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  • 1
    Book
    Book
    Evanston, Illinois : Northwestern University Press
    UID:
    b3kat_BV046361555
    Format: xiv, 227 Seiten , 23 cm
    ISBN: 9780810140936 , 9780810140943
    Series Statement: Northwestern University Press studies in Russian literature and theory
    Content: ""How Women Must Write" studies how women who make poems are variously invented in nineteenth and early twentieth-century Russia. The inventors include women poets themselves, readers who derive poets of their own design from women's poems, and male poets who fabricate women and write poems on their behalf. These distinct vantage points on how the woman poet is constituted foreground the complex interactions between writing women and their readers within ever-shifting social, political, and cultural power structures. Hasty's exploration takes us from an emphatically male Romantic age to a modernist period preoccupied with women's creativity but also its containment. Each chapter studies an episode from Russian cultural history that concretely registers women poets' engagements with disincentives. Part one describes the successes and vulnerabilities of Pavlova and Rostopchina who lay groundwork for women writing after them. Part two examines two women invented by men: Cherubina de Gabriak and Briusov's Nelli, who reflect the establishment's efforts to retain command over women's writing in the Silver Age. Part three studies Marina Tsvetaeva's and Anna Akhmatova's challenges to male authority. These are not passive victims of gender-driven limitations, but purposeful actors realizing themselves creatively and advancing the woman poet's cause. The book will appeal to the general reader as well as specialists in Russian literature, women's studies, and cultural history."--Provided by publisher
    Note: Introduction -- Part I. Contentions -- Karolina Pavlova versus Evdokiia Rostopchina -- Evdokiia Rostopchina versus the male tradition -- Part II. Female impersonations -- The Cherubina de Gabriak mystification -- Briusov's Nelli -- Part III. Resistance -- Marina Tsvetaeva versus male authority -- Marina Tsvetaeva and Anna Akhmatova -- Conclusion
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8101-4095-0
    Language: English
    Subjects: Slavic Studies
    RVK:
    RVK:
    RVK:
    Keywords: Russland ; Lyrikerin ; Geschichte 1840-1961
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press
    UID:
    gbv_167987697X
    Format: 1 Online-Ressource (xiv, 227 Seiten)
    ISBN: 9780810140950
    Series Statement: Studies in Russian literature and theory
    Content: Intro -- Contents -- Preface -- Acknowledgments -- Introduction -- Part I - Contentions -- Chapter One. Karolina Pavlova versus Evdokiia Rostopchina -- Chapter Two. Evdokiia Rostopchina versus the Male Tradition -- Part II - Female Impersonations -- Chapter Three. The Cherubina de Gabriak Mystification -- Chapter Four. Briusov's Nelli -- Part III - Resistance -- Chapter Five. Marina Tsvetaeva versus Male Authority -- Chapter Six. Marina Tsvetaeva and Anna Akhmatova -- Conclusion -- Notes -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780810140943
    Additional Edition: Erscheint auch als Druck-Ausgabe Hasty, Olga Peters, 1951 - How women must write Evanston, Illinois : Northwestern University Press, 2020 ISBN 9780810140936
    Additional Edition: ISBN 9780810140943
    Language: English
    Subjects: Slavic Studies
    RVK:
    Keywords: Pavlova, Karolina K. 1807-1893 ; Rostopčina, Evdokija P. 1812-1858 ; Cvetaeva, Marina 1892-1941 ; Russland ; Schriftstellerin ; Geschichte
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  • 3
    Online Resource
    Online Resource
    New York : Oxford University Press
    UID:
    gbv_1756825092
    Format: 1 online resource (352 pages) , illustrations.
    Edition: 20th anniversary edition.
    ISBN: 9780197506561
    Series Statement: Oxford scholarship online
    Content: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 27, 2020)
    Additional Edition: ISBN 9780190886912
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780190886912
    Language: English
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