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  • Feministisches Archiv  (8)
  • Berlin International  (7)
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Virtual Catalogues
  • 1
    UID:
    b3kat_BV024436224
    Format: 272 S.
    Series Statement: Edition Spuren
    Language: Undetermined
    Subjects: History
    RVK:
    Keywords: Österreich ; Frau ; Widerstand ; Nationalsozialismus ; Geschichte 1938-1945 ; Österreich ; Biografie ; Erlebnisbericht ; Biografie ; Erlebnisbericht
    Author information: Berger, Karin
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  • 2
    Book
    Book
    Hamburg : Ed. Nautilus
    UID:
    b3kat_BV011273444
    Format: 159 S. , Ill.
    Edition: 1. Aufl.
    ISBN: 3894012668
    Series Statement: Internationale Bibliothek
    Language: German
    Subjects: History
    RVK:
    Keywords: Viett, Inge 1944-2022 ; Briefsammlung ; Brief ; Briefsammlung ; Briefsammlung ; Briefsammlung
    Author information: Viett, Inge 1944-2022
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  • 3
    Book
    Book
    Köln u.a. : Böhlau
    UID:
    b3kat_BV000784665
    Format: VI, 297 S. , Ill.
    ISBN: 3412030872
    Note: Teilw. Beitr. d. 3. Intern. Tagung von Frauen in d. Literaturwissenschaft "Frauen, Literatur, Politik", Mai 1986, Hamburg ; Sektion I "Frau u. Tod/Tötung"
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-412-30722-6
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures , German Studies
    RVK:
    RVK:
    RVK:
    Keywords: Tod ; Frau ; Literatur ; Frau ; Tod ; Literatur ; Weiblichkeit ; Tod ; Literatur ; Frau ; Tod ; Literatur ; Tod ; Frau ; Literatur ; Frauenbild ; Tod ; Literatur ; Aufsatzsammlung ; Konferenzschrift
    Author information: Berger, Renate 1947-
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  • 4
    UID:
    b3kat_BV024487165
    Format: 310 S. , Ill.
    Edition: 2. Aufl.
    ISBN: 3932133331
    Series Statement: Bibliothek der Psychoanalyse
    Note: Nachdr. der Ausg. Heidelberg, 1989
    Language: German
    Subjects: Psychology
    RVK:
    Keywords: Selbstdestruktion ; Psychopathologie ; Selbstdestruktion ; Psychodynamik ; Selbstbeschädigung ; Psychodynamik ; Psychische Störung ; Körperbild ; Objektbeziehung ; Autoaggression ; Destruktion ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Hirsch, Mathias 1942-
    Author information: Berger, Margarete 1935-
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  • 5
    UID:
    b3kat_BV003186662
    Format: 91 S.
    ISBN: 3499119463
    Series Statement: rororo-aktuell; 1946
    Language: German
    Subjects: Political Science
    RVK:
    Keywords: Frau ; Parlament
    Author information: Schuchardt, Helga 1939-
    Author information: Berger, Lieselotte 1920-1989
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  • 6
    UID:
    kobvindex_FEM32524
    Format: 343 S.
