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  • 1
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    b3kat_BV046788407
    Umfang: 1 Online-Ressource
    ISBN: 9780520973862
    Anmerkung: Erscheint als Open Access bei De Gruyter
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-0-520-30910-4
    Sprache: Englisch
    Schlagwort(e): China ; Karikatur ; Politik ; Kommunismus ; Geschichte 1900-1999
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    gbv_1744326045
    Umfang: 1 Online-Ressource (xiv, 197 Seiten) , Illustrationen
    ISBN: 9780520973862
    Inhalt: Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Manhua, Magazines, Modernity -- 1. Shanghai Sketch and the Illustrated City -- 2. War, Rites of Passage, and Resistance Sketch -- 3. Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West -- 4. Propaganda and the Pictorial: Manhua yuekan, 1950–1960 -- Epilogue -- Notes -- Selected Glossary -- Works Cited -- Index
    Inhalt: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style
    Anmerkung: Mode of access: Internet via World Wide Web.
    Weitere Ausg.: ISBN 9780520309104
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Crespi, John A. Manhua modernity Oakland, California : University of California Press, 2020 ISBN 9780520309104
    Sprache: Englisch
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    gbv_1778464068
    Umfang: 1 Online-Ressource (219 p.)
    Inhalt: From fashion sketches of Shanghai dandies in the 1920s, to phantasmagoric imagery of war in the 1930s and 1940s, to panoramic pictures of anti-American propaganda rallies in the 1950s, the cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated and deeply contextualized analysis of these illustrations from the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. “An innovative reconceptualization of manhua. John Crespi’s meticulous study shows the many benefits of interpreting Chinese comics and other illustrations not simply as image genres but rather as part of a larger print culture institution. A must-read for anyone interested in modern Chinese visual culture.” CHRISTOPHER REA, author of The Age of Irreverence: A New History of Laughter in China “A rich media-centered reading of Chinese comics from the mid-1920s through the 1950s, Manhua Modernity shifts the emphasis away from ideological interpretation and demonstrates that the pictorial turn requires examinations of manhua in its heterogenous, expansive, spontaneous, and interactive ways of engaging its audience’s varied experiences of fast-changing everyday life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a Globalizing China
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Honolulu : Univ. of Hawai'i Press
    UID:
    gbv_594403510
    Umfang: X, 228 S. , Ill. , 24 cm
    ISBN: 0824833651 , 9780824833657
    Inhalt: Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China
    Anmerkung: Includes bibliographical references (p. [205] - 222) and index , Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China.
    Sprache: Englisch
    Schlagwort(e): China ; Lyrik ; Hörer ; Geschichte 1900-2000 ; China ; Lyrik ; Deklamation ; Rezeptionsästhetik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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