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  • Online Resource  (3)
  • Musicology  (3)
  • 1
    UID:
    gbv_1014860709
    Format: 1 online resource , illustrations (black and white).
    ISBN: 9780199346707
    Series Statement: Studies in musical performance as creative practice volume 1
    Content: 'Musicians in the Making' explores the creative development of musicians in formal and informal learning contexts. It promotes a novel view of creativity, arguing that creative learning is a complex, lifelong process. Sixteen extended chapters by leading experts are featured alongside ten 'insights' by internationally prominent performers and teachers.
    Note: Previously issued in print: 2017. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 6, 2017)
    Additional Edition: ISBN 9780199346677
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780199346677
    Additional Edition: Erscheint auch als Druck-Ausgabe Studies in musical performance as creative practice ; volume 1: Musicians in the making New York, NY : Oxford University Press, 2017 ISBN 9780199346677
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musizieren ; Aufführung ; Kreativität ; Interaktion
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883433397
    Format: 1 Online-Ressource (xiii, 245 pages) , digital, PDF file(s)
    ISBN: 9780511811739
    Content: This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance and focuses on key aspects of learning, playing and responding to music. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorisation. The next section considers the 'translation' from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and 'performers on performance'
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Performing through history , Historical performance and the modern performer , Analysis and (or?) performance , Understanding the psychology of performance , On teaching performance , Developing the ability to perform , Preparing for performance , Memorising music , From score to sound , Communicating with the body in performance , Ensemble performance , The fear of performance , Listening to performance , The legacy of recordings , The criticism of musical performance , Performers on performance
    Additional Edition: ISBN 9780521783002
    Additional Edition: ISBN 9780521788625
    Additional Edition: Erscheint auch als Druck-Ausgabe Musical performance Cambridge [u.a.] : Cambridge Univ. Press, 2002 ISBN 0521788625
    Additional Edition: ISBN 0521783003
    Additional Edition: ISBN 9780521788625
    Additional Edition: ISBN 9780521783002
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufführung ; Musik ; Musik ; Interpretation ; Interpretation ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883339315
    Format: Online-Ressource (1 online resource (152 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511611636
    Series Statement: Cambridge Music Handbooks
    Content: Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. Praised for their originality and genius when he performed them, the concertos later attracted censure for ostensible weaknesses in form, development and orchestration. They also suffered at the hands of editors and performers, all the while remaining enormously popular. This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an analytical 're-enactment' of the music - that is, a narrative account of the concertos as embodied in sound, rather than in the score. The final chapter investigates Chopin's enigmatic 'third concerto', the Allegro de concert. Chopin: The Piano Concertos has won the Wilk Book Prize for Research in Polish Music
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521441094
    Additional Edition: ISBN 9780521446600
    Additional Edition: Druckausg. Rink, John, 1957 - Chopin: the piano concertos Cambridge [u.a.] : Cambridge University Press, 1997 ISBN 0521446600
    Additional Edition: ISBN 0521441099
    Additional Edition: Print version ISBN 9780521441094
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Chopin, Frédéric 1810-1849 ; Klavierkonzert
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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