Kooperativer Bibliotheksverbund

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Format: 80 Seiten

ISBN: 9783942039048

Note: Impressum: Diese Publikation erscheint anlässlich der Ausstellung "Für Euch! 30 Jahre Stiftung Hirsch - Kulturförderung in Karlsruhe", Staatliche Kunsthalle Karlsruhe, 29. Juni bis 13. Oktober 2019

Language: German

Keywords: Karlsruhe ; Stiftung Hirsch ; Mäzenatentum ; Geschichte 1989-2019 ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Festschrift

Author information: Borkhardt, Sebastian 1984-

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Format: 221 S. , Ill. , 23 cm

ISBN: 3941461125 , 9783941461123

Note: Portrait (Mablerey.) , Selbstbildnis : neue Aspekte zu einem frühen Selbstbildnis von Anton Graff , Adam Friedrich Oeser : zwei Maier : ein Porträt , Johann Thomas Richter : der Blick des Kenners , Gotthold Ephraim Lessing : Aufblick zu Lessing , Juliane Caroline, Sophie Juliane Elisabeth und Juliane Charlotte von Vieth und Golssenau : Einheit und Variation , Maria Antonia Walpurgis Kurfürstin von Sachsen : Anton Graff, der Eidgenosse, porträtiert die verwitwete Kurfürstin , Johann Georg Sulzer : "Vortrefflich" : das Sulzer-Porträt fast im Profil in Gleims Freundschaftstempel , Conrad Ekhof : durch Kunst die Natur nachahmen , Johanna Friederike Karoline von Hohenthal. Geb. Gräfin Rex : es sollte Porträt seyn, und war Ideal , Friedrich der Grosse : Preussens Herrscherikone , Salomon Gessner : Wort und Bild : Salomon Gessner und Anton Graff , Wilhelm Friedrich Adolph Gerresheim : Naturkundliches von Anton Graff , Stanis Law- Kostka Potocki : Physiognomik der Vernunft, Physiognomik des Wahns , Königin Elisabeth Christine von Preussen : "die Darstellung einer guten alten Tante, die Ihnen mit Herz und Seele verbunden ist ; " , Prinz Heinrich Xiv. Reuss zu Greiz Ältere Linie : ein Thüringer Musensohn in Preussen , Otto Carl Friedrich Fürst von Schönburg : ein aufgeklärter Fürst im Zwickauer Muldenland , Friedrich Schiller : Anton Graff malt Friedrich Schiller , Gottfried August Bürger : Anton Graff anblicken , Elisabeth Petrowna Diwowa : die bekannte Unbekannte , Christoph Martin Wieland : in der Wahrheit der Natur , August Friedrich von Sivers : ein livländischer Gutsherr der Aufklärungszeit , Elisa von der Recke : Briefeines Zeitreisenden an Frau von der Recke , Johanna Margarethe Christine Gräfin von Brühl : Seifersdorfer Serenade : zur Musen-Ikonographie in Graffs Porträt der Gräfin von Brühl , Johann Gottlob Reinhardt : im Fokus des Malers, im Licht der Geschichte , Selbstbildnis im Hohen Alter : Anton Graff in Dresden , Heinrich von Kleist : ein Bild des bekannten Unbekannten? , Selbstbildnis : Gegenwärtigkeit und Entfremdung , Karl Ludwig Kaaz : vom Zusammenspiel zweier Bildgattungen , AnmerkungenAutorenverzeichnisBildnachweise.

Language: German

Subjects: Art History

Keywords: Graff, Anton 1736-1813 ; Bildnismalerei ; Aufsatzsammlung

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Eberhardt, Robert 1987-

Author information: Graff, Anton 1736-1813

Author information: Beyer, Jonas 1981-

Author information: Börsch-Supan, Helmut 1933-

Author information: Borkhardt, Sebastian 1984-

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Format: 448 pages , illustrations (partly color)

ISBN: 9783412520755

Series Statement: Das Östliche Europa

Language: Undetermined

Keywords: Kandinsky, Wassily

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In: DAS SICHT- UND UNSICHTBARE. VOM SAMMELN UND ZEIGEN, 2013,2013,1, Seiten 6-

Language: German

DOI: 10.18452/7538

URN: urn:nbn:de:kobv:11-100208447

URL: Volltext  (kostenfrei)

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Format: Illustrationen

ISBN: 9783412525644

In: 100 Years of German-Russian Cultural Exchange: The First Russian Art Exhibition (Veranstaltung : 2021 : Berlin), 100 years on, Wien : Köln, 2022, (2022), Seite 113-116, 9783412525644

In: 3412525642

In: year:2022

In: pages:113-116

Language: English

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Format: 448pp.;

Edition: 1. Auflage

ISBN: 9783412520779

Series Statement: Das östliche Europa: Kunst- und Kulturgeschichte

Content: Zusammenfassung Vasilij Kandinskij (1866-1944) gehört zu den innovativsten und einflussreichsten Künstlern des 20. Jahrhunderts. 1896 verließ er seine Heimatstadt Moskau, um in München Malerei zu studieren. Hier schuf er um 1910 eine abstrakte Bildsprache, mit der er bei seinem Publikum für reichlich Furore sorgte. Parallel dazu gab er mit Franz Marc den berühmten Almanach Der Blaue Reiter heraus. Dem erklärten Internationalismus des Blauen Reiters stand seinerzeit ein nationales Prinzip gegenüber, das die Auseinandersetzung mit Kandinskijs Werk entscheidend prägte. Die vorliegende Studie bietet erstmals eine systematische Darstellung über die verschiedenen Sichtweisen auf den "Russen" Kandinskij in Deutschland, analysiert sie in ihren jeweiligen Kontexten und beleuchtet sie in ihrer chronologischen Entwicklung von 1912 bis 1945.

Additional Edition: Printed edition: ISBN 9783412520755

Language: German

DOI: 10.7788/9783412520779

URL: https://doi.org/10.7788/9783412520779

URL: https://www.vr-elibrary.de/action/showBook?doi=10.7788%2F9783412520779

UID:

Format: 448 p.

Edition: 1. Auflage

ISBN: 9783412520779

Series Statement: Das östliche Europa: Kunst- und Kulturgeschichte

URL: https://doi.org/10.7788/9783412520779

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Format: 1 online resource (vi + 312 p.)

ISBN: 979-1-03-650967-4

Content: In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture deeply influenced by the regime's adoption of Byzantine Orthodoxy centuries before - questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual' - broadly defined - was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions. The publication of this volume has been made possible by a grant from the Scouloudi Foundation in…

Additional Edition: ISBN 1-78374-338-7

Language: English

UID:

Format: 1 online resource (vi + 312 p.)

ISBN: 979-1-03-650967-4

Content: In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture deeply influenced by the regime's adoption of Byzantine Orthodoxy centuries before - questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual' - broadly defined - was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions. The publication of this volume has been made possible by a grant from the Scouloudi Foundation in…

Additional Edition: ISBN 1-78374-338-7

Language: English

UID:

Format: 1 online resource (vi + 312 p.)

ISBN: 979-1-03-650967-4

Content: In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture deeply influenced by the regime's adoption of Byzantine Orthodoxy centuries before - questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual' - broadly defined - was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions. The publication of this volume has been made possible by a grant from the Scouloudi Foundation in…

Additional Edition: ISBN 1-78374-338-7

Language: English