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  • Adesokan, Akinwumi  (4)
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  • Adesokan, Akinwumi  (4)
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  • 1
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Press
    UID:
    b3kat_BV039687829
    Format: XIX, 230 S. , Ill.
    ISBN: 9780253356796 , 9780253223456
    Series Statement: African expressive cultures
    Note: Literaturangaben , Includes bibliographical references and index -- Includes filmography
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Ethnology
    RVK:
    RVK:
    RVK:
    Keywords: Film ; Literatur ; Postkolonialismus ; Globalisierung ; Kulturkontakt ; Schwarze
    URL: Volltext  (Inhaltsverzeichnis)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Bloomington [u.a.] : Indiana Univ. Press
    UID:
    b3kat_BV041077823
    Format: 1 Online-Ressource (XIX, 230 S.)
    ISBN: 9781283235921 , 0253223458 , 0253356792 , 9780253005502 , 9780253223456 , 9780253356796
    Language: English
    Keywords: Film ; Literatur ; Postkolonialismus ; Globalisierung ; Kulturkontakt ; Schwarze
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  • 3
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    UID:
    gbv_1823849474
    Format: 1 online resource (396 pages)
    ISBN: 9780253065674
    Content: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Introduction: The New Terrains of African Arts and Letters -- Part One: Shifting Margins -- Chapter 1. Modes of Creative Practice -- Chapter 2. Spatial Assemblages: Festivals as Curation -- Part Two: Across the Digital Divide -- Chapter 3. The Griot's Compositions in Time -- Chapter 4. Adaptation or Remake: New Formats for Old Prints -- Chapter 5. Approaching the World as Platform, Literally -- Chapter 6. The Remix: Of New Identities and Technologies of Reuse -- Epilogue: In Relative Account -- Appendix -- Notes -- Bibliography -- Index.
    Content: "Everything Is Sampled examines the shifting modes of production and circulation of African artistic forms since the 1980s, focusing on digital culture as the most currently decisive setting for these changes. Drawing on works of cinema, literature, music, and visual art, Akin Adesokan addresses two main questions. First, given the various changes that the institutions producing African arts and letters have undergone in the past four decades, how have the representational impulses in these forms fared in comparison with those at work in pervasively digital cultures? Second, how might a long view of these artistic forms across media and in different settings affect our understanding of what counts as art, as text, as authorship? Immersed in digital culture, African artists today are acutely aware of the media-saturated circumstances in which they work and actively bridge them by making ethical choices to shape those circumstances. Through an innovative development and analysis of five modes of creative practice-curation, composition, adaptation, formatting, and remix-Everything Is Sampled offers an absorbingly complex yet nuanced approach to appreciating the work of several generations of African writers, directors, and artists. No longer content to just fill a spot in the relay between the conception and distribution of a work, these artists are now also quick to view and reconfigure their works through different modes of creative practice"
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780253065650
    Additional Edition: Erscheint auch als Druck-Ausgabe Adesokan, Akinwumi Everything is sampled Bloomington, Indiana : Indiana University Press, 2023 ISBN 9780253065650
    Additional Edition: ISBN 9780253065667
    Language: English
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  • 4
    Online Resource
    Online Resource
    Bloomington, IN : Indiana University Press
    UID:
    gbv_1696470226
    Format: 1 online resource (254 pages)
    ISBN: 9780253005502
    Series Statement: African Expressive Cultures Ser
    Content: What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.
    Content: Cover -- Table of Contents -- Preface -- Acknowledgments -- Introduction: Generic Transformations at the Crossroads of Capital -- 1. C. L. R. James Sees the World Steadily -- 2. Fitful Decolonization:Xala and the Poetics of Double Fetishism -- 3. T unde Kelani's Nollywood: Aesthetics of Exhortation -- 4. Jean-PierreBekolo and the Challenges of Aesthetic Populism -- 5. Imaginary Citizenship: Caryl Phillips's Atlantic World -- 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire -- Conclusion: Being African in the World -- Notes -- List of References -- Filmography -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780253356796
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780253356796
    Language: English
    Keywords: Film ; Literatur ; Postkolonialismus ; Globalisierung ; Kulturkontakt ; Schwarze ; Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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