    ISBN: 37770113950
    Language: Undetermined
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  • 7
    UID:
    gbv_1696221412
    Format: 1 online resource (149 pages)
    ISBN: 9781136415401
    Content: A one-of-a-kind analysis of ocean cruising! In Ocean Travel and Cruising: A Cultural Analysis, noted author Arthur Asa Berger turns his critical eye to the phenomenon of ocean cruising. This academically solid yet reader-friendly book brings a multidisciplinary cultural studies approach to the subject, examining ocean cruising from economic, semiotic, sociological, psychoanalytic, and marketing perspectives, and offering insights not provided by the more traditional sociological approaches to the subject. You'll explore cruise demographics, the relationship between cruising and gender, the sociology of dining on cruise ships, hedonism and pleasure seeking, the compulsion to cruise, consolidation in the industry, the exploitation of workers on cruise ships, and a great deal more. Here's a section-by-section rundown of what's in store for you and your students in this one-of-a-kind new text: The Economics of Cruising examines cruise categories, industry consolidation, worker exploitation, and ways that cruise lines make money aside from ticket sales. This section also compares the costs of cruises vs. land-based vacations and fills you in on the typical weekly food and beverage consumption of the Carnival line's complement of ships, which sheds light on how a cruise line can, for a mere 10, provide a food array that would cost a restaurant or hotel 33 to 40. Signs at SeaThe Semiotics of Cruising provides you with a quick primer on semiotics and then discusses the cruise ship as a sign system and then breaks the system down to its component parts, discussing dining rooms, cabins/staterooms, dress codes, spatiality, luxury signifiers, the perceived elitism of the cruise experience, the role of photography, and more. A Sociological Analysis of Cruising explores cruise demographics and their meaning, time budgeting on cruises, the sociology of
    Content: Intro -- Ocean Travel and Cruising: A Cultural Analysis -- Copyright -- Contents -- Preface: The Joke Is on Me! -- Acknowledgments -- Chapter 1. The Economics of Cruising -- Cruising to Alaska: A Case Study -- Cruises Compared to Land-Based Vacations -- Other Ways Cruise Lines Make Money -- Cruise Categories -- Consolidation of the Cruise Industry -- Exploitation of Workers on Cruise Ships? -- Conclusion -- Chapter 2. Signs at Sea: The Semiotics of Cruising -- A Primer on Semiotics -- The Cruise Ship As a Sign System -- Cruises and Pilgrimages -- Names of Cruise Lines and the Perceived Elitism of the Cruise Experience -- Taking Photographs and Using Video Cameras Conclusion -- Conclusion -- Chapter 3. Sociological Analysis of Cruising -- Cruise Demographics -- Gender and Cruising -- Carnivalization Theory and Cruising -- The Sociology of Dining -- Time Budgets and the Busy Life at Sea -- New Trends in Cruising -- Conclusion -- Chapter 4. A Psychoanalytic Interpretation of Cruising -- The Compulsion to Cruise -- Sea and Psyche -- The Paradise Myth and Cruises -- Cruise Liners As Floating Utopias -- Hedonism and Pleasure Seeking -- Cruise Taking As Regression in the Service of the Ego -- The Gourmet/Gourmand Problem -- Unconditional Love -- The Agony of the Choice -- Escaping the Boredom of Everyday Life -- Behind the Facade: Daily Life of Crew Members -- The Ship As a Labyrinth: A Speculative Theory -- The Cruise Travel Agent As "Fairy Godmother" -- Conclusion -- Chapter 5. Selling Smooth Sailing: Advertising and Marketing Cruises -- Interpreting Advertisements -- What Can Be Analyzed in a Print Advertisement? -- Cruise Advertising in the August 2002 Travel + Leisure Magazine -- Commonalities in These Cruise Advertisements -- Two Cruise Line Brochure (Catalog) Covers -- Conclusion -- Chapter 6. Cruising (on) the Internet.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780789021977
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780789021977
    Language: English
    Keywords: Electronic books
    URL: Full-text  ((OIS Credentials Required))
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  • 8
    UID:
    kobvindex_FEM19698
    Format: 395 S.
    ISBN: 3518109367
    Language: Undetermined
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  • 9
    Book
    Book
    London :Penguin,
    UID:
    kobvindex_INT014566243
    Format: 165 p. ; , 18 cm.
    ISBN: 9780141035796 (pbk.) : , 014103579X (pbk.) :
    Series Statement: Penguin on design
    Note: Originally published: London: BBC/Penguin, 1972. , Title from cover. , Formerly CIP.
    Language: English
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  • 10
    Book
    Book
    Berlin, Germany :Georg-Kolbe-Museum ;
    UID:
    kobvindex_INT0001801
    Format: 79 pages : , illustrations ; , 26 cm.
