periods in poetry and fiction (from the Ming-Qing periods to the twentieth century). In particular, the development of women’s writing in the New Period (post-1976) is examined in depth. The articles thus offer the reader a composite and broad perspective of feminism and the treatment of the female in Chinese literature. As this remarkable new collection attests, the voices of women in China have begun calling out loudly, in ways that challenge prevalent views about the Chinese female persona
    Note: Literaturangaben
    Additional Edition: ISBN 9042007273
    Additional Edition: Erscheint auch als Online-Ausgabe Feminism/femininity in Chinese literature Amsterdam ; New York : Rodopi, 2002
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    EG 9960
    Keywords: Chinesisch ; Literatur ; Frau ; Aufsatzsammlung
    DOI: 10.1163/9789004333987
    URL: Volltext
    URL: Volltext
    URL: Volltext
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    UB Potsdam
  • 2
    Online Resource
    Online Resource
    The Cambridge handbook of Chinese linguistics (2022)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    UID:
    b3kat_BV048495156
    Format: 1 online resource (xiv, 713 Seiten)
    ISBN: 9781108329019
    Series Statement: Cambridge handbooks in language and linguistics
    Content: The linguistic study of Chinese, with its rich morphological, syntactic and prosodic/tonal structures, its complex writing system, and its diverse socio-historical background, is already a long-established and vast research area. With contributions from internationally renowned experts in the field, this Handbook provides a state-of-the-art survey of the central issues in Chinese linguistics. Chapters are divided into four thematic areas: writing systems and the neuro-cognitive processing of Chinese, morpho-lexical structures, phonetic and phonological characteristics, and issues in syntax, semantics, pragmatics, and discourse. By following a context-driven approach, it shows how theoretical issues in Chinese linguistics can be resolved with empirical evidence and argumentation, and provides a range of different perspectives. Its dialectical design sets a state-of-the-art benchmark for research in a wide range of interdisciplinary and cross-lingual studies involving the Chinese language. It is an essential resource for students and researchers wishing to explore the fascinating field of Chinese linguistics
    Note: Title from publisher's bibliographic system (viewed on 25 Aug 2022) , Writing system/neuro-cognitive processing of Chinese. Phonological awareness, orthography, and learning to reading Chinese / Jun-Ren Lee and Chu-Ren Huang -- Semantic awareness in reading / Chia-Ying Lee -- Morpho-lexical issues. Wordhood and disyllabicity in Chinese / James Myers -- Characters as basic lexical units and mono-syllabicity in Chinese / Chu-Ren Huang, Hongjun Wang and I-Hsuan Chen -- Parts-of-speech in Chinese and how to identify them / Weidong Zhan and Xiaojing Bai -- Gaps in parts-of-speech in Chinese and why? / Marie-Claude Paris -- Derivational and inflectional affixes in Chinese and their morphosyntactic properties / Dingxu Shi and Chu-Ren Huang -- The extreme poverty of affixation in Chinese: rarely derivational and hardly affixational / Shu-kai Hsieh, Jia-Fai Hong and Chu-Ren Huang -- On an integral theory of word-formation in Chinese and beyond / Yafei Li -- , - Compounding is semantics-driven in Chinese / Zuoyan Song, Jiajuan Xiong, Qingqing Zhao and Chu-Ren Huang -- Phonetic-phonological issues in Chinese. The morphophonology of Chinese affixation / Yen-Hwei Lin -- Mandarin Chinese syllable structure and phonological similarity: perception and production studies / Karl Neergaard and Chu-Ren Huang -- Tonal processes defined as articulatory-based contextual tonal variation / Yi Xu and Albert Lee -- Tonal processes defined as tone sandhi / Jie Zhang -- Tonal processes conditioned by morphosyntax / Lian-Hee Wee -- Tone and intonation / Yiya Chen -- Evidence for stress and metrical structure in Chinese / San Duanmu -- Perceptual normalization of lexical tones: behavioral and neural evidence / Caicai Zhang and Willaim Shi Yuan Wang -- Syntax-semantic, pragmatics, discourse issues. SVO as the canonical word order in modern Chinese / Feng-hsi Liu -- SOV as the canonical word order in modern Chinese / Jie Xu and Sicong Dong -- , - Semantic and pragmatic conditions on word order variation in Chinese / Jeeyoung Peck -- The case for Case in Chinese / Audrey Y.-H. Li -- The case without Case in Chinese: issues and alternative approaches / Hsu Yu Yin -- The syntax of classifiers in Mandarin Chinese / Li Jiang, Peter Jenks and Jing Jin -- The Chinese classifier system as a lexical-semantic system / I-Hsuan Chen, Kathlen Ahrens and Chu-Ren Huang -- Syntax of final sentence-final particles in Chinese / Sze-wing Tang and Siu-pong Cheng -- Sentence final particles: sociolinguistic and discourse perspectives / Zhuo Jing-Schmidt -- Topicalization defined by syntax / Dylan W.T. Tsai -- An interactive perspective on topic constructions in Mandarin: some new findings based on natural conversation / Hongyin Tao -- Grammatical acceptability in Mandarin Chinese / Yao Yao, Xhi-guo Xie, Chien-Jer Charles Lin and Chu-Ren Huang.〈br〉
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-108-42007-5
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    EG 9000
    Keywords: Chinesisch ; Linguistik
    DOI: 10.1017/9781108329019
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
  • 3
    Online Resource
    Online Resource
    Text, performance, and gender in Chinese literature and music : essays in honor of Wilt Idema (2009)
    Leiden : Brill
    Details
    UID:
    gbv_665176996
    Format: Online-Ressource (vii, 465 p) , ill., port , 25 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    ISBN: 9789047441410
    Series Statement: Sinica Leidensia v. 92
    Content: Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its inclusiveness and its ability to let different historical periods, genres and issues speak to one another, and to make the riches of Chinese literature accessible to a wide range of readers. In honor of his work, this collection brings together new research by twenty-two prominent scholars in a field of tremendous scope and diversity ...
