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  • Brown, Julie  (231)
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  • 1
    UID:
    b3kat_BV021253219
    Format: 204 Seiten , Illustrationen, Notenbeispiele
    ISBN: 3702428852
    Series Statement: Studien zur Wertungsforschung Band 46
    Note: Beitr. teilw. dt., teilw. engl.
    Language: German
    Subjects: Musicology
    RVK:
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    Keywords: Filmmusik ; Geschichte 1994-2001 ; Konferenzschrift ; Kongress ; Konferenzschrift
    Author information: Dorschel, Andreas 1962-
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  • 2
    UID:
    gbv_502196963
    Format: 204 S. , Ill., graph. Darst., Notenbeisp. , 21 cm
    ISBN: 3702428852
    ISMN: M008076602
    Series Statement: Studien zur Wertungsforschung 46
    Note: Beitr. teilw. dt., teilw. engl
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Filmmusik ; Geschichte 1994-2001 ; Filmmusik ; Geschichte 1994-2001 ; Konferenzschrift
    Author information: Dorschel, Andreas 1962-
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  • 3
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    b3kat_BV040525164
    Format: XIV, 334 S. , Ill.
    ISBN: 9780199797615 , 9780199797547
    Note: Includes bibliographical references and index , Overture / Julie Brown, Annette Davison -- Professional lecturing in Early British Film shows / Joe Kember -- "Now, where were we?" ideal and actual early cinema lecturing practices in Britain, Germany and the United States / Judith Buchanan -- Eric Williams: speaking to pictures / Stephen Bottomore -- Sounding Scottish: sound practices and silent cinema in Scotland / Trevor Griffiths -- "Suitable music": accompaniment practice in early London screen exhibition from R.W. Paul to the Picture Palaces / Ian Christie -- The art of not "playing to pictures" in British cinemas, 1906-1914 / Jon Burrows -- "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913 / Andrew Higson -- The reception of British exhibition practices in moving picture world, 1907-1914 / James Buhler -- Selsior dancing films, 1912-1917 / Stephen Bottomore -- Song of performance in the early sound shorts British pathé / Derek B. Scott -- Framing the atmospheric film prologue in Britain, 1919-1926 / Julie Brown -- Animating the audience: singalong films in Britain in the 1920s / Malcolm Cook -- Workers' rights and performing rights: cinema music and musicians prior to synchronized sound / Annette Davison -- Sound at the film society / John Riley -- Edmund Meisel's "visual sound" in The crimson circle (1929): the case of the vanishing part-talkie / Fiona Ford
    Language: English
    Subjects: Musicology
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    Keywords: Großbritannien ; Stummfilm ; Musik ; Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Pr.
    UID:
    gbv_771421524
    Format: XIII, 259 S. , Notenbeisp.
    ISBN: 9780521550352
    Series Statement: New perspectives in music history and criticism
    Content: Schoenberg, history, trauma? -- Schoenberg as Christ -- Otto Weininger, Richard Wagner, and musical discourse in turn-of-the-century Vienna -- Schoenberg and Wagnerian Deutschtum -- Compositional innovation and the redemption of Ahasuerus -- Woman and the symbolism of self-redemption -- Rereading Schoenberg's musical idea -- Coda : changing history into memory. Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn.
    Note: Includes bibliographical references and index S. [233] - 259
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Schönberg, Arnold 1874-1951 ; Atonalität ; Schönberg, Arnold 1874-1951
    Author information: Schönberg, Arnold 1874-1951
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  • 5
    Book
    Book
    New York [u.a.] : Garland
    UID:
    b3kat_BV011980926
    Format: XX, 252 S.
    ISBN: 0815321058
    Series Statement: [Garland reference library of the humanities / Wellesley studies in critical theory, literary history and culture] 16 = 1940 [des Gesamtw.]
    Language: English
    Subjects: American Studies
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    Keywords: USA ; Kurzgeschichte ; Ethnische Gruppe ; Aufsatzsammlung
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  • 6
    UID:
    b3kat_BV043812568
    Format: 1 DVD-Video (87 min) , farbig , 12 cm
    Content: "Ein 40-jähriger Arbeitsloser in einer nordenglischen Industriestadt verschuldet sich, um seiner Tochter das Kommunionskleid kaufen zu können. Nach dem Tod des skrupellosen Geldverleihers rettet ihn vor allem der Zuspruch des Pfarrers. Ein mit stillem Humor und anrührender Menschlichkeit entwickelter Film, der voller Zuneigung und Verständnis vom täglichen Überlebenskampf in einem wirtschaftlich heruntergekommenen Land, vom drohenden Verlust menschlicher Würde und von der Hoffnung auf eine "höhere Gerechtigkeit" erzählt." [filmdienst.de]
    Note: Original: Großbritannien 1993 , Bildformat 16:9 , Englisch - Untertitel: Englisch für Hörgeschädigte
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Film ; DVD-Video
    Author information: Loach, Ken 1936-
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  • 7
    Book
    Book
    New York [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV022465213
    Format: XXII, 285 S. , Ill., Notenbeisp.
    Edition: 1. ed.
    ISBN: 0521838878
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Rassismus ; Nationalismus ; Geschichte 1800-2000 ; Aufsatzsammlung
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  • 8
    UID:
    gbv_478656742
    Format: 1 DVD-Video (PAL, 87 Min.) , colour, 16:9 anamorphic, Dolby Surround, single sided, single layer, DVD 5, region code 2, widescreen , 12 cm
    Note: GB 1993 , Main soundtrack: English, subtitles: none
    Language: English
    Subjects: General works , English Studies
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    Keywords: DVD-Video
    Author information: Loach, Ken 1936-
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  • 9
    UID:
    gbv_521706017
    Format: IX, 182 S. , Ill., Notenbeisp.
