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  • Online Resource  (3)
  • 1
    UID:
    gbv_1690139706
    Format: 1 Online-Ressource (XXX, 662 Seiten) , Illustrationen
    ISBN: 9789004408944
    Series Statement: Intersections volume 65/1
    Content: Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Quid est sacramentum?: Introduction /Walter S. Melion -- Representing the Sacraments -- Counterfeiting the Eucharist in Late Medieval Life and Art /Aden Kumler -- Vestments in the Mass /Lee Palmer Wandel -- ‘In the Flesh a Mirror of Spiritual Blessings’: Calvin’s Defence of the Lord’s Supper as a Visual Accommodation /AnnMarie M. Bridges -- ‘Mystery’ or ‘Sacrament’: Ephesians 5:32, the Sacrament of Marriage in Early Modern Biblical Scholarship, and Nicolas Poussin’s Visual Exegesis /Wim François -- Hoc Est Corpus Meum: Whole-Body Catacomb Saints and Eucharistic Doctrine in Baroque Bavaria /Noria K. Litaker -- Staging Sacramental Consolation in Vienna /Robert L. Kendrick -- Sacramental Modes of Representation -- Seeing beyond Signs: Allegorical Explanations of the Mass in Medieval Dutch Literature /Anna Dlabačová -- Representing Architecture in the Altarpiece: Fictions, Strategies, and Mysteries /Elizabeth Carson Pastan -- Orchestrating Polyphony at the Altar: Passion Altarpieces in Late Medieval France /Donna L. Sadler -- God’s Design: Painting and Piety in the Vida of Estefanía de la Encarnación (ca. 1597–1665) /Tanya J. Tiffany -- Amber, Blood, and the Holy Face of Jesus: the Materiality of Devotion in Late Medieval Bruges /Elliott D. Wise and Matthew Havili -- Anchoring the Appearance of the Sacred: the Abbot of Choisy & His Translation of the Imitatio Christi (1692) /Lars Cyril Nørgaard -- Spiritual and Material Conversions: Federico Barocci’s Christ and Mary Magdalene /Bronwen Wilson -- Representing Divine Presence and the Mysteries of Faith -- The Fine Art of Dying: Envisioning Death in the Somme le Roi Tradition /Alexa Sand -- Christ Child Creator /David S. Areford -- Lady Scripture’s Sacred Commitments: Dialogic Understanding in Dutch Religious Literature of the Late Fifteenth Century /Geert Warnar -- Coemeterium Schola: the Emblematic Imagery of Death in Jan David, S.J.’s Veridicus Christianus /Walter S. Melion -- The Limits of ‘Mute Theology’: Charles Le Brun’s Lecture on Nicolas Poussin’s Ecstasy of Saint Paul Revisited /James Clifton -- A Private Mystery: Looking at Philippe de Champaigne’s Annunciation for the Hôtel de Chavigny /Mette Birkedal Bruun -- Back Matter -- Index Nominum.
    Content: ‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria ) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise
    Additional Edition: ISBN 9789004408937
    Additional Edition: Erscheint auch als Druck-Ausgabe Quid est sacramentum? Leiden : Brill, 2020 ISBN 9789004408937
    Language: English
    RVK:
    Keywords: Europa ; Sakrament ; Bildliche Darstellung ; Symbolik ; Kunst ; Kultur ; Literatur ; Geschichte 1400-1700 ; Konferenzschrift
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (DOI)
    Author information: Wandel, Lee Palmer 1954-
    Author information: Melion, Walter S. 1952-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1670596702
    Format: 1 Online-Ressource (XXII, 466 Seiten) , Illustrationen
    ISBN: 9789004395718
    Series Statement: Reading medieval sources volume 3
    Content: The Medieval Glazier at Work - Sarah Brown -- A Matter of Matter : Transparent - Translucent - Diaphanum in the Medium of Stained Glass / Wojciech Balus -- Performative Interaction of Liturgy and Light through the Medium of Painted Glass / Madeline H. Caviness -- Regarding the Early Rose Window / Elizabeth Carson Pastan -- Medieval Textual Sources on Stained Glass : from Theophilus to the Monk of Zagan / Brigitte Kurmann-Schwarz -- The Beginnings of Stained-Glass Collecting in Germany / Uwe Gast.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004395725
    Additional Edition: ISBN 9789004395725
    Additional Edition: Erscheint auch als Druck-Ausgabe Investigations in medieval stained glass Leiden ; Boston : Brill, 2019
    Additional Edition: Erscheint auch als Druck-Ausgabe Investigations in medieval stained glass Leiden : Brill, 2019 ISBN 9789004395725
    Language: English
    Keywords: Europa ; Glasmalerei ; Geschichte 500-1500 ; Aufsatzsammlung
    URL: DOI
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  • 3
    UID:
    gbv_1839658053
    Format: 1 online resource (xxv, 415 pages) , digital, PDF file(s).
    ISBN: 9781782043898 , 9781843839415
    Content: Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066.
    Note: Title from publisher's bibliographic system (viewed on 24 Feb 2023)
    Additional Edition: ISBN 9781843839415
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781843839415
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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