    Note: Includes bibliographical references and index , Acknowledgments; List of Illustrations; Introduction; A Poetic Narrative of Change: Du Fu's Poetic Sequence "Going Out the Passes: First Series" (Stephen Owen); Autobiographical Features in Bai Juyi's "Biography of the Maestro of Mellow Versification" (Victor H. Mair and Rostislav Berezkin); Luo Binwang's Defense of a Jilted Lady: "Amorous Feelings: On Behalf of Miss Guo Sent to Lu Zhaolin" (David R. Knechtges); The Fall of Former Shu in 925: An Eyewitness Account (Glen Dudbridge); The Elder of the Eastern Hall Reforms a Prodigal Son: A Play by Qin Jianfu (Robert E. Hegel) , Time Management and Self-Control: Self-Help Guides in Yuan (Stephen H. West)Rethinking Li Kaixian's Editorship of Revised Plays by Yuan Masters: A Comparison with His Banter about Lyrics (Tian Yuan Tan); Singing in Place of Screaming: Subversion As Satire in Late Imperial China (Kimberly Besio); The Shape of Things: Locating the Self in Xu Wei's Zen Master Yu Has a Voluptuous Dream (Shiamin Kwa); Passion and Chastity: Meng Chengshun and the Fall of the Ming (Katherine Carlitz); The Representation of Sovereignty in Chinese Vernacular Fiction (Xiaofei Tian) , Music and Dramatic Lyricism in Hong Sheng's Palace of Eternal Life (Ayling Wang)Between Performance, Manuscript, and Print: Imagining the Musical Text in Seventeenth-Century Plays and Songbooks (Judith T. Zeitlin); Guangdong's Talented Women of the Eighteenth Century (Ellen Widmer); Unorthodox Female Figures in Zhu Suxian's Linked Rings of Jade (Siao-chen Hu); The Poetess and the Precept Master: A Selection of Daoist Poems by Gu Taiqing (Beata Grant); In Search of a Genuine Chinese Sound: Jiang Wenye and Modern Chinese Music (David Der-wei Wang) , The Guo Guan Ritual Shadow Play of Huanxian (Frank Kouwenhoven and Antoinet Schimmelpenninck)Rejective Poetry Sound and Sense in Yi Sha (Maghiel van Crevel); Master of the Web: Chen Cun and the Continuous Avant-Garde (Michel Hockx); Wilt Idema: A Bibliography; Notes on Contributors; Index , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9004179062
    Additional Edition: ISBN 9789004179066
    Additional Edition: Erscheint auch als Druck-Ausgabe Text, performance, and gender in Chinese literature and music Leiden [u.a.] : Brill, 2009 ISBN 9789004179066
    Additional Edition: ISBN 9004179062
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    EG 6655
    Keywords: Chinesisch ; Literatur ; Musik ; Theaterstück ; Aufsatzsammlung ; Aufsatzsammlung ; Festschrift
    DOI: 10.1163/ej.9789004179066.i-468
    URL: Volltext
    URL: DOI
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  • 4
    Online Resource
    Online Resource
    Tone Sandhi : patterns across Chinese dialects (2000)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_883361884
    Format: 1 Online-Ressource (xx, 554 pages) , digital, PDF file(s)
    ISBN: 9780511486364
    Series Statement: Cambridge studies in linguistics 92
    Content: Matthew Chen's study, first published in 2000, offers a most comprehensive analysis of the rich and complex patterns of tone used in Chinese languages. Chinese has a wide repertoire of tones which undergo often surprising changes when they are connected in speech flow. The term tone sandhi refers to this tonal alternation. Chen examines tone sandhi phenomena in detail across a variety of Chinese dialects. He explores a range of important theoretical issues such as the nature of tonal representation, the relation of tone to accent, the prosodic domain of sandhi rules, and the interface between syntax and phonology. His book is the culmination of a ten-year research project and offers a wealth of empirical data not previously accessible to linguists. Extensive references and a bibliography on tone sandhi complete this invaluable resource which will be welcomed as a standard reference on Chinese tone
    Content: 1. Setting the stage -- 2. Tonal representation and tonal processes -- 3. Directionality and interacting sandhi processes I -- 4. Directionality and interacting sandhi processes II -- 5. From base tones to sandhi forms: a constraint-based analysis -- 6. From tone to accent -- 7. Stress-foot as sandhi domain I -- 8. Stress-foot as sandhi domain II -- 9. Minimal rhythmic unit as obligatory sandhi domain -- 10. Phonological phrase as a sandhi domain -- 11. From tone to intonation -- Bibliographical appendix: Tone sandhi across Chinese dialects
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521652728
    Additional Edition: ISBN 9780521033404
    Additional Edition: Print version ISBN 9780521652728
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    EG 9180
    Keywords: Chinesisch ; Mundart ; Sandhi
    DOI: 10.1017/CBO9780511486364
    URL: Volltext  (lizenzpflichtig)
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