    ISBN: 9780754657774
    Series Statement: Royal Musical Association monographs 16
    Content: Bartók and the nineteenth-century grotesque -- Bartók and the body -- The mandarins miraculous body : expressly for our vexation? -- The third string quartet as grotesque -- Conclusion and coda : on Adorno and the grotesque
    Note: Includes bibliographical references (p. 172 - 177) and index , Bartók and the nineteenth-century grotesque -- Bartók and the body -- The mandarins miraculous body : expressly for our vexation? -- The third string quartet as grotesque -- Conclusion and coda : on Adorno and the grotesque
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Bartók, Béla 1881-1945 ; Komposition ; Das Groteske
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  • 10
    UID:
    gbv_1009207172
    Format: xxii, 303 Seiten , Diagramme , Diagramme
    Edition: First edition
    ISBN: 9780197266175
    Series Statement: Proceedings of the British Academy 211
    Content: Foreword : In seach of discographic others / Philip V. Bohlman -- Introduction : Desert island discs in context / Julie Brown, Nicholas Cook, and Stephen Cottrell -- Personal spin A : Lemn Sissay (castaway, 11 October 2015) -- Desert island discs in historical perspective. The cultural baggage of the desert island / Will Straw ; From Forces' choices to Desert island discs : the BBC's promotion of personal choice in wartime / Jenny Doctor ; Desert island discomorphoses : listening formations and the material cultures of music / Kyle Devine ; Personal spin B : Derek Drescher (Desert island discs producer) ; Personal spin C : Anthony Wall (documentary film-maker) -- Cultural ideologies and the politics of sound. Adrift or ashore? Desert island discs and celebrity culture / Jo Littler ; Playlists and prizes : cultural authority, personal taste, and musical value since the 1940s / Andrew Blake ; What does it mean to be cultured? Desert island discs as an ideological archive / Simon Frith ; Personal spin D : Uta Frith (castaway, 24 Febraury 2013) ; Personal spin E : Angie Hobbs (castaway, 1 February 2015) -- Desert island discs and British identities. Desert island discs and British emotional life / David Hendy ; Punk, class, and taste in Desert island discs / Peter Webb ; Peripheral identities on Desert island discs and Beti a'i Phobol / Sarah Hill ; Personal spin F : Mary Beard (castaway, 31 January 2010) ; Personal sping G : Nick Hornby (castaway, 28 September 2003) -- Narrativising and caring for the self. Public and narrative selves in Desert island discs / Tia Denora ; Desert island dislocation : emotion, nostalgia, and the utility of music / Julie Brown ; Musicianly lives musically told : oral history, classical music, and Desert island discs / Stephen Cottrell ; Personal spin H : Debbie Wiseman (castaway, 19 October 2014) ; Personal spin I : Steven Isserlis (castaway, 2 December 2007) ; Personal spin J : Gavin Bryars (castaway, 5 April 1998) -- Afterword : Playing the discographic self / Nicholas Cook
    Content: The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement.
    Note: Personal spin A : Lemn Sissay (castaway, 11 October 2015) ; I Desert island discs in historical perspective ; The cultural baggage of the desert island , From Forces' choices to Desert island discs : the BBC's promotion of personal choice in wartime , Desert island discomorphoses : listening formations and the material cultures of music ; Kyle Devine ; Personal spin B : Derek Drescher (Desert island discs producer) ; Personal spin C : Anthony Wall (documentary film-maker) ; II Cultural ideologies and the politics of sound ; Adrift or ashore? Desert island discs and celebrity culture , Playlists and prizes : cultural authority, personal taste, and musical value since the 1940s , What does it mean to be cultured? Desert island discs as an ideological archive , Personal spin D : Uta Frith (castaway, 24 Febraury 2013) ; Personal spin E : Angie Hobbs (castaway, 1 February 2015) ; III Desert island discs and British identities ; Desert island discs and British emotional life , Punk, class, and taste in Desert island discs , Peripheral identities on Desert island discs and Beti a'i Phobol , Personal spin F : Mary Beard (castaway, 31 January 2010) ; Personal sping G : Nick Hornby (castaway, 28 September 2003) ; IV Narrativising and caring for the self ; Public and narrative selves in Desert island discs , Desert island dislocation : emotion, nostalgia, and the utility of music , Musicianly lives musically told : oral history, classical music, and Desert island discs , Personal spin H : Debbie Wiseman (castaway, 19 October 2014) ; Personal spin I : Steven Isserlis (castaway, 2 December 2007) ; Personal spin J : Gavin Bryars (castaway, 5 April 1998) ; Afterword : Playing the discographic self , Foreword : In seach of discographic others , Introduction : Desert island discs in context , Personal spin A : Lemn Sissay (castaway, 11 October 2015) , Desert island discs in historical perspective. The cultural baggage of the desert island , Cultural ideologies and the politics of sound. Adrift or ashore? Desert island discs and celebrity culture , Desert island discs and British identities. Desert island discs and British emotional life , Narrativising and caring for the self. Public and narrative selves in Desert island discs , Afterword : Playing the discographic self
    Language: English
    Keywords: Großbritannien ; Musiksendung ; Unterhaltungsmusik ; Desert island discs ; Aufsatzsammlung
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