    ISBN: 9783980776226 (pbk.) , 3980776220 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "1990 wurde der Marianne-Werefkin-Preis ins Leben gerufen und in der Satzung festgeschrieben. Damit folgte der Verein seiner Tradition, das herausragende Schaffen von Künstlerinnen zu honorieren. In seiner Gründungszeit war es der deutschlandweit erste, ausschließlich Künstlerinnen gewidmete Preis. Namenspatronin ist die berühmte Avantgardistin und Expressionistin Marianne von Werefkin (1860-1938). Die Künstlerin war Privatschülerin von Ilja Repin. Bis zur Bekanntschaft mit Alexej Jawlensky malte sie hervorragende impressionistische und realistische Bilder. Mit der Übersiedlung nach München stellte sie ihre Kunst zugunsten der Förderung ihres Partners für zehn Jahre zurück. Maßgeblich war sie an der Gründung der 'Neuen Künstlervereinigung München' und des 'Blauen Reiters' beteiligt. 1906 wandte sie sich wieder der Malerei zu. Sie schuf eine Vielzahl an fulminanten Arbeiten, in denen sie den Expressionismus vorantrieb. Mit Jawlensky, Gabriele Münter und Wassily Kandinsky revolutionierte Marianne Werefkin die Kunst des frühen 20. Jahrhunderts. Ihre Arbeiten befinden sich in der Fondazione Marianne Werefkin Ascona, in der Städtischen Galerie im Lenbachhaus München und im Museum Wiesbaden. Das Preisgeld des Marianne Werefkin-Preises in Höhe von 5.000 € wird von Kunstfreund.innen gestiftet, darunter Heidi Hetzer vom Berliner Opelhaus Hetzer, Ute Gräfin von Hardenberg, Bodo Brückner von der Firma Lieken-Urkorn, Wolfgang Dreyer und Klaus-Peter Gulich von der Versicherung Zurich-Gruppe und Gerhard Girner und Martin Steinkühler von der Deutschen Apotheker- und Ärztebank. Zweck des Preises laut Vereinssatzung ist: '... Maßnahmen der Öffentlichkeitsarbeit mit dem Ziel, die lange Tradition künstlerisch arbeitender Frauen und die Bedeutung ihres Werkes in Geschichte, Gegenwart und Zukunft im deutschen und internationalen Kulturkreis bekannt zu machen.' (§ 3, Vereinssatzung)." -- In 1990 the Marianne Werefkin Prize was launched and set out in the statutes. In doing so, the association followed its tradition of honoring the outstanding work of women artists. When it was founded, it was the first prize in Germany to be exclusively dedicated to women artists. The namesake is the famous avant-garde and expressionist Marianne von Werefkin (1860-1938). The artist was a private student of Ilya Repin. Until she became acquainted with Alexej Jawlensky, she painted excellent impressionistic and realistic pictures. When she moved to Munich, she put her art on hold for ten years in favor of her partner's support. She was instrumental in founding the 'New Artists' Association Munich' and the Blue Rider '. In 1906 she turned back to painting. She created a multitude of brilliant works in which she advanced expressionism. With Jawlensky, Gabriele Münter and Wassily Kandinsky, Marianne Werefkin revolutionized the art of the early 20th century. Her work can be found in the Fondazione Marianne Werefkin Ascona, in the Städtische Galerie im Lenbachhaus Munich and in the Museum Wiesbaden. The prize money of the Marianne Werefkin Prize of € 5,000 is donated by Kunstfreund.innen, including Heidi Hetzer from the Berlin Opelhaus Hetzer, Ute Countess von Hardenberg, Bodo Brückner from the Lieken-Urkorn company, Wolfgang Dreyer and Klaus-Peter Gulich from der Insurance Zurich Group and Gerhard Girner and Martin Steinkühler from the Deutsche Apotheker- und Ärztebank. According to the association's statutes, the purpose of the prize is: '... public relations measures with the aim of making the long tradition of women who work artistically and the importance of their work in the past, present and future known in German and international culture." (§ 3, association statutes)"
    Language: German
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