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  • 1
    UID:
    gbv_1696221412
    Format: 1 online resource (149 pages)
    ISBN: 9781136415401
    Content: A one-of-a-kind analysis of ocean cruising! In Ocean Travel and Cruising: A Cultural Analysis, noted author Arthur Asa Berger turns his critical eye to the phenomenon of ocean cruising. This academically solid yet reader-friendly book brings a multidisciplinary cultural studies approach to the subject, examining ocean cruising from economic, semiotic, sociological, psychoanalytic, and marketing perspectives, and offering insights not provided by the more traditional sociological approaches to the subject. You'll explore cruise demographics, the relationship between cruising and gender, the sociology of dining on cruise ships, hedonism and pleasure seeking, the compulsion to cruise, consolidation in the industry, the exploitation of workers on cruise ships, and a great deal more. Here's a section-by-section rundown of what's in store for you and your students in this one-of-a-kind new text: The Economics of Cruising examines cruise categories, industry consolidation, worker exploitation, and ways that cruise lines make money aside from ticket sales. This section also compares the costs of cruises vs. land-based vacations and fills you in on the typical weekly food and beverage consumption of the Carnival line's complement of ships, which sheds light on how a cruise line can, for a mere 10, provide a food array that would cost a restaurant or hotel 33 to 40. Signs at SeaThe Semiotics of Cruising provides you with a quick primer on semiotics and then discusses the cruise ship as a sign system and then breaks the system down to its component parts, discussing dining rooms, cabins/staterooms, dress codes, spatiality, luxury signifiers, the perceived elitism of the cruise experience, the role of photography, and more. A Sociological Analysis of Cruising explores cruise demographics and their meaning, time budgeting on cruises, the sociology of
    Content: Intro -- Ocean Travel and Cruising: A Cultural Analysis -- Copyright -- Contents -- Preface: The Joke Is on Me! -- Acknowledgments -- Chapter 1. The Economics of Cruising -- Cruising to Alaska: A Case Study -- Cruises Compared to Land-Based Vacations -- Other Ways Cruise Lines Make Money -- Cruise Categories -- Consolidation of the Cruise Industry -- Exploitation of Workers on Cruise Ships? -- Conclusion -- Chapter 2. Signs at Sea: The Semiotics of Cruising -- A Primer on Semiotics -- The Cruise Ship As a Sign System -- Cruises and Pilgrimages -- Names of Cruise Lines and the Perceived Elitism of the Cruise Experience -- Taking Photographs and Using Video Cameras Conclusion -- Conclusion -- Chapter 3. Sociological Analysis of Cruising -- Cruise Demographics -- Gender and Cruising -- Carnivalization Theory and Cruising -- The Sociology of Dining -- Time Budgets and the Busy Life at Sea -- New Trends in Cruising -- Conclusion -- Chapter 4. A Psychoanalytic Interpretation of Cruising -- The Compulsion to Cruise -- Sea and Psyche -- The Paradise Myth and Cruises -- Cruise Liners As Floating Utopias -- Hedonism and Pleasure Seeking -- Cruise Taking As Regression in the Service of the Ego -- The Gourmet/Gourmand Problem -- Unconditional Love -- The Agony of the Choice -- Escaping the Boredom of Everyday Life -- Behind the Facade: Daily Life of Crew Members -- The Ship As a Labyrinth: A Speculative Theory -- The Cruise Travel Agent As "Fairy Godmother" -- Conclusion -- Chapter 5. Selling Smooth Sailing: Advertising and Marketing Cruises -- Interpreting Advertisements -- What Can Be Analyzed in a Print Advertisement? -- Cruise Advertising in the August 2002 Travel + Leisure Magazine -- Commonalities in These Cruise Advertisements -- Two Cruise Line Brochure (Catalog) Covers -- Conclusion -- Chapter 6. Cruising (on) the Internet.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780789021977
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780789021977
    Language: English
    Keywords: Electronic books
    URL: Full-text  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_INT46ab709c-3272-4a03-991e-d1b1394b8e2c
    Format: 1 online resource (104 pages).
    Edition: 1st edition
    ISBN: 9780692283950
    Content: In the 2011 book Dark Matter: Art and Politics in the Age of Enterprise Culture, the artist Gregory Sholette posits that we are living in an era of surplus creative energies concentrated in a teeming archive of artists, the poor, the "unskilled" and the "economically invisible." It is a potentially disruptive archive that capitalism can't always manage but can still hope to eventually exploit and assimilate. Within this archive seethes creative energy that can extend itself in unique and unsettling ways, across multiple categories and disciplines. Often, however such energy is captured by the winners and arbiters in our "risk society" and thereby sanitized and neutralized. So it becomes necessary for artists, theorists, writers and activists to be versatile in their tactics, cryptic and evasive in their manifestations and criminally implacable in their visions. The Iron Garters are an "art gang" that masquerades, disseminates and performs as your archetypal "criminals," "outcasts" "mystics," "losers" and "lunatics": in short, a vital and necessary social surplus. Their antics have been traced back to Jean Genet's novel The Thief's Journal, the films of Kenneth Anger, as well as the Dada poems of Baroness Elsa and Hugo Ball. Yet still other Garters have been nourished on the Vienna Actionists, Genesis P-Orridge, Diamanda Galas, Gilles Deleuze, Samuel Delany, and the dulcet sounds of The Cramps. With a critical and aesthetic arsenal salvaged from underground "kulchurs" and academia's collective libido, the Iron Garters are not afraid to demand excitement along with analysis, frenzy coupled to resistance, and fashion inseparable from infiltration. Founded in San Francisco on a full moon night after a "deathpunk" show, the original members grew adversely impacted by the economic invasions reducing a once great city to a tepid monoculture. Fueled by queer, antinomian, heretical and radical traditions, the Garters pilgrimaged into various trans-continental sanctuaries and beachheads, leaving behind them radiant paper trails of provocation and sedition. This volume is one such radiant paper trail.
    Note: Available through punctum books. , Mode of access: World Wide Web.
    Language: English
    URL: FULL
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